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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1471996 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. 21st Century,Celtic,Chamber,Contemporary,Instructional,Irish. 122 pages. Barbara Arens #1049692. Published by Barbara Arens (A0.1471996). I've been hearing from music-teacher colleagues from all over the world that there is a real need for fun, contemporary, and readily playable literature for students who want to start playing chamber music. As I know from my own students, the beautifully written pieces by Julius Klengel are simply too difficult. So this is what I've come up with - 18 extremely varied pieces for Early intermediate/Intermediate Grade 2-4 music students. The strings have some pieces where glissandi, extended pizzicato, seagull effect, and percussion (!) are required; the piano accompaniments are kept as simple as possible, but should be quite a lot of fun! The string parts have been vetted by violin and cello teachers who have added bowing suggestions.Comments, explanations & texts are in English and GermanPlease note: these are all 3 parts: Piano Score, Violin & Cello Parts8 of the pieces can be heard on Youtube.
Feeling Great! 18 pieces for intermediate Violin, Cello & Piano
Piano Trio: piano, violon, violoncelle
Barbara Arens
$24.99 21.39 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano trio - Digital Download SKU: S9.Q2798 Ballet blanc in five scenes for violin, cello and piano. Composed by Bernd Alois Zimmermann. This edition: performance score. Downloadable, Performance score. Duration 30 minutes. Schott Music - Digital #Q2798. Published by Schott Music - Digital (S9.Q2798). In addition to his extensive musical expertise, Bernd Alois Zimmermann was also extremely knowledgeable in other fields, above all in philosophy and literature. The composer had devoted himself intensely to the concept of time within the area of philosophy: he became famous for his concept of the “sphericality of timeâ€. In his work Présence, apparently disparate elements are pulled together in an all-embracing simultaneity. The three instrumentalists are assigned literary figures who can all be considered as constants in Zimmermann’s Å“uvre: Ubu Roi (piano), a voracious grotesquely caricatured tyrant from Alfred Jarry’s absurd play, Miguel de Cervantes’ Don Quijote (violin) and Molly Bloom (cello) from James Joyce’s ground-breaking novel Ulysses. The instrumentalists are accompanied by a silent (!) “speaker†who hisses so-called “word emblems†from Paul Poertner’s volume of poems Wurzelwerk between the movements. The word emblem for Scene 3 incorporating musical quotations from Prokofiev’s Piano Sonata Op. 83 and Stockhausen’s Zeitmaße is: “Alle Wahrvögel nisten in einem einzigen Baum†[All true birds nest in a single tree].
Présence
Piano Trio: piano, violon, violoncelle

$57.99 49.63 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
Piano Trio in B flat major, Op. 28
Piano Trio: piano, violon, violoncelle

$37.00 31.66 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
Piano Trio in C minor, Op. 143
Piano Trio: piano, violon, violoncelle

$37.00 31.66 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.805342 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Dico. Pop,Wedding. Score and parts. 8 pages. Dico Ferreira #412380. Published by Dico Ferreira (A0.805342). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.
Can't Help Falling In Love
Piano Trio: piano, violon, violoncelle
Elvis Presley
$18.20 15.58 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.805350 By N Sync. By Richard Marx. Arranged by Dico. Pop,Wedding. Score and parts. 13 pages. Dico Ferreira #412387. Published by Dico Ferreira (A0.805350). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.
This I Promise You
Piano Trio: piano, violon, violoncelle
N Sync
$18.20 15.58 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1396865 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. 4 pages. Rika K. #980207. Published by Rika K. (A0.1396865). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Violin and Cello Duet with Piano.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
Hungarian Dance No. 5 by Brahms for Violin and Cello Duet with Piano
Piano Trio: piano, violon, violoncelle

$5.99 5.13 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1396867 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. 4 pages. Rika K. #980209. Published by Rika K. (A0.1396867). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Violin and Cello Duet with Piano.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
Hungarian Dance No. 5 by Brahms for Violin and Cello Duet with Piano
Piano Trio: piano, violon, violoncelle

$5.99 5.13 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle

$36.95 31.62 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio - Level 4 - Digital Download SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
Fauré: Élégie Op. 24 for Piano Trio
Piano Trio: piano, violon, violoncelle

$37.95 32.48 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1504149 Composed by Camille Saint-Saens. Arranged by ??? ???. 19th Century,Chamber,Romantic Period,Wedding. 8 pages. Simple Chamber???????? #1079605. Published by Simple Chamber???????? (A0.1504149). Discover this arrangement of The Swan by Camille Saint-Saens, Ratner 125 in a version for Piano Trio, ideal for beginner-level musicians. This arrangement has been simplified while preserving the essence and beauty of the original composition, making it suitable for both professionals and students. Music teachers will find in this sheet music a valuable educational tool, facilitating the introduction of students to chamber music with an arrangement that, although simplified, maintains the harmonic charm and emotional depth of the piece. Additionally, this version is perfect for parents who wish to encourage their children to dive into the world of string quartets, offering a piece that is both accessible and captivating for young musicians. With this sheet music, you will have the opportunity to create a unique musical experience, combining learning and the emotional richness of Saint-Saens. Don’t miss the chance to acquire it, as it will not only enrich your repertoire but also serve as an excellent resource for teaching chamber music and inspiring future generations of musicians.
The Swan for Piano Trio by Saint-Saens, Ratner 125
Piano Trio: piano, violon, violoncelle

$7.99 6.84 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus






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