String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.527757

Composed by J. P. Sousa. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and parts. 23 pages. Diego Marani #3378927. Published by Diego Marani (A0.527757).

The Stars and Stripes Forever is a patriotic American march widely considered to be the magnum opus of composer John Philip Sousa. By a 1987 act of the U.S. Congress, it is the official National March of the United States of America.
The Stars and Stripes Forever follows the standard American military march form. The march begins with a four-bar introduction, which is followed by a dotted, playful melody. Its trio is the most famous part of the march. Violin I player play the famous obbligato in the first repeat of the trio (the one after the breakstrain). In the final repeat of the trio (grandioso), the Viola joins the Violin I player with a prominent countermelody.

This arrangement for string quartet includes the following parts: Violin I, Violin II, Viola, Cello.

String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.1254390

Composed by John Philip Sousa. Arranged by Marcus Martin. 19th Century,Chamber,Historic,March,Patriotic. 17 pages. Cornelius Edition (uk) #847963. Published by Cornelius Edition (uk) (A0.1254390).

The Stars and Stripes Forever is a patriotic American march written and composed by John Philip Sousa in 1896. By a 1987 act of the U.S. Congress, it is the official National March of the United States of America.  This version in the key of D is for string quartet and will be suitable for offical occasions, weddings and civic functions. Score and parts included.

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download

SKU: A0.747013

By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869549. Published by Keith Terrett (A0.747013).

Arranged for String Orchestra Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!

Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.

Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).

In Quebec the song has been used for several decades in commercials for Sico paint.

In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.

This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.

In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.

The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.

Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.