Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.695092 Composed by Henry John Gauntlett. Arranged by B. C. Dockery. Christian,Christmas,Concert,Sacred. Score and parts. 5 pages. Ben Dockery #6534005. Published by Ben Dockery (A0.695092). Arranged for violin and cello duet with optional piano accompaniment. Great for lessons, recitals, caroling, church services, and Christmas parties.

Composed by Henry John Gauntlett (1805-1876). Arranged by Gert Th. Walter. Christian, Christmas, Children's Music. Score. 11 pages. Published by Gert Th. Walter (S0.244985). - Score - Christian,Christmas,Children's Music - Gert Th. Walter

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1397140 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #980474. Published by John A. Dempsey (A0.1397140). Ours the cross, the grave, the skies, Alleluia.  Arranged as a jubilant piano trio for violin, cello and piano, this triumphant music celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude and special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship.  17 pages of music (that includes separate two-page parts for violin and cello).  Key: C major.  Violin/Cello Level: Intermediate.  Piano Level: Late IntermediateChrist the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia.

Piano trio - Digital Download SKU: S9.Q22845 Composed by Volker David Kirchner. This edition: score and parts. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q22845. Published by Schott Music - Digital (S9.Q22845). The “Notturnoâ€�, the first movement of Trio, originates from ‘E flat’, the note which made ‘Schumann in Endenich…’ hear the music of heaven. The famous ‘Last Thought’, however, is not quoted. Instead, the image of Schumann‘s melody is evoked in the listener‘s mind by the help of an augmented triad, stretched to breaking point, which is inverted and transposed again and again. Even the following movements do not quote directly but present only a notion. Accordingly, Volker David Kirchner describes his work as a ‘procession of musical visions’, the subtitles of which are no references to certain themes but to the associated composers and stylistic means.’Notturno’, the first movement of Trio originates from ‘E flat’, the note which made ‘Schumann in Endenich…’ hear the music of heaven. The famous ‘Last Thought’, however, is not quoted. Instead, the image of Robert Schumann‘s melody is evoked in the listener‘s mind by the help of an augmented triad, stretched to breaking point, which is inverted and transposed again and again. The movements that follow also do not quote directly but present merely a notion.

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.914006 By Christina Perri. By Christina Perri and David Hodges. Arranged by Wesley S. SIlva. Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and parts. 7 pages. Wesley S. Silva #519096. Published by Wesley S. Silva (A0.914006). Duet for Violin and Cello.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.

Composed by Various. Arranged by B. C. Dockery. Christian, Sacred, Repertoire, Christmas, Recital. Score, Set of Parts. 55 pages. Published by Ben Dockery