SKU: A0.1341863

Score #70299 from Music for Four, Volume 2
Baroque Classical and Romantic Favorites 

Works by Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more!  An incredible collection of 25 arrangements for strings, woodwinds, French horn & piano – these mix and match quartets allow the performer to pick the instrumentation. Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played.

Table of Contents
Arioso from Cantata #156 (Bach) 
Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) 
My Heart Ever Faithful from Cantata #68 (Bach) 
Sheep May Safely Graze from Cantata #208 (Bach) 
Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) 
Ode to Joy from Symphony #9 (Beethoven) 
Nocturne from String Quartet #2 in D Major (Borodin) 
Prelude from Op. 28, #4 & #15 (Chopin) 
Pavane from Op. 50 (Faure) 
Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) 
La Rejouissance from The Fireworks Music (Handel) 
Andante from String Quartet in F Major, Op. 3, #15 (Haydn) 
Wedding March from A Midsummer Night's Dream (Mendelssohn) 
Rondeau from Sinfonies de Fanfares (Mouret) 
Andante from K. 316 for Flute and Orchestra (Mozart) 
Crisantemi (Puccini) 
Trumpet Tune (Purcell) 
Ave Maria (Schubert) 
Am Camin  & Traumerei from Kinderscenen (Schumann) 
Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) 
Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi)

Parts Available for purchase separately

70211  Part 1 Flute or Oboe or Violin 
70213  Part 1 Clarinet in Bb 
70221  Part 2 Flute or Oboe or Violin
70223  Part 2 Clarinet in Bb 
70231  Part 3 Viola
70236  Part 3 Violin in C  
70232  Part 3 French Horn or English Horn in F
70233  Part 3 Clarinet in Bb 
70241  Part 4 Cello or Bassoon
70243  Part 4 Bass Clarinet in Bb 
70250  Keyboard or Guitar 
70299  Score (Parts 1-4 in C)

SKU: A0.1013056

Super Collider (2010, 18 minutes)
Kronos Quartet and electronic gamelan

Composed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokok

Gamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.

Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The Guardian

Super Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.

What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.

The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.

When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.

Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.

About the Composer

Supercollider