Piano Trio - Level 4 - Digital Download SKU: A0.549938 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 197 pages. Jmsgu3 #4319049. Published by jmsgu3 (A0.549938). Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874 (Моде�т Петрович Му�орг�кий) Arranged for Piano Trio by James M. Guthrie (Джейм� М. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente   3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)       Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов   Scherzino  6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)       Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы Largo       CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)       Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле       Allegro con brio, feroce   10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�ад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.

Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.533329 Composed by Zvonimir Nagy. Concert,Contemporary,Standards. Score and parts. 54 pages. Musik Fabrik Music Publishing #2344333. Published by Musik Fabrik Music Publishing (A0.533329). A native of Croatia, the American composer Zvonimir Nagy has been the recipient of music honors and awards, most notably the Seattle Symphony Orchestra Composition Prize and Swan Prize in Music Composition. Nagy received a doctor of music composition degree from Northwestern University (USA); he also studied music at Texas Christian University, the école Normale de Musique (France), and the Academy of Music-University of Zagreb (Croatia). Nagy's compositions are inspired by the intersection of music aesthetics and perception. He explores various contexts and critical perspectives that illuminate ideas on music and its impact on the mind. His music is frequently commissioned and performed throughout the United States and Europe. Nagy has taught on the faculties of Northwestern and St. Xavier University in Chicago (USA) and has presented at music conferences, workshops, and colloquia. Currently, he serves as Assistant Professor of Music at Duquesne University in Pittsburgh, Pennsylvania. He is also the Cathedral Organist at St. Joseph Cathedral in Wheeling, West Virginia. Nagy continues to perform as a solo and collaborative organist and pianist.

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.

Piano trio - Digital Download SKU: S9.Q22845 Composed by Volker David Kirchner. This edition: score and parts. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q22845. Published by Schott Music - Digital (S9.Q22845). The “Notturnoâ€�, the first movement of Trio, originates from ‘E flat’, the note which made ‘Schumann in Endenich…’ hear the music of heaven. The famous ‘Last Thought’, however, is not quoted. Instead, the image of Schumann‘s melody is evoked in the listener‘s mind by the help of an augmented triad, stretched to breaking point, which is inverted and transposed again and again. Even the following movements do not quote directly but present only a notion. Accordingly, Volker David Kirchner describes his work as a ‘procession of musical visions’, the subtitles of which are no references to certain themes but to the associated composers and stylistic means.’Notturno’, the first movement of Trio originates from ‘E flat’, the note which made ‘Schumann in Endenich…’ hear the music of heaven. The famous ‘Last Thought’, however, is not quoted. Instead, the image of Robert Schumann‘s melody is evoked in the listener‘s mind by the help of an augmented triad, stretched to breaking point, which is inverted and transposed again and again. The movements that follow also do not quote directly but present merely a notion.

Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.868105 Composed by Dudley A Tyng and George Duffield Jr. Arranged by Phoebe Chen and Phoebe Chen. Christian,Sacred,World. Score and parts. 12 pages. Phoebe Chen #3675083. Published by Phoebe Chen (A0.868105). The hymn, Stand up for Jesus was written during the great revival of 1858, that came to be known as The work of God in Philadelphia  It was based upon the dying words of the Rev. Dudley A. Tyng , one of the most active ministers of the revival, whom died by an accident few days after he preached to five thousand men at a noonday prayer meeting . his sermon was taken from Ephesians chapter 6 . his friend, Dr. George Duffield Jr.  wrote this hymn, based upon Tyng's dying words.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.787282 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 24 pages. Burke & Bagley #45565. Published by Burke & Bagley (A0.787282). This suite derives from three scenes of Act One of Razumov, a chamber opera based on the novel Under Western Eyes by Joseph Conrad. Themes for the first movement are taken from the opening scene, in which a university student (Haldin) assassinates a government minister. Haldin then seeks refuge in the room of a fellow student, Razumov. Haldin asks Razumov to go find the driver who will help Haldin escape from the city. The second movement is based on the scene in which the chief of state security interviews Razumov to find out what he knows about the assassin. The concluding movement corresponds to the scene in which Razumov reports to Haldin that he has found the man who will meet him. 1st Movement (Haldin assassinates the Minister): Duration 2:30 2nd Movement (Mikulin interviews Razumov): Duration 3:00 3rd Movement (Razumov tells Haldin, 'It is done'): Duration 3:30 Originally arranged for clarinet and string quartet, the Suite was premiered by the OdeonQuartet with Sean Osborn, clarinet, at Town Hall, Seattle, October 21, 2003, and was subsequently recorded by members of the Kiev Philharmonic for the Masterworks of the New Era CD series, volume 6. The First Suite from Razumov was awarded the 2012 Cheryl A. Spector Prize.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.874493 Composed by Gavin Koh. Contemporary,New Age,Standards. Score and parts. 20 pages. Gavin Koh #5210121. Published by Gavin Koh (A0.874493). This is an original composition and is essentially a short piano trio lasting close to 5 minutes. It is scored for piano, violin, and cello. Hope you will like this.With so many worries currently afflicting our world, here is hoping music can help to heal our world, even if it is only a tiny bit. This song is dedicated to all the medical staff around the world helping to keep the Wuhan Corona Virus at bay.You can listen to Transcendent Hope on my Soundcloud channel at https://soundcloud.com/gavinkoh/transcendent-hopeListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh

Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1021226 Composed by Pavel Trojan. 20th Century,Contemporary,Standards. Score and parts. 100 pages. Pavel Trojan #5828495. Published by Pavel Trojan (A0.1021226). The Piano Trio N.2 by Pavel Trojan was composed in 2009 at the call of the Czech Trio and has since been played many times in the Czech Republic and abroad. This work was also recorded by Czech Radio and released on CD (Radioservis). The performance of this work in Dvořák's Hall of Rudolfinum in 2011, was particularly resonated. The Composition has 4 movements and is appropriate both for music school students and professional concert artists. PAVEL TROJAN was born on 14th August 1956 in Domažlice. Between 1977 and 1982, he studied composition with Ilja Hurník at the Prague Conservatory; after that, from 1982 until 1989, he went to attend the Music and Dance Faculty of the Academy of Performing Arts in Prague, where he studied in the class of Jiří Pauer.The composer has extensive chamber, orchestral and musical dramatic work, which includes both opera and musical. In his work he puts emphasis on melody, brevity and clarity.He has been working at the Prague Conservatory since 1986, at first as a music theory tutor, and from 1991 as a music composition teacher. From 1992 until 2004, he was the vice director of the conservatory until being appointed the director in December 2004 (until July 2018). He is currently teaching a composition. Main works:Piano Concerto (1989), Missa solemnis (1998), Variations on a Theme by and Written in Honor of Václav Trojan (2006), Sinfonia giocosa (2008), Piano Trio No. 2 (2009), Pastoral Fairytale (Opera, 2012), Concerto for Violin and Orchestra N. 2 (2015), The Cross of Zavis (Musical, 2016).  

Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.�The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition.

Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1204819 Composed by Joseph Jones. Chamber,Classical,Contemporary. 43 pages. Joseph Jones #803186. Published by Joseph Jones (A0.1204819). This is a two movement work for piano trio. The first movement is agitated, brooding, and intense; the second is sardonic and playful. The work balances solo moments with ensemble playing, being at times reserved and others almost orchestral in scope. Duration is ca. 20 minutes.

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1473764 Composed by Camille Saint-Saens. Arranged by Rika K. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 5 pages. Rika K. #1051483. Published by Rika K. (A0.1473764). Step into the mysterious and captivating world of Camille Saint-Saëns' Danse Macabre with our exclusive sheet music arrangement, wrote for Violin and Cello Duet wiyh Piano.Originally composed in 1874, Danse Macabre vividly depicts the medieval legend of Death summoning the dead to dance at midnight on Halloween. Saint-Saëns' evocative score weaves haunting melodies with lively rhythms, creating a vivid musical narrative that entrances listeners with its eerie allure and supernatural charm.Whether for performances at themed events, educational settings exploring musical storytelling, or professional seeking to showcase the rich tapestry of classical repertoire, this adaptation ensures accessibility without compromising the intricate beauty and thematic depth of Danse Macabre.Embrace the allure of Saint-Saëns' masterwork, delve into its narrative richness, and experience the thrill of bringing its chilling melodies to life. Expand your musical repertoire and capture the imagination with our essential sheet music arrangement of Danse Macabre – available now to enrich your musical journey.Don’t miss your chance to summon the magic of this timeless composition – secure your copy today!

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1473762 Composed by Camille Saint-Saens. Arranged by Rika K. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 5 pages. Rika K. #1051481. Published by Rika K. (A0.1473762). Step into the mysterious and captivating world of Camille Saint-Saëns' Danse Macabre with our exclusive sheet music arrangement, wrote for Violin and Cello Duet with Piano.Originally composed in 1874, Danse Macabre vividly depicts the medieval legend of Death summoning the dead to dance at midnight on Halloween. Saint-Saëns' evocative score weaves haunting melodies with lively rhythms, creating a vivid musical narrative that entrances listeners with its eerie allure and supernatural charm.Whether for performances at themed events, educational settings exploring musical storytelling, or professional seeking to showcase the rich tapestry of classical repertoire, this adaptation ensures accessibility without compromising the intricate beauty and thematic depth of Danse Macabre.Embrace the allure of Saint-Saëns' masterwork, delve into its narrative richness, and experience the thrill of bringing its chilling melodies to life. Expand your musical repertoire and capture the imagination with our essential sheet music arrangement of Danse Macabre – available now to enrich your musical journey.Don’t miss your chance to summon the magic of this timeless composition – secure your copy today!