Recorder Solo,Tenor Recorder - Level 2 - Digital Download SKU: A0.587909 Composed by G F Handel. Arranged by David McKeown. Baroque,Contemporary,Opera,Standards. Individual part. 5 pages. David McKeown #5042579. Published by David McKeown (A0.587909). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Tenor Recorder and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Recorder Solo,Tenor Recorder - Level 2 - Digital Download SKU: A0.918886 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. Individual part. 15 pages. Jubal's Lyre Music Publishers #6339277. Published by Jubal's Lyre Music Publishers (A0.918886). This beloved work by J. S. Bach is arranged here for Tenor Recorder with an EASY keyboard part that is accessible to early intermediate players and can be played on piano, organ, or harpsichord. It is perfect for weddings, concerts, or solo/ensemble repertoire and is able to be used with the Choral Edition, which provides a new translation. For worship, it can be performed almost any time since it exudes peace and joy, but is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). An optional Cello/Bassoon part is provided. An arrangement with a fully realized keyboard part is also available as are arrangements for Alto (Treble) Recorder or Soprano (Descant) Recorder and other instruments and ensembles. For more music and information, visit www.jubalslyre.com/music.

Recorder Solo,Tenor Recorder - Level 3 - Digital Download SKU: A0.918874 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. Individual part. 15 pages. Jubal's Lyre Music Publishers #6325739. Published by Jubal's Lyre Music Publishers (A0.918874). This beloved work by J. S. Bach is arranged here for Tenor Recorder with a fully realized keyboard part that is accessible to intermediate players and can be played on piano, organ, or harpsichord. It is perfect for weddings, concerts, or solo/ensemble repertoire and is able to be used with the Choral Edition, which provides a new translation. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). An optional part is provided for Cello/Bassoon. An arrangement with an easier keyboard part is also available as are arrangements for Alto (Treble) Recorder or Soprano (Descant) Recorder and other instruments and ensembles. For more music and information, visit www.jubalslyre.com/music.

Recorder Solo,Tenor Recorder - Level 1 - Digital Download SKU: A0.1390402 Composed by Ludwig van Beethoven. Arranged by れ�る や��. 19th Century,Chamber,Romantic Period. Individual part. 1 pages. Simple Chamber #973921. Published by Simple Chamber (A0.1390402). This is a unique and charming arrangement of Beethoven’s famous ‘Ode to Joy’, meticulously adapted for a tenor recorder solo. Designed to be easy to perform, this arrangement highlights the beauty and harmony of the original piece, while bringing a new perspective through the intimate and expressive sound of a string quartet. It’s perfect for performances at concerts, special events, or simply for the pleasure of playing a new version of a beloved classic melody.

Recorder Solo,Tenor Recorder - Level 1 - Digital Download SKU: A0.1390373 Composed by Ludwig van Beethoven. Arranged by れ�る や��. 19th Century,Chamber,Romantic Period. Individual part. 3 pages. Simple Chamber #973889. Published by Simple Chamber (A0.1390373). This is a unique and charming arrangement of Beethoven’s famous ‘Ode to Joy’, meticulously adapted for a tenor recorder and piano. Designed to be easy to perform, this arrangement highlights the beauty and harmony of the original piece, while bringing a new perspective through the intimate and expressive sound of a string quartet. It’s perfect for performances at concerts, special events, or simply for the pleasure of playing a new version of a beloved classic melody.

Tenor recorder - advanced - Digital Download SKU: S9.Q15830 Composed by Markus Zahnhausen. This edition: Sheet music. Original Music for Recorder. Downloadable. Duration 10 minutes. Schott Music - Digital #Q15830. Published by Schott Music - Digital (S9.Q15830). Markus Zahnhausen, b. 1965, is one of the leading recorder players of our time. In his works for recorder he combines traditional and modern sounds. The central theme of his works is a love of Nature. “The Horns of Elfland� (1999) is based upon a poem by Alfred Lord Tennyson (1809-1892). The composer writes: “I have taken Tennyson’s picture of the clear and tender notes of the horns of the imaginary, magical world of Elfland and attempted to translate it into music. The very essence of this work is its quietness. The central focus of the composition is the echo in its multiple aspects. This echo is often not an exact reproduction of the notes but a deliberate variation, analysis or reinterpretation of their original form.�.