String Quartet - Intermediate - Digital Download By Panic! At the Disco. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 21 pages. Published by Sarah Chaffee

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.773330

Composed by Various. Arranged by Yoel Epstein. Christian,Contemporary,Jewish,World. Score and parts. 37 pages. Yoel Epstein #4285845. Published by Yoel Epstein (A0.773330).

These six songs have become icons of remembrance of the six million Jews who died in the Holocaust. They are traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world.

Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Days before the ghetto was destroyed and all the Jews murdered, Sutskover escaped to the forest with his wife. He reached Russia, and in 1947 moved to Palestine. He died in Israel in 2010 at the age of 96. The poem was set to music by Avraham Brodna, a simple laborer in the Vilna ghetto who died in a concentration camp.

Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community.

Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Volkovitzky, who wrote the melody for a song contest organized to encourage the cultural life of the ghetto, eventually came to Israel where he (under the name Alexander Tamir) became a leading pianist and music educator. The words are by Shmerke Kacserginsky, a leading poet of Vilna, who later escaped the Holocaust and migrated to South America.

Papirossen (Cigarettes) actually predates the Holocaust by 15 years. It was written by Yiddish actor and composer Herman Yablokoff in 1922 in Grodno, Poland. Yablokoff later immigrated to America, where he produced a musical Papirossen that incorporated the song. It was later made famous by the Barry Sisters, a Yiddish popular music group.

Donna Donna was written by Shalom Secunda, with words by Aaron Zeitlin for the Yiddish musical Esterke in 1940. Though the song originally related to the 600-year-old legend of a Polish king who married a Jewess, it quickly became associated with the Holocaust because of its haunting message. The song has entered the popular folk repertoire, with canonical renditions by Joan Baez, Theodore Bikel, and many others.

 Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune.

 You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.

 

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.784347

Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347).

1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments

If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!

The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!

I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.

As with those initial exercises, you can vary these as much as you’d like.

·     Choose a tempo.

·     Choose a dynamic.

·     Choose an articulation/style.

One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.

Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.

If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.

The variations are endless!

If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.

All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!

Enjoy!

String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.977347

Composed by Trad, H. Suter. Arranged by Des McNutty. Baroque,Easter,Renaissance. Score and parts. 16 pages. Des Press #5292335. Published by Des Press (A0.977347).

The Basler Fasnacht, known locally in Basel Stadt (CH) as D’ drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate together with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017.

 

Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique, with piccolos and side-drums made and played according to local custom.

Symphonie Fastnachtique, part 1 contains four melodies from the Cliques: Der Arabi Nr 1, 2 and 3, followed by the Wettstein Marsch by Swiss composer Hermann Huber (1870-1926). The melodies in Der Arabi may sound familiar but the chances are that they pre-date their more famous versions. For example, Der Arabi Nr 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe.

 

This version for string quartet is a mixture of original piccolo voicings and indulgence by the arranger. Some of the part for viola is based on an optional 4th voice, the Zierstimm.

 

Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A standard march is around 120 BPM. 

 

Vyyl Gniege! (Enjoy!)

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1082244

Composed by Siddhartha Khosla. Arranged by Graham Boag. Film/TV. Score and parts. 12 pages. Graham Boag #686393. Published by Graham Boag (A0.1082244).

This arrangement of the Main Theme from this hit Disney+ series is for String Quartet. A breif description of the story line is: The series follows three strangers (Steve Martin, Martin Short, and Selena Gomez) who share an obsession with true crime and suddenly find themselves wrapped up in one. When a grisly death occurs inside their exclusive Upper West Side apartment building, the trio suspects murder and employs their precise knowledge of true crime to investigate the truth. As they record a podcast of their own to document the case, the three unravel the complex secrets of the building which stretch back years. Perhaps even more explosive are the lies they tell one another. Soon, the endangered trio comes to realize a killer might be living amongst them as they race to decipher the mounting clues before it's too late.

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.938382

Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 42 pages. Colin Bayliss #6123. Published by Colin Bayliss (A0.938382).

(B33) was first written as Piano Sonata No.1 [B12] in late 1981. It was revised into a string quartet in January 1990. There are four movements, and all the thematic material, whether tonal, atonal or serial is derived from the music of the first seven bars. After this opening, the first movement is written in a straightforward sonata form, using a mixture of tonal and serial themes in constantly changing rhythms. The second movement Adagio also contrasts tonal and serial themes, while the third movement is a short scherzo and trio, with an atonal motif in the scherzo being treated in simple rhythms. A lyrical variation of the main theme of the slow movement is used for the trio, and develops further into a simple diatonic tune. The last movement is a kaleidoscopic treatment of the preceding thematic material, together with further variations and short contrapuntal passages, to give the effect of a rondo. The motif from the beginning of the whole work then returns as a coda to unify the quartet. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this particular quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573541672.

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.938383

Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 30 pages. Colin Bayliss #6121. Published by Colin Bayliss (A0.938383).

