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Chamber Orchestra - Level 4 - Digital Download SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986061. Published by Thomas Graf - the-hit-factory.com (A0.567878). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractùres 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb Orchestre de chambre

$3.00 2.57 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 SĂ€tzen fĂŒr Großes BlĂ€serensemble, Kontrabass und Schlagwerk 1. Deux CaractĂšres 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 FlĂŒsse zusammen fließen: Die SaĂŽne mĂŒndet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mĂŒndet sie aber in DEN Rhone – Le RhĂŽne. Das verwirrt den Komponisten: Wie erhalten FlĂŒsse ihr Geschlecht, sind sie mal mĂ€nnlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken ĂŒber Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch mĂ€nnliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sĂ€tzige Komposition und mĂ€andriert dabei tĂ€nzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett fĂŒr weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tĂ€nzelnden Sog in Richtung der MĂŒndung: Tanzendes Finale! 1. Satz: Deux CharactĂšres Im ersten Satz (Andante) werden die Rollen verteilt - die SĂąone und der RhĂŽne erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lĂ€sst schon eine Tendenz erkennen: HolzblĂ€ser(inne)n ĂŒbernehmen die weibliche Hauptrolle, das mĂ€nnliche Blech den Gegenpart. Die beiden Schlagwerker unterstĂŒtzen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und grĂ¶ĂŸeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeĂ€fft. Man versucht sich gegenseitig zu ĂŒberzeugen, fĂ€llt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfĂ€nglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
Conflusion - Suite - Wind Ensemble Orchestre de chambre

$80.00 68.65 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 SĂ€tzen fĂŒr Großes BlĂ€serensemble, Kontrabass und Schlagwerk 1. Deux CaractĂšres 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 FlĂŒsse zusammen fließen: Die SaĂŽne mĂŒndet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mĂŒndet sie aber in DEN Rhone – Le RhĂŽne. Das verwirrt den Komponisten: Wie erhalten FlĂŒsse ihr Geschlecht, sind sie mal mĂ€nnlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken ĂŒber Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch mĂ€nnliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sĂ€tzige Komposition und mĂ€andriert dabei tĂ€nzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett fĂŒr weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tĂ€nzelnden Sog in Richtung der MĂŒndung: Tanzendes Finale! 1. Satz: Deux CharactĂšres Im ersten Satz (Andante) werden die Rollen verteilt - die SĂąone und der RhĂŽne erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lĂ€sst schon eine Tendenz erkennen: HolzblĂ€ser(inne)n ĂŒbernehmen die weibliche Hauptrolle, das mĂ€nnliche Blech den Gegenpart. Die beiden Schlagwerker unterstĂŒtzen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und grĂ¶ĂŸeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeĂ€fft. Man versucht sich gegenseitig zu ĂŒberzeugen, fĂ€llt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfĂ€nglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
Conflusion - Suite - Woodwind Ensemble - Score Only Orchestre de chambre

$10.00 8.58 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Catherwood. Children,Musical/Show. Score and parts. 124 pages. Opus 3 Music #6052713. Published by Opus 3 Music (A0.739503). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Full set of Orchesrtal Parts (contains 7 songs plus overture and incidental music)  -  $45Flute, Clarinet in Bb. Trumpet in Bb, Horn in F, Strings, Vln 1 Vln 2 Vla Cello Percussion 1 & 2  Bass/guitarDuration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the MusicalA great story about one of the 20th century.
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis ( Orchestre de chambre

$45.00 38.61 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.748318 By Chicago. By Terry Kath. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 122 pages. Patrick Sheehan #6456201. Published by Patrick Sheehan (A0.748318). Transcription as recorded by CHICAGO for the album Chicago III INSTRUMENTATION: Vocal, Piccolo, Flute, Alto Flute (G), Oboe, English Horn (F), Bassoon I, Bassoon II, Clarinet (Bb),Trumpet I (Bb), Trumpet II (Bb), Horn I (F), Horn II (F), Trombone I, Trombone II, Tuba, Snare Drum, Cymbal, VibraSlap, Vibraphone, Timpani, Harp, Violin I, Violin II, Viola, Cello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
Memories Of Love Orchestre de chambre
Chicago
$50.00 42.9 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1227720 Composed by Donald Davis. Arranged by César Madeira. 21st Century,Chamber,Contemporary,Film/TV,Multicultural,World. 10 pages. Sheet Music To Play Editions #823682. Published by Sheet Music To Play Editions (A0.1227720). Jurassic Park (Theme). Arrangement for Chamber Orchestra. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Instrumentation: Flute 1, 2, Oboe 1, 2, Bb Clarinet 1, 2, Bassoon 1, 2, French Horn 1, 2, Bb Trumpet 1, 2, Trombone 1, 2, Tuba, Timpani, Glockenspiel, Cymbal, Piano, and StringsFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Jurassic Park Iii - Score Only Orchestre de chambre

$29.99 25.73 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1241559 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Kabir Budlender. Folk,Jazz,Multicultural,World. Score and Parts. 40 pages. Kabir Budlender #836932. Published by Kabir Budlender (A0.1241559). Feira de Mangaio made famous by the Sivuca and Clare Nunes is a favourite among many. This arrangement was written inspired by a Big Band arrangement by Thomaz Gaio and arranged for a chamber orchestra by Kabir Budlender.  The mixed orchestra has parts for: 2 Flutes 1 Oboe 2 Clarinets 2 Bb Trumpets Trombone Tuba Dumset 3 Violins Viola Cello It is written almost as a feud between the different sections and intended to have moments of build up.  Obrigado and Enjoy!
Feira De Mangaio Orchestre de chambre

$65.99 56.62 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.753623 Composed by Lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged by John Hoesly. Multicultural,Opera,Romantic Period,Traditional,World. 59 pages. PRS&B #3874847. Published by PRS&B (A0.753623). O SOLE MIÒ- Tenor solo with chamber orchestra- ’O sole mio was written in 1898 with lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged for baritone and chamber orchestra, this arrangement is a crowd pleaser. Lyrics are in Italian and English.  Great for an encore!  Tenor solo voice range is D3 to A4.  Orchestra parts include Flute, Oboe, Clarinet in Bb, Bassoon, Horns in F 1&2, Trumpet in Bb, Trombones 1&2, timpani, Percussion, Orchestra Bells, Harp (Keyboard opt.), Strings.
O SOLE MIÒ- Tenor solo with chamber orchestra Orchestre de chambre

$50.00 42.9 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.753624 Composed by Lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged by John Hoesly. Contemporary,Opera,Romantic Period,Traditional. 39 pages. PRS&B #3874325. Published by PRS&B (A0.753624). O SOLE MIÒ- baritone solo with chamber orchestra- ’O sole mio was written in 1898 with lyrics by Giovanni Capurro and music by Eduardo di Capua. Arranged for baritone and chamber orchestra, this arrangement is a crowd pleaser. Lyrics are in Italian and English.  Great for an encore!  Baritone solo voice range is C3 to G4.  Orchestra parts include Flute, Oboe, Clarinet in Bb, Bassoon, Horns in F 1&2, Trumpet in Bb, Trombones 1&2, timpani, Percussion, Orchestra Bells, Harp (Keyboard opt.), Strings.
O SOLE MIÒ- Baritone solo with chamber orchera Orchestre de chambre

$50.00 42.9 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella” (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the sea”) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.” The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out” in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning” – as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.” After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning” again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet” sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»żThis is the score only.  The complete parts and each seperate part are also available as seperate items.
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only Orchestre de chambre

$25.95 22.27 € Orchestre de chambre PDF SheetMusicPlus






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