Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.982775 Composed by Steven Mento. Contemporary. Score and parts. 4 pages. Steven R Mento #10559. Published by Steven R Mento (A0.982775). Score and parts.

Piano Trio,String Ensemble Cello,Piano,Violin - Digital Download SKU: A0.982773 Composed by Steven Mento. Contemporary. Score and parts. 6 pages. Steven R Mento #10561. Published by Steven R Mento (A0.982773). Score and parts, Amish lullabye, tragedy of 2006 schoolhouse shooting.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.982774 Composed by Steven Mento. Contemporary. Score and parts. 12 pages. Steven R Mento #10557. Published by Steven R Mento (A0.982774). 1st movement.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.982771 Composed by Steven Mento. Contemporary. Score and parts. 11 pages. Steven R Mento #10563. Published by Steven R Mento (A0.982771). Score and parts, last movement.

Piano Trio - Level 4 - Digital Download SKU: A0.549938 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 197 pages. Jmsgu3 #4319049. Published by jmsgu3 (A0.549938). Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874 (Моде�т Петрович Му�орг�кий) Arranged for Piano Trio by James M. Guthrie (Джейм� М. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente   3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)       Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов   Scherzino  6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)       Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы Largo       CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)       Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле       Allegro con brio, feroce   10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�ад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.565168 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise & Worship,Sacred,Wedding. Score and parts. 21 pages. Sharon Wilson #3511267. Published by Sharon Wilson (A0.565168). This original Scripture song based on Psalm 51 verses 10-12 is arranged as an instrumental trio (for CELLO and VIOLIN with PIANO Accompaniment). The VIOLIN plays the melody throughout while the CELLO adds a flowing harmony. This Psalm is a prayer of King David and presented here for meditation and reflection. The simplicity of the melody, harmony, and accompaniment allows the instruments to focus on their parts while adding expression and dynamics, drawing the listeners into an atmosphere of prayer and re-commitment.Both string instruments have a range of just one octave: VIOLIN – D4 to D5; CELLO – B2 to B3.   All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (3 pages)The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:Create in me a clean heart, O God.Renew a right spirit within me.Cast me not away from Thy presence, O Lord;And take not Thy Holy Spirit from me.Restore unto me the joy of Thy salvation;And uphold me with Thy willing spirit.Then will I teach transgressors Thy ways’And sinners shall be converted unto Thee.Create in me a clean heart, O God.Renew a right spirit within me.Cast me not away from Thy presence, O Lord;And take not Thy Holy Spirit from me.Create in me a clean heart, O God.

Piano trio - intermediate - Digital Download SKU: S9.Q6586 Composed by Maurice Ravel. Arranged by Matthew van Brink. This edition: piano direction and parts. Downloadable, Piano conductor and parts. Schott Music - Digital #Q6586. Published by Schott Music - Digital (S9.Q6586). Created during the First World War, Maurice Ravel's composition 'Le Tombeau de Couperin' casts a longing look at the past while at the same time being full to the brim with traces of modern music. Each of the six movements is dedicated to friends who died in battle. In 1919 Ravel arranged four of these movements for large orchestra by skilfully borrowing melodic lines and colours from the piano setting. In the present new arrangement written for the Stella Piano Trio, these elements were adjusted to the instrumentation and their relationship within the ensemble. As in Ravel's orchestration, each note is taken into account, even if the cello is sometimes given a melody which is an octave lower than the original.

By Glee Cast. By Harold Arlen. Arranged by Miranda Wong. Film/TV. Score and parts. 6 pages. Miranda Wong #3421547. Published by Miranda Wong

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.

By Glee Cast. Arranged by Ander. Score, Set of Parts. 25 pages. Published by Woods Only

By Glee Cast Featuring Jonathan Groff, Queen, The Braids. Arranged by Dimitris Anousis. Score, Set of Parts. 22 pages. Published by Dimitris Anousis