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String Quartet Cello,String Quartet,Viola,Violin - Digital Download

SKU: A0.1511369

Composed by Clara Wieck-Schumann. Arranged by Stephen Levintow. 19th Century,Romantic Period. 32 pages. Cypress Publishing #1086543. Published by Cypress Publishing (A0.1511369).

Appreciation for the quality and charm of Clara Schumann’s music has increased in recent years as it has become better known. She was the daughter and prize pupil of the celebrated piano teacher Friedrich Wieck, and she toured internationally by her early teens. Wieck also taught Robert Schumann, but bitterly opposed the liaison of Robert and Clara, aware that it would cause him to lose control of her career and the income it generated. The two were able to marry only after a long court battle with Wieck.

In the 40 years that Clara survived Robert, she composed very little, devoting her energy to performance, and to securing Robert’s musical legacy. Nobody can blame her for this, especially as performing was a far more secure way to support her large family. But we can still regret that she did not compose more, given the excellence of the small body of work we have.

This set includes arrangements of two piano pieces from her Opus 15, Vier flüchtige Stücke (Four Fleeting Pieces), and two Lieder for voice and piano from her Opus 13, Der Mond kommt still gegangen (The Moon Comes Quietly) and Liebeszauber (Love’s Spell). Clara’s musical forms are generally more conventional than Robert’s, but she is capable of bold harmonies and modulations, often in the middle sections of her piano pieces. Opus 15, No. 3, the third of this set, is an example, with some rhythmic challenges to the quartet.

Cypress Publishing offers other works by Clara Schumann arranged for string quartet under “Two Pieces by Clara Schumann” (from Op. 15 and Op. 21), and her wonderful song Liebst du um Schönheit (If You Love for Beauty), paired with Robert’s great Mondnacht (Moonlit Night) as “Two Songs by the Schumanns”.

CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. 

The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.

Four Melodies by Clara Schumann
Quatuor à cordes: 2 violons, alto, violoncelle

$9.00 8.54 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.1332112

Composed by Clara Schumann (1819-1896) and Robert Schumann (1810-1856). Arranged by Stephen Levintow. 19th Century,Chamber,Romantic Period. 13 pages. Cypress Publishing #918892. Published by Cypress Publishing (A0.1332112).

A matched pair of love songs by Robert Schumann and his wife Clara, who was a celebrated pianist and gifted composer in her own right, as this example proves. The selections are her Liebst du um Schönheit and Robert's Mondnacht.

CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. 

The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.

Two Songs by the Schumanns
Quatuor à cordes: 2 violons, alto, violoncelle

$4.00 3.79 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.550198

Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 7 pages. Jmsgu3 #4598525. Published by jmsgu3 (A0.550198).

Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›ní Duration ca. 2:38 An unexpected and welcome recital encore. 

Träumerei is the seventh and most renowned movement of Robert Schumann's Kinderszenen, Op. 15 (Scenes from Childhood), which was composed in 1838. It is a solo piano piece and is a perfect example of a lyrical composition, combining tenderness and tremendous emotion. The title Träumerei means Dreaming, it was written as a tribute to Schumann's four-year-old daughter, Marie. The piece was published as part of Kinderszenen on December 27, 1838, with the title given by the composer himself, reflecting his longing for his childhood and the innocence of his children. The composition evokes a mood of aching melancholy, loss, and nostalgia, which has contributed to its universal popularity. It has been embraced for its sweetness and longing, and it communicates the idea of dreaming and nostalgia, appealing to both adults and children.

Träumerei gained significant recognition in the Soviet Union, where it was selected to be played in the background during a moment of silence in memory of the victims of the Soviet Union's war against Nazi Germany. The piece's universal emotional appeal has made it a beloved and widely recognized masterpiece. The composition has been featured in various films and arranged for different instruments, contributing to its enduring popularity and cultural significance.

Schumann: Träumerei Op. 15 No. 7 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$47.95 45.48 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1422308

Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 43 pages. Jmsgu3 #1003643. Published by jmsgu3 (A0.1422308).

Schumann's Op. 72 is an integral part of his compositional output. The set consists of four fugal character pieces - a category that Schumann viewed as defining true music. The four fugues were composed as part of Schumann's studies in counterpoint that he undertook with his wife Clara in 1845. During this period, Clara also composed several fugues, including some on themes by Robert. Schumann's Op. 72 Fugues demonstrate his mastery of the fugal form and his passion for the genre, which is also evident in other works like his Six Fugues on the Name BACH, Op. 60. Overall, the Four Fugues, Op. 72 are an important example of Schumann's contrapuntal writing and his exploration of the fugue as a musical form.

Schumann: Four Fugues, Op. 72, for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 40.74 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download

SKU: A0.1429486

Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 114 pages. Jmsgu3 #1010181. Published by jmsgu3 (A0.1429486).

The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive. 
YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRBZOVDKAJZAWv5auRCmS-6v.

Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$82.95 78.69 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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