(B33) was first written as Piano Sonata No.1 [B12] in late 1981. It was revised into a string quartet in January 1990. There are four movements, and all the thematic material, whether tonal, atonal or serial is derived from the music of the first seven bars. After this opening, the first movement is written in a straightforward sonata form, using a mixture of tonal and serial themes in constantly changing rhythms. The second movement Adagio also contrasts tonal and serial themes, while the third movement is a short scherzo and trio, with an atonal motif in the scherzo being treated in simple rhythms. A lyrical variation of the main theme of the slow movement is used for the trio, and develops further into a simple diatonic tune. The last movement is a kaleidoscopic treatment of the preceding thematic material, together with further variations and short contrapuntal passages, to give the effect of a rondo. The motif from the beginning of the whole work then returns as a coda to unify the quartet. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this particular quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573541672.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.584377

By Brandon Heath. By Brandon Heath. Arranged by Jeff Tincher. Contemporary. Score and parts. 18 pages. Jeff Tincher #5724855. Published by Jeff Tincher (A0.584377).

Here is the first single by Brandon Heath. In the original key from his Don't Get Comfortable project, Brandon wrote this song for his stepmother, whom he lost contact with when his fathr and stepmother divorced. It is a beautiful song that hit #1 on the charts. Duration = 3:38. Visit my website: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.1210245

Composed by Alan Menken and Glenn Slater. Arranged by Heather Morgan. Broadway,Film/TV,Musical/Show. 11 pages. Heather Morgan #808081. Published by Heather Morgan (A0.1210245).

I See The Light from Tangled arranged for Easy-Intermediate String Quartet.  This arrangement has no key change and stays in G major the whole time.  The accompaniment part is meant to be lush and full.  The first violin has a few spots in 3rd position but other than that everything is in 1st position and the rhythms are very manageable.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1505206

Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #1080594. Published by jmsgu3 (A0.1505206).

The Coventry Carol is an essential and historically significant English Christmas carol with several notable aspects:

Origins and History
It originated in the 16th century in Coventry, England.
The carol was part of a medieval mystery play called The Pageant of the Shearmen and Tailors.
It was performed annually by local trade guilds as part of religious community events that told Bible stories.

Unique Subject Matter
Unlike most Christmas carols, it does not celebrate the birth of Jesus but instead commemorates the Massacre of the Innocents.
The lyrics are from the perspective of mothers in Bethlehem mourning their children who are about to be killed by King Herod's soldiers.

Musical Characteristics
It has a haunting, plaintive melody in a minor key, which adds to its somber mood.
The original medieval melody has been lost, but the current tune dates back to at least 1591.

Historical Preservation
The carol narrowly survived being lost to history. The original manuscript was destroyed in a fire in 1879 but was preserved thanks to earlier transcriptions by scholars. It gained renewed popularity after being broadcast from the bombed ruins of Coventry Cathedral in 1940 during World War II.

Cultural Impact
While not as widely known as some carols, it remains an important part of English Christmas musical traditions.
Its poignant lyrics and melody have made it a powerful and moving piece for many listeners.

Thus, The Coventry Carol represents an important piece of medieval English musical and theatrical history and a unique perspective on the Christmas story that has endured for centuries.

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.987847

Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847).

Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.

String Quartet String Quartet - Digital Download

SKU: A0.895940

Composed by Laura Raty. 20th Century,Contemporary. Score and parts. 15 pages. Laura Raty #6461775. Published by Laura Raty (A0.895940).

This is an original string quartet written using Pitch Class Set theory. Each instrument has it's own unique pitch class set that it sticks to. This piece is meant to depict how some of us may compare ourselves, our own pitch class sets, with others. It teaches that we must be true to who we are and only then can we make something beautiful together.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download

SKU: A0.1192354

Composed by Martin Shaw and Percy Dearmer. Arranged by Gayle Gould. 19th Century,Children,Christian,Christmas,Historic. 22 pages. Gayle Gould #791785. Published by Gayle Gould (A0.1192354).

A happy and fun string quartet arrangement, approximately Grade 4, of a popular early-American Christmas carol originating in England, with sources placing it at various dates and locales. Given the cultural setting, and given the popularity of country dances, no doubt at least the children danced to this tune.

The carol is also known by the name The First Good Thing That Mary Had, which is the first line of text.

PDF contains the full score, individual parts, and a piano reduction provided to give a quick idea of what the arrangement sounds like. The number of verses varies, but one thing is for certain. It's purpose was to teach the story of the Virgin Mary from the birth of Jesus until His glorification in heaven. There are at least seven verses, each one telling Mary's experiences through the life of Christ. No doubt this was used to teach children and others who did not have or could not read the Scriptures.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.884029

By Murray Gold. By Murray Gold. Arranged by Athena Strings. Contemporary. Score and parts. 9 pages. Athena Strings #6354575. Published by Athena Strings (A0.884029).

Doctor Who Theme by Murray Gold arr. Athena Strings, this version follows the original structure of the song.

Find out more about Athena Strings at http://athenastrings.net or at https://www.facebook.com/athenastrings/