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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010.  It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below).  This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours.  This quiet but lovely music soothed and pacified me.  On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you --  whenever you acquire a recording of it by some lucky quartet ensemble.  Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet.  This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary:   Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B.  Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
String Quartet - William and Mary
Quatuor à cordes: 2 violons, alto, violoncelle
Mike Strand, ASCAP 

I wrote this String Quartet in a composition class at the College of William and Mary in 2010   It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below)
$7.00 6 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1081261 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged by Luis Turina and Nonamé Música. 20th Century,Broadway,Film/TV,Musical/Show,Wedding. Score and parts. 22 pages. Nonamé Música #685399. Published by Nonamé Música (A0.1081261). (Spanish below) Based on the suite A Symphonic Fantasy, we did a conversion with three of the most remembered melodies from Mary Poppins. You have an intro with chim-chim-cheree, followed by feed the birds, but they don't fully develop. After that, A Spoon of Sugar, with the birds part made by the first violin and the second and viola enkoying. The next part is, now complete, Chim-Chim-Cheree, with the melody starting in the cello, and then passing by the rest of instruments from lower to higher. When the second plays the melody, the first plays a counter-theme a little bit tricky. And, in the end, now complete, Feed the Birds, with constant dialogs between the violins. Tested and approved arrangement. All Nonamé arrangements are prepared to avoid page turns if you print the covers properly. Basándonos en la suite A Symphonic Fantasy, hicimos una conversión con tres de las melodías más recordadas de Mary Poppins. Tienes una introducción con chim-chim-cheree, seguida de Pan para los pájaros, pero no se desarrollan por completo. Después, Con un Poco de Azúcar, con la parte de los pájaros hecha por el primer violín y el segundo y la viola disfrutando. La siguiente parte es, ya completa, Chim-Chim-Cheree, con la melodía comenzando en el violoncello, y luego pasando por el resto de instrumentos de más grave a más agudo. Cuando el segundo toca la melodía, el primero tiene un contratema un poco complicado. Y, al final, ya completo, Pan Para los Pájaros, con diálogos constantes entre los violines. ¡Arreglo probado y aprobado! Todos los arreglos de Nonamé están preparados para evitar el paso de página si imprimes las portadas correctamente.
Mary Poppins: A Symphonic Fantasy
Quatuor à cordes: 2 violons, alto, violoncelle

$19.99 17.13 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1185072 By Lady Gaga. By Clinton Sparks, Fernando Garibay, Paul Blair, Stefani Germanotta, and William Grigahcine. Arranged by Norbert Kurunci. Chamber,Disco,Funk,Hip-Hop,Pop,R & B. 22 pages. Norbert Kurunci #784750. Published by Norbert Kurunci (A0.1185072). Transform your Lady Gaga fan experience with our hauntingly beautiful String Quartet Arrangement of Bloody Mary. This meticulously crafted Sheet Music will transport your audience to a dark and twisted world, perfect for any event looking to add an edge of theatricality. Elevate your performance and leave a lasting impression with this unique and captivating rendition. Arrangement Description: Key: A minorFile Type: PDFArranged for: String QuartetArranger: Norbert Kurunci.
Bloody Mary
Quatuor à cordes: 2 violons, alto, violoncelle
Lady Gaga
$15.99 13.71 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1428102 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1008910. Published by jmsgu3 (A0.1428102). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 36.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1422774 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1004127. Published by jmsgu3 (A0.1422774). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
Schumann: Fugue 1 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 36.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1424210 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #1005396. Published by jmsgu3 (A0.1424210). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
Schumann: Fugue 3 from Six Fugues on BACH, Op. 60, for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 36.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1427547 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 16 pages. Jmsgu3 #1008279. Published by jmsgu3 (A0.1427547). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
Schumann: Fugue 4 from Six Fugues on BACH, Op. 60, for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 36.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 23 pages. Jmsgu3 #1005325. Published by jmsgu3 (A0.1424141). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 36.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1429486 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 114 pages. Jmsgu3 #1010181. Published by jmsgu3 (A0.1429486). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive. YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRBZOVDKAJZAWv5auRCmS-6v.
Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$82.95 71.1 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1429451 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #1010138. Published by jmsgu3 (A0.1429451). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 36.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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