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String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.1090452

Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Elia's Forte Music #694630. Published by Elia's Forte Music (A0.1090452).

The composition 4 Prague Poems of Altered Minds for a classical string quartet (two violins, viola, cello) and electronics and has been written by an award wining composer Elia Cmiral. The composition is in traditional four movements, it can be performed together with electronic pre-recorded material or as an option together with film produced and directed by Elia Cmiral. The composition expresses the feeling of hopelessness and despair by the breakdowns of values in our societies, reflects the change in the human minds in a global crisis exacerbated by the COVID-19 pandemic. Composition has started during the COVID-19 pandemic and was completed last year (2021) premiered live with the film in Prague, Czech Republic by a prime string ensemble Epoque Quartet that also played the whole piece in the film. The visual part of the project has emotional attachment to the city of Prague, each movement brings poetic visions of the city, raising the questions - Did we really lose ourselves? Is humanity going to destroy itself with its endless and arrogant greed? Where are we heading? After three dark movements we find in the last movement a hope in human creativity, love and finding a light in the end of the dark tunnel. Movement I – Desolated City and its Living Shadows (8 min), fast and rhythmical Movement II - Tears of a Dark River (10 min), slow and emotional Movement II - Anguish and Rage (4 min), extremely fast and dissonant Movement IV - Faith in Hope (6 min), medium tempo, rather emotional Performing Options: Option 1. Played with electronics guided with a click track Option 2. Played with electronics guided with a click track synchronized to the film To obtain the audio track for the electronics, the click track and/or the video for live performance please contact the publisher at www.EliaCmiral.com Elia Cmiral is an award wining composer with over 70 film scores as well as numerous chamber music compositions. His musical style combines contemporary electronics with the modern orchestra, joining cutting edge technology and production with evocative and haunting melodic themes. Born in formal Czechoslovakia now lives in Los Angeles, USA. The Parts are available separately.

4 Prague Poems of Altered Minds - Score
Quatuor à cordes: 2 violons, alto, violoncelle

$49.99 46.22 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.1090455

Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 66 pages. Elia's Forte Music #694633. Published by Elia's Forte Music (A0.1090455).

The composition 4 Prague Poems of Altered Minds for a classical string quartet (two violins, viola, cello) and electronics and has been written by an award wining composer Elia Cmiral. The composition is in traditional four movements, it can be performed together with electronic pre-recorded material or as an option together with film produced and directed by Elia Cmiral. The composition expresses the feeling of hopelessness and despair by the breakdowns of values in our societies, reflects the change in the human minds in a global crisis exacerbated by the COVID-19 pandemic. Composition has started during the COVID-19 pandemic and was completed last year (2021) premiered live with the film in Prague, Czech Republic by a prime string ensemble Epoque Quartet that also played the whole piece in the film. The visual part of the project has emotional attachment to the city of Prague, each movement brings poetic visions of the city, raising the questions - Did we really lose ourselves? Is humanity going to destroy itself with its endless and arrogant greed? Where are we heading? After three dark movements we find in the last movement a hope in human creativity, love and finding a light in the end of the dark tunnel. Movement I – Desolated City and its Living Shadows (8 min), fast and rhythmical Movement II - Tears of a Dark River (10 min), slow and emotional Movement II - Anguish and Rage (4 min), extremely fast and dissonant Movement IV - Faith in Hope (6 min), medium tempo, rather emotional Performing Options: Option 1. Played with electronics guided with a click track Option 2. Played with electronics guided with a click track synchronized to the film To obtain the audio track for the electronics, the click track and/or the video for live performance please contact the publisher at www.EliaCmiral.com Elia Cmiral is an award wining composer with over 70 film scores as well as numerous chamber music compositions. His musical style combines contemporary electronics with the modern orchestra, joining cutting edge technology and production with evocative and haunting melodic themes. Born in formal Czechoslovakia now lives in Los Angeles, USA. The Score is available separately.

4 Prague Poems of Altered Minds - Parts
Quatuor à cordes: 2 violons, alto, violoncelle

$49.99 46.22 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1316369

By Panic! At the Disco. By Brendon Urie, Brent Wilson, Ryan Ross, and Spencer Smith. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock. 27 pages. Sarah Cellobat Chaffee #905113. Published by Sarah Cellobat Chaffee (A0.1316369).

I Write Sins Not Tragedies was released in 2006 as the second single from Panic! At The Disco's debut album, and it quickly became one of the biggest hits of the year. Thematically based on one of the songwriter's favorite novels, the song reached the top 10 on the Billboard charts, and its bizarre music video (featuring a chaotic circus-themed wedding) ended up winning Video of the Year at that year's MTV Video Music Awards. The song is still beloved by alternative rock and pop-punk fans to this day, so it definitely makes a great addition to your gig books! This Cellobat arrangement for your string quartet features the song's original pizzicato motifs, catchy choruses, and in-your-face energy for a chart that's just as much fun to play as it is to listen to. Rated intermediate; this will be learnable for students and sightreadable for professionals.

Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:

http://www.cellobat.com
http://www.instagram.com/cellobat
https://www.youtube.com/@Cellobat.

I Write Sins Not Tragedies
Quatuor à cordes: 2 violons, alto, violoncelle
Panic! At the Disco
$16.99 15.71 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download

SKU: A0.1491194

Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 20 pages. Jmsgu3 #1067931. Published by jmsgu3 (A0.1491194).

