Chamber Orchestra - Level 4 - Digital Download SKU: A0.866908 Composed by Maurice Ravel. Arranged by Peyber A. Medina H. 20th Century,Concert,World. Score and parts. 54 pages. Peyber Medina #4719669. Published by Peyber Medina (A0.866908). This is a beautiful reorchestration from the famous Pavane Pour Une Infante Défunte by Maurice Ravel, specially adapted for violoncello and small orchestra by Peyber A. Medina H. for his friend, world-class violoncellist Maestro William Molina Cestari.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 30 pages. Giulio Castronovo #6331823. Published by Giulio Castronovo (A0.945803). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Although the C minor key gives the piece an unquestionable funereal character, its conclusion is serene, thanks to the final C major chord.Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.This arrangement for Standard Classica Orchestra (2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Strings) makes the piece available to any standard chamber orchestra, recreating the color and the nuances of the original orchestration.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1449673 Composed by Alberto Cara. 21st Century,Classical,Contemporary. 24 pages. Sconfinarte #1029429. Published by Sconfinarte (A0.1449673). FUNZIONE ALFA (ES-20-055)Organico: Flauto, Clarinetto basso in Si b/Clarinetto in Sib (1 esecutore), Pianoforte, 2 Violini, Viola, Violoncellowww.edizionisconfinarte.com.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1258151 By Hart & Rodgers. By Lorenz Hart and Richard Rodgers. Arranged by Bernard Kane. Standards. Score and Parts. 24 pages. Bernard Kane Jr Music #851391. Published by Bernard Kane Jr Music (A0.1258151). My Funny Valentine, from Rogers and Hart's Babes in Arms, has been recorded by over 600 different artists worldwide. As a jazz standard it became the signature tune of jazz trumpeter Chet Baker.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.891522 Composed by Ludwig van Beethoven. Arranged by Jae H Park. Contemporary,Easter,Jazz,Praise & Worship,Standards. 44 pages. Jae Park #4319855. Published by Jae Park (A0.891522). Azz Style Beethoven Ode to Joy Arrangement. It's for Solo Violin and Chamber Orchestra(Piano, Violin1, 2, Viola, Cello, Double Bass(+Percussion)). This arrangement requires technical practice with some degree. Especially, Solo Violin must be virtuoso player. It's starting with opening melody of Beethoven's 4th movement. After opening, rhythm is suddenly changed by Double Bass and goes into funky jazz style. Your ensemble can enjoy this music with percussion such as Cajón. This piece has a lot of entertainment not only for player but also audience.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.945804 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 32 pages. Giulio Castronovo #6331839. Published by Giulio Castronovo (A0.945804). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.An ideal orchestral introduction to Mozart’s Requiem KV 626, it is however virtually never performed in the same program, due to the completely different orchestrations and keys of the two pieces. This arrangement makes the Masonic Funeral Music match with the key (D minor) and the uniquely peculiar orchestration of the Requiem (2 Basset Horns, 2 Bassoons, 2 Trumpets, Timpani, 3 Trombones, Strings), recreating the nuances of the original piece with the colors of Mozart’s last composition.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1022831 Composed by Leif Jack. 20th Century,Baroque,Contemporary,Romantic Period. Score and parts. 13 pages. Leif Thomas Marken Jack #3432643. Published by Leif Thomas Marken Jack (A0.1022831). An original composition written in a neo-classical style, with figured bass and keyboard accompaniment. This 3-minute work is suitable for many secular, and sacred occasions, as well as many groups. Whether it be another item on a concert programme for the intermediate or professional orchestra or the opening/closing to a funeral, this piece is sure to have the audience deeply moved. One may even find ways to insert this as incidental music for a staged production, or adapt it to the keyboard, if an orchestra isn't viable for the planned event. Professionally recorded by the Okanagan Symphony Youth Orchestra. Contact me at leifjack395@gmail.com  for any further questions, concerns or business inquiries.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.980629 Composed by K.Tanaka. Arranged by Seva Youdenitch. 20th Century,Children,Romantic Period. Score and parts. 14 pages. Razamanta #6021197. Published by Razamanta (A0.980629). I arranged/orchestrated piano accompaniment to string orchestra.Attached mp3 with performance of child (approx. 13 y.o) with string orchestra.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533272 Composed by Carlos Peron Cano. Contemporary,Instructional. Score and parts. 28 pages. Musik Fabrik Music Publishing #2151335. Published by Musik Fabrik Music Publishing (A0.533272). This is a concertante work in one movement for contrabassoon and string orchestra.  The item contains the score, the solo part and the orchestral parts

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533271 Composed by Carlos Peron Cano. Contemporary,Instructional. Score and parts. 13 pages. Musik Fabrik Music Publishing #2151333. Published by Musik Fabrik Music Publishing (A0.533271). A concertante work for contrabassoon and string orchestra.  This item contains the score plus the solo part

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1369199 By Scott L. Graham. By Scott L. Graham. 21st Century,Classical,Contemporary. 20 pages. Posterity Plus Publishing #953544. Published by Posterity Plus Publishing (A0.1369199). Orchestral: for Violin I, Violin II, Viola, Violoncello, Flutes, Clarinets in Bb, Oboe, Bassoon, Contrabass, Trumpets in Bb, French Horns in F, and TimpaniDissonent rich polychords and haunting modal and atonal melodies depict the deep sighs of those moments when one struggles with the hand they have been dealt. The timpani represents the march of life. The horns along with the woodwinds reflect the turmoil that breaks into these contemplations. The viola give a throaty lyrical voice that soothes in the midst of the moans and yawns of the backdrop.A short work 3:30; Includes score and all parts.

Chamber Orchestra - Level 1 - Digital Download SKU: A0.558717 Composed by David Burndrett. Contemporary. Score and parts. 21 pages. David Burndrett #4794221. Published by David Burndrett (A0.558717). This is a flexible composition for string orchestra including a piano accompaniment.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan María Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan María Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan María Solare. By Juan María Solare. Arranged by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.