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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1370735 By Sharon Wilson. By James McGranahan. Arranged by Sharon Wilson. 19th Century,Christian,Praise & Worship,Romantic Period,Sacred. 16 pages. Sharon Wilson #955071. Published by Sharon Wilson (A0.1370735). Here is a gently flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the meditative hymn I Know Whom I Have Believed by James McGranahan. Both the CELLO and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The song begins in the key of C major for the first verse, then transitions during the piano interlude to the key of G major for the second verse. This peaceful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:15.The range for each part is as follows: VIOLIN ~ G4 to A5; CELLO ~ G2 to C4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. Duration 2:15.The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (1 page each) and PIANO (3 pages)3. a combined CELLO and VIOLIN score (2 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
I Know Whom I Have Believed (for VIOLIN and CELLO Duet with PIANO Accompaniment)
Piano Trio: piano, violon, violoncelle
Sharon Wilson
$5.99 5.1 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Digital Download SKU: A0.492980 Composed by Alan Menken and Tim Rice. Arranged by Robin Hood Editions. Broadway,Children,Film/TV,Musical/Show,Wedding. Score and parts. 8 pages. Published by Robin Hood Editions (A0.492980). Trio : violin, cello and piano version. SCORE AND PARTS. A Whole New World is a song from Disney's 1992 animated film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. This arrangement for violin, cello and piano trio, comprises all the chords, if the pianist wants to play differently. The key was transposed to G major. With this score, you will be able to interpret this beautiful song in an very accessible way ! Do not hesitate to seek out Robin Hood Editions works for more quality arrangements and sheet music.
A Whole New World
Piano Trio: piano, violon, violoncelle

$6.99 5.95 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.532547 Composed by Trad. Arranged by Klas Krantz. Classical,Folk. 7 pages. Amadeus Music #6451829. Published by Amadeus Music (A0.532547). The origin of the tune was for a long time somewhat mysterious, as no other collector of folk tunes encountered it, and all known examples are descended from Ms. Ross’ submission to Petrie’s collection (1855). The title of the air comes from the name of the county located in Northern Ireland. The air was collected by Jane Ross of Limavady, County Londonderry, who heard it played by an itinerant piper or fiddler. The descendants of blind fiddler Jimmy McCurry assert that he is the musician from whom she transcribed the tune but there is no historical evidence to support this speculation. The tune was listed as an anonymous air, with a note attributing its collection to Jane Ross of Londonderry. This led to the descriptive title Londonderry Air being used for the piece.
Londonderry Air for piano trio
Piano Trio: piano, violon, violoncelle

$8.95 7.62 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.752437 Composed by Igor Stravinsky. Arranged by Rob Bushnell. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 12 pages. RBMusic #6294559. Published by RBMusic (A0.752437). The Firebird suite, by Russian-born composer Igor Stravinsky, is based on his 1910 ballet of the same name. It, in turn, is based on the Russian fairy tales of the Firebird and the blessing/curse it possesses for anyone who owns it. The ballet premiered at Opéra de Paris as part of Sergei Diaghilev's Ballets Russes company and was an immediate successful, bringing Stravinsky international fame. The ballet tells the story of the journey of Prince Ivan. He strays into the realm of the evil Koschei, whose immortality is preserved by keeping his soul in a magic egg. Ivan is about to kill the Firebird but is spared. As a token of thanks, she offers him a feather that can be used to summon her should Ivan be in dire need. Prince Ivan then meets princesses who are under Koschei’s spell, falling in love with one of them. After confronting the magician, Koschei sends his minions after Ivan, who summons the Firebird. She intervenes and bewitches the monsters. Exhausted, the creatures and Koschei then fall into a deep sleep. Ivan is then directed by the Firebird to the egg containing Koschei's soul, which Ivan destroys, freeing all those under his spell. Ivan and the princesses celebrate their victory. The music features in Disney’s Fantasia 2000. This arrangement of The Princesses’ Round Dance is for piano trio (violin, violoncello and piano). Great as background music or as a concert item in its own right. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4U5xhOISyvA. Other searchable terms: L'Oiseau de feu, Жар-птица, The Princesses’ Round Dance, Rondo, Khorovod, Suite 1919, 1919 Version, Ronde, Khorovode, РОÐДО, ХОРОВОД, ПРИÐЦЕСС, ЛЮКС 1919 Г., ВЕРСИЯ 1919 Г., Rise of the Guardians, New York Philharmonic Young People's Concerts
Firebird Suite
Piano Trio: piano, violon, violoncelle

$12.99 11.06 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio - Level 4 - Digital Download SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
Fauré: Élégie Op. 24 for Piano Trio
Piano Trio: piano, violon, violoncelle

$37.95 32.31 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
An Elegy for Hopes and Dreams
Piano Trio: piano, violon, violoncelle

$27.99 23.83 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.868105 Composed by Dudley A Tyng and George Duffield Jr. Arranged by Phoebe Chen and Phoebe Chen. Christian,Sacred,World. Score and parts. 12 pages. Phoebe Chen #3675083. Published by Phoebe Chen (A0.868105). The hymn, Stand up for Jesus was written during the great revival of 1858, that came to be known as The work of God in Philadelphia  It was based upon the dying words of the Rev. Dudley A. Tyng , one of the most active ministers of the revival, whom died by an accident few days after he preached to five thousand men at a noonday prayer meeting . his sermon was taken from Ephesians chapter 6 . his friend, Dr. George Duffield Jr.  wrote this hymn, based upon Tyng's dying words.
Stand up for Jesus ( trio for violin, cello and piano )
Piano Trio: piano, violon, violoncelle

$4.99 4.25 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1371210 By Sharon Wilson. By Elisha Albright Hoffman, George Bennard, Howard E. Smith, James McGranahan, Joseph Brackett, Jr., Traditional, and William G. Fischer. Arranged by Sharon Wilson. Christian,Easter,Praise & Worship,Sacred,Traditional. 140 pages. Sharon Wilson #955463. Published by Sharon Wilson (A0.1371210). The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments . . . †(KJV)This collection contains 10 favorite hymns arranged as instrumental trios (for VIOLIN and CELLO duet with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  For 8 of the 10 songs, all notes for both the VIOLIN and CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For the other two songs, Stricken, Smitten, and Afflicted and The Old Rugged Cross, the CELLO will need to play in second position for a couple of notes. The PIANO accompaniment is written for an intermediate player.For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO as well as a PIANO only score.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   Beach SpringI Know Whom I Have BelievedLove Lifted MeNever AloneShowers of BlessingSimple GiftsStricken, Smitten, and AfflictedThe Old Rugged CrossWhat a Wonderful SaviorWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano)
Piano Trio: piano, violon, violoncelle
Sharon Wilson
$24.99 21.28 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
Piano Trio in C minor, Op. 143
Piano Trio: piano, violon, violoncelle

$37.00 31.51 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1373904 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. 20 pages. Grant Horsley #958380. Published by Grant Horsley (A0.1373904). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known.It has been arranged for intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible. Bowing is left to the performers.There are also small variations in the final section to keep the arrangement cohesive. It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for full score and parts.
Slavonic Dance op 72 no 2 Dvorak. For Violin, Cello and Piano.
Piano Trio: piano, violon, violoncelle

$5.99 5.1 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus






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