Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.945804 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 32 pages. Giulio Castronovo #6331839. Published by Giulio Castronovo (A0.945804). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.An ideal orchestral introduction to Mozart’s Requiem KV 626, it is however virtually never performed in the same program, due to the completely different orchestrations and keys of the two pieces. This arrangement makes the Masonic Funeral Music match with the key (D minor) and the uniquely peculiar orchestration of the Requiem (2 Basset Horns, 2 Bassoons, 2 Trumpets, Timpani, 3 Trombones, Strings), recreating the nuances of the original piece with the colors of Mozart’s last composition.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.717896 By Horace Silver. By Horace Silver. Arranged by Daryl McKenzie. Jazz. Score and parts. 8 pages. Daryl McKenzie #3882985. Published by Daryl McKenzie (A0.717896). Arranged in the style of Kai Winding. Trombone Octet with Rhythm Section. 6 Tenor Trombones, 2 Bass Trombones, Guitar, Piano, Bass, Drums.More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1148637 Composed by Traditional. Arranged by Paul Campbell. Christmas,Classical,Holiday,Sacred. Score and Parts. 202 pages. Paul Campbell #748776. Published by Paul Campbell (A0.1148637). SCHOOLS / CHURCHES Flexible Ensemble edition of this popular 6 minute Hollywood style Christmas carol medley. NOTE: Vocal scores sold separately. PARTS INCLUDED: PART I: Flute, Oboe, Violin, Clarinet in Bb / PART II: Flute, Oboe, Violin, Clarinet in Bb, Trumpet in Bb, Alto Saxophone / PART III: Flute, Easy Violin, Clarinet in Bb, Trumpet in Bb, Alto Saxophone, Tenor Horn, French Horn in F / PART IV: Viola, Clarinet in Bb, Trumpet in Bb, Alto Saxophone, Tenor Horn, Tenor Saxophone, Baritone Horn, French Horn in F / PART V: Violoncello, Trombone, Bassoon, Baritone Horn, Tenor Saxophone, Euphonium PART VI: Double Bass (Bass Guitar), Bass Clarinet in Bb, Euphonium, Violoncello, (Bass) Trombone, Bassoon, Baritone Saxophone, Tuba Timpani (optional) Percussion (2 Players): [Cymbals, Tubular Bells (opt.), Glockenspiel, Triangle, Tambourine, Suspended Cymbal (incl. brush scrape)] Ensemble Piano.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1032456 Composed by Edward Sledge. 20th Century,Contemporary. Score and parts. 20 pages. Edward Sledge #5888673. Published by Edward Sledge (A0.1032456). Orchestration includes full strings, woodwind pairs, 4 horns, Tuba, Bass Trombone, 2 Tenor Trombones, two Trumpets and 2 Timpani.  Moderate difficulty (high school or community orchestra).  .

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1200060 Composed by John Newton. Arranged by Clark Cothern. Christian,Praise & Worship,Religious. Score and Parts. 28 pages. Clark Cothern #798870. Published by Clark Cothern (A0.1200060). This timeless hymn as been scored for a versatile 5-Part Orchestra. Combine any instruments included to cover all five parts. Part 1: Flute and/or Violin Part 2: Clarinet and/or Trumpet Part 3: Alto Sax and/or French Horn Part 4: Trombone and/or Euphonium Part 5: Bass Trombone and/or Tuba. Intermediate level.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986061. Published by Thomas Graf - the-hit-factory.com (A0.567878). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1453028 Composed by Orlando P. Silva. Arranged by Orlando P. Silva. 21st Century,Chamber,Christmas,Classical,Romantic Period. 30 pages. Orlando P. Silva #1032275. Published by Orlando P. Silva (A0.1453028). This is a little waltz (valse) of my own. This piece is in C minor and was written for a small orchestra. This small orchestration was written for a formation similar to Classical, with the addition of a some instruments.This formation includes:2 Flutes, English horn, 2 Clarinets, 1 Bassoon, 2 Horns, 2 Trumpets, 2 Trombones, Cymbals, Bass drum, Snare drum, Timpanos, Violin 1, Violin 2, Violas, Cellos and D. Basses.It is not a piece for beginners as the Violins 1 reach up to the note G six.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1500950 Composed by Jeremy Soule. Arranged by Nuno Figueiredo. 21st Century,Broadway,Children,Film/TV,Musical/Show. 50 pages. Nuno Figueiredo #1076943. Published by Nuno Figueiredo (A0.1500950). Instrumentation (flexible / transpositions)   Winds  Flute 1  Flute 2 (or oboe)  Oboe (or soprano saxophone)  Clarinet in Bb1  Clarinet in Bb2  Alto Saxophone 1  Alto Saxophone 2  Bassoon (tenor saxophone or euphonium, bass & treble clef)  Brass Trumpet in Bb1  Trumpet in Bb2  Horn in F1 (or euphonium, bass & treble clef)  Horn in F2 (or euphonium, bass & treble clef)  Trombone 1  Trombone 2  Tuba (bass & treble clef)  Voice (kids choir - 2 voices)  Piano                                                                                 Percussion (Triangle, Tambourine & Tom-toms)  Strings Violin 1  Violin 2  Viola  Violoncello  Contrabass.