String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1488221 By Tool. By Adam Jones, Daniel Carey, James H. Keenan, and Paul D'amour. Arranged by Emelyn Bashour. Grunge,Pop,Punk,Rock. 32 pages. Emelyn Bashour #1065107. Published by Emelyn Bashour (A0.1488221).

By Frank Loesser. Arranged by James H. Marler, II. Score, Set of Parts. 12 pages. Published by Alicorn Music (ASCAP)

String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548635 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405927. Published by jmsgu3 (A0.548635). Away in a Manger arranged for string quartet with a re-harmonization for the final verse. Very easy to play and easy on the ear. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the music. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the songs to an old Normandy carol. 

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 23 pages. Jmsgu3 #1005325. Published by jmsgu3 (A0.1424141). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1429486 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 114 pages. Jmsgu3 #1010181. Published by jmsgu3 (A0.1429486). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive. YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRBZOVDKAJZAWv5auRCmS-6v.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1422774 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1004127. Published by jmsgu3 (A0.1422774). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1424210 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #1005396. Published by jmsgu3 (A0.1424210). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1429451 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #1010138. Published by jmsgu3 (A0.1429451). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1427547 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 16 pages. Jmsgu3 #1008279. Published by jmsgu3 (A0.1427547). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1428102 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1008910. Published by jmsgu3 (A0.1428102). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.

By MARCOS LUIZ MENDES FEITOSA. By Felix Bartholdy Mendelssohn, Franz Xaver Gruber, Georg Friederich Händel, George Job Elvey, James Lord Pierpont, James Ramsey Murray, John Francis Wade, Lewis Redner, Richard Storrs Willis, Traditional English, Traditional French, Traditional Welsh, and etc. Arranged by MARCOS LUIZ MENDES FEITOSA. Christmas,Multicultural,Praise & Worship,Sacred,Traditional,Wor ld. 142 pages. Marcos Luiz Mendes Feitosa #897151. Published by Marcos Luiz Mendes Feitosa

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.506058 By MARCOS LUIZ MENDES FEITOSA. By Felix Bartholdy Mendelssohn, Franz Xaver Gruber, Georg Friederich Händel, James Lord Pierpont, James Ramsey Murray, John Francis Wade, Lewis Redner, Traditional English, Traditional French, and Traditional Welsh. Arranged by MARCOS LUIZ MENDES FEITOSA. Christmas,Multicultural,Praise & Worship,Sacred,Traditional,World. Score and parts. 103 pages. Published by Marcos Luiz Mendes Feitosa (A0.506058). In this special Christmas book, 10 known and most traditional Christmas songs are gathered here: Jingle Bells, We Wish You A Merry Christmas, Adeste Fideles, Joy To The World, Hark The Herald Angels Sing, Gloria in Excelsis Deo, O Little Town of Bethlehem, Silent Night, Away in a Manger and Deck the Halls, which were adapted for String Quartet, they makes us travel through this time of celebration, joy and harmony between peoples and makes us feel the true spirit of Christmas!

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.582507 By Faith Hill. By James Horner, Mariah Carey, Wilbur H Jennings, and Will Jennings. Arranged by Jeff Tincher. Contemporary,Pop. Score and parts. 27 pages. Jeff Tincher #3227483. Published by Jeff Tincher (A0.582507). This is a string quartet (Violins 1 & 2, Viola, Cello) arrangement of this very popular Christmas song. This is Faith Hill's version in the original key from the motion picture How The Grinch Stole Christmas soundtrack. This song has several key changes, a lot of moving parts. The melody moves between Viola, Violin1 and Violin 2. Great for any Christmas performance !  Duration=4:02. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Composed by James Lord Pierpont. Arranged by Marcos H. Scheffel. Christmas. Score and parts. 12 pages. Marcos Scheffel #6601857. Published by Marcos Scheffel

By MARCOS LUIZ MENDES FEITOSA. By Georg Friederich Händel, James Lord Pierpont, Traditional English, Felix Bartholdy Mendelssohn (1809- 1847), and John Francis Wade (1711-1786). Arranged by MARCOS LUIZ MENDES FEITOSA. Christmas, Praise & Worship, Romantic Period, Sacred, Traditional. Score and parts. 47 pages. Published by Marcos Luiz Mendes Feitosa