Chamber Orchestra - Level 4 - Digital Download SKU: A0.516814 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 40 pages. Santino Cara #2855235. Published by Santino Cara (A0.516814). Version for Oboe, or Flute and String Quartet of the Violin concerto Op.1 No.7 for Violin, strings and continuo of Giuseppe Antonio Brescianello (ca. 1690, Bologna – 4 October 1758, Stuttgart). Published for the first time in 1730 in 6 Concerts and 6 Symphonies Op.1. Transcribed by Santino Cara in Rome in 2016.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1332658 By Renato Tagliabue. By Renato Tagliabue. 21st Century,Classical. 7 pages. Renato Tagliabue #919082. Published by Renato Tagliabue (A0.1332658). .

Chamber Orchestra - Level 4 - Digital Download SKU: A0.534541 Composed by Ange Flégier. Romantic Period. Score and parts. 7 pages. Musik Fabrik Music Publishing #3627047. Published by Musik Fabrik Music Publishing (A0.534541). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseilles and died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Cor�, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratorio Ossian and many chamber works, including the first “dixtuor� for wind quintet and string quintet. This item is the F horn part for this work 

Chamber Orchestra - Level 3 - Digital Download SKU: A0.883057 Composed by Antonin Dvorak. Arranged by Emiliano Bernagozzi. Romantic Period. Score and parts. 10 pages. Emiliano Bernagozzi #6239535. Published by Emiliano Bernagozzi (A0.883057). Tratta da una raccolta di brevi composizioni per pianoforte intitolata Humoresque pubblicata nell'autunno del 1847, l' Humoresque n. 7  è sicuramente uno dei brani brevi per musica classica più eseguiti al mondo.  Arrangiamento per ensemble di flauti (2 flauti in do, flauto in sol e flauto basso)Livello Intermedio.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.579926 Composed by Charles Villiers Stanford. Arranged by David Warin Solomons. 20th Century,Concert,Romantic Period. Score and parts. 7 pages. David Warin Solomons #3464571. Published by David Warin Solomons (A0.579926). Instrumental arrangement of Stanford's choral piece about seeing a blue bird flying across a lake.

Composed by Francois Devienne (1759-1803). Arranged by Carlos Ramírez Guzmán. Classical. Score and parts. 80 pages. Carlos Ramírez #6659305. Published by Carlos Ramírez

Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. 80 pages. Phil Thrift #6674855. Published by Phil Thrift (A0.955747). If you’re looking for a respectable, for the listener undemanding, arrangement of the well-known English folk song Scarborough Fair, then this version may not be for you. Scarborough Affair is a refreshing new take on the original: The familiar melody is never heard in its entirety, there are jazzy harmonies and jazzy syncopations, 5/8 and 7/8 measures, and the arrangement isn’t even in the 3/4 time of the original song. When a 3/4 section does finally appear, featuring a solo for your cor anglais player, the listener gets to hear a variation on the well-known tune.This arrangement is the chamber orchestra edition of the original arrangement I wrote for a wind ensemble and has parts for the following instruments:3 flutes (3rd flute doubling piccolo)2 oboesCor anglais2 Bb clarinets2 bassoonsTrumpet (C and Bb parts included)TromboneHarpsichord doubling pianoStringsYour horn and percussion players can take a break and you may wish to reduce the number of strings.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1488142 Composed by G.F. Skipworth. Classical,Contemporary. 2 pages. George Skipworth #1065021. Published by George Skipworth (A0.1488142). Second movement of Memories of the Neskowin (II. Ancestors Awaken) for chamber orchestra, including two Native American flutes, log or tenor drum. Eah movement can be performed separetely or with the other two movements. App. 7 minutes duration, the difficulty level is intermediate-advanced, allowing high school to professional ensembles.Score and parts are available at Sheet Music Plus, Arrange Me and J.W. Pepper2 Nat. American flutes/2/2/2/-2 horn-drum-harp-strings.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.532372 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical,Concert. Score and parts. 31 pages. Amadeus Music #6053881. Published by Amadeus Music (A0.532372). Divertimento No. 2, KV 439bComplete score and parts, movements No. 1-5, trio for 3 C-instruments. (for example 2 violins and cello or 2 flutes/oboes and cello/contrabass).No:. 6 Allegro, 7 Menuetto, 8 Larghetto, 9 menuetto, 10 Rondo.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.

Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1302145 By Berliner Mozart-Chor, Volker Schwarz, Berliner Mozartinum, Leitung Sabine Fenske. By Adolphe-Charles Adam. Arranged by Sabine Fenske. Christmas,Romantic Period. 7 pages. Sabine Fenske #891746. Published by Sabine Fenske (A0.1302145). Adolphe Adam’s most famous „Cantique pour Noël“ translated to German. Original for voice and piano, here arranged for voice solo (baritone or mezzo), optional mixed choir (SATB) and string orchestra and 2 flutes. Style: romantic, language: French/Germanorchestra parts.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.