Good King Wenceslas is a well-known Christmas carol that narrates the story of a kind-hearted ruler who braves winter weather to help a poor peasant. The carol is inspired by the historical figure of Saint Wenceslas I, Duke of Bohemia, who lived from approximately 907 to 935 AD. Although he is referred to as a king in the carol, he was a duke during his lifetime; the title of king was conferred upon him posthumously by Holy Roman Emperor Otto I.

Historical Context

Wenceslas was born into a Christian family and raised primarily by his grandmother, Ludmila, who significantly influenced his faith. His mother, Drahomíra, was aligned with paganism and ultimately had Ludmila murdered to gain power. Upon becoming Duke at 18, Wenceslas sought to promote Christianity and was known for his charitable acts, especially towards the poor and marginalized. His reign was marked by efforts to end religious conflicts and to build churches, including part of what is now St. Vitus Cathedral in Prague. However, his commitment to Christianity and his benevolent nature made him a target for his jealous younger brother, Boleslav, who ultimately conspired to murder him in 929 or 935 AD.

The Carol

The carol Good King Wenceslas was written in 1853 by English hymn-writer John Mason Neale, set to a melody from a 13th-century spring carol. It was designed to encourage Christian charity, particularly during Christmas, and is traditionally sung on the Feast of Stephen, December 26. The lyrics depict Wenceslas and his page witnessing a poor man gathering firewood and deciding to help him by bringing food and supplies. This story reflects the historical Wenceslas's reputation for generosity and compassion, which has led to his veneration as a saint and the patron saint of the Czech Republic. His legacy is celebrated in the Czech Republic, where he is known as Václav, and he is commemorated on September 28, known as St. Wenceslas Day.

Cultural Significance

The carol has become a staple of Christmas music in the English-speaking world, performed by various artists and choirs. It serves not only as a festive song but also as a reminder of the values of charity and kindness, echoing the life and virtues of the historical Wenceslas.

Guthrie: Good King Wenceslas for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 32.32 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.511457

Composed by G.Braga. Arranged by Han-Ki Kim. Instructional,Romantic Period,Wedding. Score and parts. 13 pages. Han-Ki Kim #3093349. Published by Han-Ki Kim (A0.511457).

1. Shown Bowing sign and Fingering will be very helpful to player.
2. Can be played as String Quintet(Orchestra).
3. Arranger is very experienced, and his works are loved world widely.

Han-Ki Kim
Arranger, Violinist. He earned his Master's degree from the Michigan State University (Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic's Dobřichovice International Music Camp, and now Korean Suzuki Association Music Camp.
Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University's College of Performing Arts. Now he is Emeritus professor of Changwon National University.

Angel's serenade (For String Quartet)
Quatuor à cordes: 2 violons, alto, violoncelle

$11.90 11 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.798137

Composed by Chiho Kiyooka. Arranged by Inacio Saldanha. Contemporary. Score and parts. 10 pages. Inacio Saldanha #6861317. Published by Inacio Saldanha (A0.798137).

Cha-La Head-Cha-La (Japanese: ãƒãƒ£ãƒ©ãƒ»ãƒ˜ãƒƒãƒãƒ£ãƒ©, Hepburn: Chara Hetchara) is the first opening theme song of the Dragon Ball Z anime series and the fifteenth single by Japanese singer Hironobu Kageyama. It was released on vinyl, cassette, and mini CD on May 1, 1989. It is coupled with the first Dragon Ball Z closing theme Detekoi Tobikiri Zenkai Power! (ã§ã¦ã“ã„ã¨ã³ãã‚ŠZENKAIパワー!, Detekoi Tobikiri Zenkai PawÄ!) performed by Manna.

The song opened for the first 199 episodes of the TV series and the first nine movies of the film series. It has been re-recorded in many other languages with an English version performed by Kageyama himself that was released on his third greatest hits album entitled Hironobu Kageyama Best Album 3: Mixture in 1996. The single sold 1.3 million copies in Japan.

Key of E. Arranged for String Quartet. Intermediate.

Instagram: @inaciosal / @inaciosaldanhaarranjador

Cha La Head Cha La
Quatuor à cordes: 2 violons, alto, violoncelle

$14.99 13.86 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.1377435

Composed by Gustav Lange (1830-1889). Arranged by RUSSELL T. KING. 19th Century,Chamber,Contest,Festival,Romantic Period. 19 pages. EMK Music #962028. Published by EMK Music (A0.1377435).

Scored for 2 Violins, Viola and Violoncello, there is am Alternative Part Three for Violin (Viola) and an optional Contrabass Part so it can be performed by a String Orchestra.

Gustav Lange (1830-1889) was a German composer known mainly for his salon music for the piano. Encouraged by the success of some 1860s compositions, he produced a large number of works, most of which were light and popular piano pieces of which he wrote around 500. Edelweiss op. 31 and Blumenlied op. 39 are perhaps two of his best-known works today.

FLOWER SONG op. 39 – STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle

$14.00 12.94 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.938389

Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389).

This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.

String Quartet No. 6 (Lochrian) (score)
Quatuor à cordes: 2 violons, alto, violoncelle

$8.00 7.4 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.938391

Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391).

This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.

String Quartet No. 6 (Lochrian) (parts)
Quatuor à cordes: 2 violons, alto, violoncelle

$10.00 9.25 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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