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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.771477 Composed by David F Wainwright. 20th Century,Standards. Score and parts. 29 pages. D F Wainwright #3473157. Published by D F Wainwright (A0.771477). Changing times was part of a series of pieces aimed at preparing young players for the way music was written in the late twentieth century. Its harmonic structure was also intended to prepare the ear for 20th century sounds while remaining playable within their limited technique. It was featured several times in concerts in the concert hall of the Royal Northern College of Music. It takes the form of a concerto grosso, with a concertante group (string quartet) and ripieno strings. Its duration is 3 minutes. david@spring quartet.co.uk ; www.springquartet.co.uk2018 Chamber Music Contest Entry
Changing Times for String Quartet and String Orchestra, score, parts
Quatuor à cordes: 2 violons, alto, violoncelle

$15.99 13.73 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1477363 By Elton John. By Elton John and Tim Rice. Arranged by Anthony Pil. Broadway,Film/TV,Musical/Show,Wedding. 12 pages. AnthonyP #1054786. Published by AnthonyP (A0.1477363). Experience the magic of Disney with this enchanging string quartet arrangement of Circle Of Life from The Lion King. Perfectly crafted to capture the spirit and grandeur of this iconic anthem, this medium-difficult arrangement brings a touch of cinematic brilliance to your event. Whether it's for a wedding, christening, birth celebration or you just like to play the film theme, let the powerful melody and rich harmonies transport you and your audience to the heart of the savannah.
Circle Of Life
Quatuor à cordes: 2 violons, alto, violoncelle
Elton John
$15.00 12.88 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1006728 Composed by Nicole Billimoria. Jazz. Score and parts. 15 pages. Nicole Billimoria #1892907. Published by Nicole Billimoria (A0.1006728). Red Cats at Midnight was originally performed for solo violin and guitar in 2010 by Natasha Paige for her IB recital. It was then arranged for a gypsy jazz quartet and performed in 2013 by Red Cats at Midnight and is now played regularly by the Red Cedar String Quartet as a string arrangement. This piece is suitable for an advanced string quartet approximately Grade 5 AMEB and above. It features double stop pizzicato, features a swing rhythm throughout and has interchanging question and answer passages between the different voices.
Red Cats at Midnight
Quatuor à cordes: 2 violons, alto, violoncelle

$30.00 25.75 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1385858 Composed by Johann Pachelbel. Arranged by Stephen Levintow. Baroque,Standards,Wedding. 13 pages. Cypress Publishing #969800. Published by Cypress Publishing (A0.1385858). By far the best known work of early baroque master Johann Pachelbel, this piece has become one of the most popular pieces from the classical music tradition around the world. It is a particular favorite for wedding ceremonies, with its gradually shifting texture over an unchanging bass line. A full cadence every two bars makes it a perfect processional. Originally written for three violins and bass instrument, this arrangement has both the original notes and optional ossias in the 3rd part if desired to avoid the highest passages for viola. Suggestions for tempo, dynamics and articulation are included, as the original does not have any.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
Canon in D
Quatuor à cordes: 2 violons, alto, violoncelle
far the best known work of early baroque master Johann Pachelbel, this piece has become one of the most popular pieces from the classical music tradition around the world It is a particular favorite for wedding ceremonies, with its gradually shifting texture over an unchanging bass line
$4.00 3.43 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
Morango ... almost a tango, full score
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.58 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.585028 Composed by Dave Bainbridge, Frank T. Essen Van, Frank Van Essen, Joanne Heather Hogg, Phil Barker, and Troy Donockley. Arranged by Jeff Tincher. Contemporary. Score and parts. 24 pages. Jeff Tincher #6131569. Published by Jeff Tincher (A0.585028). Here is another Contemporary Christian song from the U.K. group IONA. Idea for the song comes from Nehemiah 9:6. In the original key from their Open Sky project, this song has many different tempo changes while interchanging between 6/8 and 7/4 time changes. Duration = 6:01. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
Wave After Wave
Quatuor à cordes: 2 violons, alto, violoncelle

$12.99 11.15 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$49.95 42.88 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$74.95 64.33 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Drums,Guitar,Hand Percussion - Digital Download SKU: A0.1070355 Composed by Jim Bosse. Contemporary,Folk. Full Performance. Duration 916. Jim Bosse #4595329. Published by Jim Bosse (A0.1070355). Shavano Suite is a set of four pieces inspired by folklore and campfire tales from the Mount Shavano/Maysville area in the Rocky Mountains of Colorado. Individual movement titles are: Angel of Shavano, Tie Hacks, Hanging Tree, and Grave of Charlie Reynolds. The suite was originally scored for classical guitar duet, but this version was expanded for classical guitar, strings and percussion. This recording has the composer on guitar and computer generated string and percussion parts. Jim's web site is www.facebook.com/jimbosseguitar .
Shavano Suite
Quatuor à cordes: 2 violons, alto, violoncelle

$2.99 2.57 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.995180 Composed by Anthony Bannach. 20th Century,Contemporary. Score and parts. 76 pages. Anthony Bannach Music #4735689. Published by Anthony Bannach Music (A0.995180). My first string quartet draws a lot of inspiration from early 20th century composers, which perhaps might be my favorite era of classical music. I am oft inspired by the music from Stravinsky, Nielsen, and Debussy, among others. However, the composer to have the most influence on me for the past few years is Bartok, and I believe it is evident in this work as well. I loved Bartok's use of the tritone as a tonal center, the vast and frequent changes of tempo, and the multitude of textural colors and extended techniques in his works. Most of the extended techniques are found in the second movement, an example of which is the Bartok pizzacatto, which today is a commonly found and utilized articulation. But I also have some newer techniques such as aleotoric passages, originally created by composers such as Charles Ives and Henry Crowell and which saw more prominent usage through the likes of John Cage and Witold LutosÅ‚awski, are still quite new and fresh compositional tools. The third movement is much more song-like and tonal in nature than the first two movements, but really adapts Bartok's style of changing the tempo often to bridge different sections. Ultimately, I see the quartet as a microcosm of the music I want to continue writing in the future, not over-indulging in the intellectual exercises of mid-to-late 20th and 21st century classical music, while at the same time not relying on the tonal and emotional tropes of the past. .
String Quartet No. 1
Quatuor à cordes: 2 violons, alto, violoncelle

$15.00 12.88 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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