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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1264664

By David Bowie. By Brian Eno and David Bowie. Arranged by Graham Boag. Pop,Rock,Wedding. 18 pages. Graham Boag #857494. Published by Graham Boag (A0.1264664).

This arrangement for String Quartet of Heroes which was the 12th studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with musician Brian Eno and producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for Heroes, augmented by King Crimson guitarist Robert Fripp.
 
Heroes has received enduring praise, particularly recognised for Fripp's contributions and the album's place within Bowie's long-term artistic development. Though critical opinion has viewed Low as the more ground-breaking record, Heroes is regarded as one of Bowie's best, most influential works. The title track, initially unsuccessful as a single, has remained one of his best-known and most-acclaimed songs. An altered and obscured version of the cover artwork was later used for the cover of The Next Day (2013). Heroes has been reissued several times and was remastered in 2017 as part of the box set A New Career in a New Town (1977–1982).

Heroes
Quatuor à cordes: 2 violons, alto, violoncelle
David Bowie
$18.99 18.24 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.1030368

Composed by Sam Wibowo. 20th Century,Contemporary,Romantic Period. Score and parts. 14 pages. Sam Wibowo #6254985. Published by Sam Wibowo (A0.1030368).

Moles is a 4 minute string quartet which roots from two main concepts: (More famously,) Bach’s and Shostakovich’s musical cryptography and Elgar’s enigma. Hence, the name of the work is something to only be understood by the composer. The main harmonic motif comes from SA(MU)E(L) (WI)B(OWO) which then equates to E-flat, A, E-natural and B-flat which enharmonically become notes of two diminished chords. This motific process has also been done for 4 other people, which is to remain unknown. The development and the interaction between each motif represent and symbolise personal stories along with its rhythmic, harmonic, and expressive aspects such as bar numbers, inversions of chosen chords, and expression markings. The harmonic material throughout the work remains unstable, struggling to find functioning consonance. On the other hand, the rhythmic framework remains fairly stable and metrically comfortable, compensating for the instability of the harmonic material.


Insight into the first 19 bars:

The opening can be seen to canonically imitate, stating the main harmonic motif (E-flat, A, E-natural and B-flat) throughout the 4 string instruments. Each 5 roman numerals introduce each inversion, since 4 more inversions can fit into an octave before completing the cycle. Furthermore this represents the other 4 people in the piece all linking back to me, calming the rhythmic and harmonic variety through the gradual making of the chord: E-flat, E-natural, B-flat and A.  


Sam Wibowo - String Quartet No. 2 "Moles"
Quatuor à cordes: 2 violons, alto, violoncelle

$1.99 1.91 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download

SKU: A0.534402

Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402).

Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948.  

The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino.

This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â?

The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959).

Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello.

Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959)

The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape.

Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â?

Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â?

The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.

Jacques Leguerney: String Quartet in D for two violins, viola and cello
Quatuor à cordes: 2 violons, alto, violoncelle

$38.95 37.41 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1126142

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 11 pages. Jmsgu3 #726845. Published by jmsgu3 (A0.1126142).

Score: 5 pages. Duration: ca. 2:24. 

Johann Sebastian Bach's Prelude and Fugue in A Minor BWV 559 is a two-movement work for organ that is considered one of his finest compositions. It is believed to have been composed in 1723 and is one of his most often-played and recorded pieces.


The Prelude is an impassioned and highly expressive movement that is filled with intricate counterpoint and a variety of textures. Its dynamic range is wide and it showcases Bach's mastery of harmonic and contrapuntal devices. The Fugue, on the other hand, is a highly contrapuntal movement that is based on a powerful and driving motif. Its harmonic structure is tightly constructed and its melodic lines are contoured with great finesse.


Bach's Prelude and Fugue in A Minor BWV 559 is a testament to his remarkable skill as a composer and his mastery of counterpoint. Its structure, texture, and harmonic language are still captivating to modern audiences and it remains one of Bach's most beloved works.