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1500945 By Nuno Figueiredo. By Giacomo Puccini. Arranged by Nuno Figueiredo. 19th Century,20th Century,Christmas,Historic,Opera. 44 pages. Nuno Figueiredo #1076938. Published by Nuno Figueiredo (A0.1500945). Instrumentation (flexible / transpositions)   Winds  Flute 1  Flute 2 (or oboe)  Oboe (clarinet in Eb or soprano saxophone)  Clarinet in Bb1  Clarinet in Bb2  Alto Saxophone 1  Alto Saxophone 2  Bassoon (tenor saxophone or euphonium, bass & treble clef)  Brass Trumpet in Bb1  Trumpet in Bb2  Horn in F1 (or euphonium, bass & treble clef)  Horn in F2 (or euphonium, bass & treble clef)  Trombone 1  Trombone 2  Tuba (bass & treble clef)  Piano                                                                                 Percussion (Timpani, Glockensiel and Susp Cymbals)  Strings Violin 1  Violin 2  Viola  Violoncello  Contrabass.

Chamber Orchestra - Level 1 - Digital Download SKU: A0.1500953 By Robert John. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Nuno Figueiredo. 21st Century,Broadway,Children,Comedy,Film/TV,Musical/Show. 49 pages. Nuno Figueiredo #1076947. Published by Nuno Figueiredo (A0.1500953). Instrumentation (flexible / transpositions)   Winds  Flute 1  Flute 2 (or oboe)  Oboe (soprano saxophone or Clarinet in Eb)  Clarinet in Bb1  Clarinet in Bb2  Alto Saxophone 1  Alto Saxophone 2  Bassoon (tenor saxophone or euphonium, bass & treble clef)  Brass Trumpet in Bb1  Trumpet in Bb2  Horn in F1 (or euphonium, bass & treble clef)  Horn in F2 (or euphonium, bass & treble clef)  Trombone 1  Trombone 2  Tuba (bass & treble clef)  Choir (kids choir)  Piano                                                                                 Percussion (Shaker, Congas, Cabasa & Drum Set)  Strings Violin 1  Violin 2  Viola  Violoncello  Contrabass.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1500947 Composed by Bruno Coulais and Christophe Barratier. Arranged by Nuno Figueiredo. 21st Century,Broadway,Children,Christmas,Film/TV,Musical/Show. 49 pages. Nuno Figueiredo #1076940. Published by Nuno Figueiredo (A0.1500947). Instrumentation (flexible / transpositions)   Winds  Flute 1  Flute 2 (or oboe)  Oboe (soprano saxophone or clarinet in Eb)  Clarinet in Bb1  Clarinet in Bb2  Alto Saxophone 1  Alto Saxophone 2  Bassoon (tenor saxophone or euphonium, bass & treble clef)  Brass Trumpet in Bb1  Trumpet in Bb2  Horn in F1 (or euphonium, bass & treble clef)  Horn in F2 (or euphonium, bass & treble clef)  Trombone 1  Trombone 2  Tuba (bass & treble clef)  Piano                                                                                 Percussion (Timpani, Snare Drum and Cymbals)  Strings Violin 1  Violin 2  Viola  Violoncello  Contrabass.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1500948 Composed by Andrea Morricone and Ennio Morricone. Arranged by Nuno Figueiredo. 21st Century,Broadway,Christian,Film/TV,Musical/Show. 46 pages. Nuno Figueiredo #1076941. Published by Nuno Figueiredo (A0.1500948). Instrumentation (flexible / transpositions)   Winds  Flute 1  Flute 2 (or oboe)  Oboe (or soprano saxophone)  Clarinet in Bb1  Clarinet in Bb2  Alto Saxophone 1  Alto Saxophone 2  Bassoon (tenor saxophone or euphonium, bass & treble clef)  Brass Trumpet in Bb1  Trumpet in Bb2  Horn in F1 (or euphonium, bass & treble clef)  Horn in F2 (or euphonium, bass & treble clef)  Trombone 1  Trombone 2  Tuba (bass & treble clef)  Piano                                                                                 Percussion (Timpani, Glockensiel and Susp Cymbals)  Strings Violin 1  Violin 2  Viola  Violoncello  Contrabass.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stellaâ€� (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€�) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€� The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek outâ€� in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginningâ€� – as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.â€� After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginningâ€� again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motetâ€� sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only.  The complete parts and each seperate part are also available as seperate items.