Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.976330 Composed by Henry Pool. Jewish. Score and parts. 179 pages. Viola Editions #3682157. Published by Viola Editions (A0.976330). Beautiful music set to two Hebrew songs for Choir & Band: # 5. Eshet Chayil & # 6. Kiddush.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.942849 Composed by James W. Knox. Contemporary. Score and parts. 6 pages. Knox Music #3594159. Published by Knox Music (A0.942849). Ring out, Wild Bells is based on the major theme of rejuvenation and bidding goodbye to the past year and letting go of pass sorrows with it. James W. Knox' dramatic work is a great concert feature for intermediate choirs and beyond. Duration 9:30 minutesContact the composer for questions at jwknox@cocc.edu.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.940497 Composed by Jeff Batdorf. Christmas. Score and parts. 33 pages. Jeff Batdorf #6076873. Published by Jeff Batdorf (A0.940497). An original Christmas composition depicting the calm and wonder of Christmas Eve. The piece grows to an emotional peak, then tapers down leaving the audience with feeling of reflection. Arranged for maximum flexibility in regards to instrumentation. As heard on the audio sample, the keyboard part could be replaced with 4-6 octave handbell choir (available separately) or combination of both.

Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by Custom Chamber Music

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 273 pages. Bennett A Rabiega #863238. Published by Bennett A Rabiega (A0.1288208). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and an orchestra of 1 Flute, 1 Soprano Saxophone, 1 Trumpet, 1 Trombone, Violin I, Violin II, Viola, Cello, Piano, Acoustic Guitar, Bass Guitar, and Drums). A reduced orchestration is available, as is a vocal score with piano accompaniment. This is the full orchestration, including the vocal score and all instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288209 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 188 pages. Bennett A Rabiega #863240. Published by Bennett A Rabiega (A0.1288209). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and a reduced orchestration for a C Instrument, a B-flat instrument, piano, acoustic guitar, bass guitar, and drums. A full orchestration of the piece is also available, as is the vocal score with piano accompaniment. This reduced score contains the vocal score and individual instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.532650 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and parts. 6 pages. Amadeus Music #6674233. Published by Amadeus Music (A0.532650). Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity

2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - Digital Download SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.