Bach: Prelude & Fugue in A Minor BWV 559 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$32.95 31.65 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download

SKU: A0.1250746

By rema. By Alexandre Uwaifo, Divine Ikubor, Michael Hunter, Rema Gomez, and Selena Gomez. Arranged by Sarah Cellobat Chaffee. Contemporary,Multicultural,Pop,Reggae,Wedding,World. 24 pages. Sarah Cellobat Chaffee #845021. Published by Sarah Cellobat Chaffee (A0.1250746).

Released in February of 2022, Calm Down was the second single from the debut album of Nigerian singer Rema. Not only did the song reach the top of the charts all across Europe, but a remix featuring Selena Gomez also hit number one in the US and across the world. The vibey, feel-good smash hit won the hearts of audiences and critics alike, and anyone who listens is sure to be singing this catchy tune for days -- so this is the perfect new chart to add to your gig books! This Cellobat arrangement for your string quartet features the catchy melodies, danceable beat, and cheerful feel of the original for a chart that you'll love to play! Rated advanced-intermediate just for some complex rhythms; this will be learnable for more advanced students and easily sightreadable for professionals.

Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click Watch near the item details at the top of the page for full video of Calm Down. Crowd pleasing guaranteed.

Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:

http://www.cellobat.com
http://www.instagram.com/cellobat
https://www.youtube.com/@Cellobat.

Calm Down
Quatuor à cordes: 2 violons, alto, violoncelle
rema
$16.99 16.32 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.749744

Composed by Richard Rodgers. Arranged by Stephen M. Taylor. Contemporary. Score and parts. 10 pages. SMT Music #3908443. Published by SMT Music (A0.749744).

Edelweiss is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is named after the edelweiss, a white flower found high in the Alps. in 1965 the film version came out with Julie Andrews in the role of Maria. The musical was hugely popular and reached the number one position on the Billboard 200 that year in the United States,[3] remained in the top ten for a record 109 weeks, from May 1, 1965 to July 16, 1967,[4][5] and remained on the Billboard 200 chart for 238 weeks.[3] In 2015, Billboard named the original soundtrack album the second greatest album of all time. We play this song often for weddings and receptions. Hope you enjoy it. Great addition to your pops music library. 


Edelweiss
Quatuor à cordes: 2 violons, alto, violoncelle

$16.00 15.37 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.842481

By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Ben Clapton. Christian,Praise & Worship,Religious,Sacred. 14 pages. Ben Clapton #4810117. Published by Ben Clapton (A0.842481).

In Christ Alone is a popular modern Christian hymn, written by Keith Getty and Stuart Townend. Composed in 2001, the lyrics of this song are credal in nature, speaking about the life, death and resurrection of Christ.

This arrangement is an adaptable arrangement suitable for many uses. The first, repeated section contains a basic hymn tune arrangement that is easy and able to be played by all players. If accompanying singing, then you can just repeat this section for the four verses.
Following this, the arrangement explores the text musically. A short shift into the tonic minor expands the words There in the ground His body lay, Light of the world by darkness slain before a sudden shift back to the tonic major with the words Bursting forth in glorious day. The accompaniment becomes a triplet ostinato which helps bring out the victory theme in the latter part of this verse, invoking a feel of a snare drum in a marching band.
The music then starts preparing for a final verse, taking a small melodic motif and passing it around the quartet as it modulates up a tone to E major. The last half of this verse is repeated, with the second violin accompanying part mirroring the melody an octave lower to provide a base for the soaring melody of the first violin high on the E string.

This arrangement would be suitable for church accompaniment (first section repeated), or for special performance. The first violin part is quite advanced, ranging to G#6 (sixth position), however the remainder of the parts would be playable by intermediate players.

In Christ Alone
Quatuor à cordes: 2 violons, alto, violoncelle
The Newsboys
$12.99 12.48 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.938391

Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391).

This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.

String Quartet No. 6 (Lochrian) (parts)
Quatuor à cordes: 2 violons, alto, violoncelle

$10.00 9.6 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.938389

Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389).

This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.

String Quartet No. 6 (Lochrian) (score)
Quatuor à cordes: 2 violons, alto, violoncelle

$8.00 7.68 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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