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Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1412646

By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646).

One Second to the Future (Guitar Orchestra)

Composer: Brent Robitaille  

• “One Second to the Future” is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  

• The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  

• The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C” as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   

• At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  

• The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  

• Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.” At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  

Technical Requirements 

• Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. 
• A standard guitar delay and distortion pedal for electric guitar parts one and two is required. 
• Glass and metal guitar slides are required.   

To download the fixed audio tracks, go here: 

https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks 

For fixed audio track information and information, contact me at:

info@brentrobitaille.com.

One Second to the Future - Guitar Orchestra
Orchestre de chambre
Brent C Robitaille
$75.00 71.14 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.1230983

Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score). 21st Century,Celtic,Chamber,Children,Classical,Irish. 47 pages. Publisher by Rudesindo Soutelo #826603. Published by Publisher by Rudesindo Soutelo (A0.1230983).

Ao Grupo Instrumental da EB de V.P. de Ă‚ncora e Ă  Orquestra ARTEAM

Rudesindo Soutelo:
Triskel
(2023) for Orff Instruments and Chamber Orchestra [ca. 7'42]
O eixo do mundo / The axis of the world

Première: 16-V-2023. Teatro dos Bombeiros de Vila Praia de Âncora (Portugal). Int.: Grupo Instrumental Orff da EB de V.P. de Âncora (Prof. Manuela Moura) e Orquestra ARTEAM de Viana do Castelo. Dir.: Diogo Costa.
ISWC: T-315.743.482-3
ISMN: 979-0-707704-10-3
Páginas de amostra / Sample pages: https://www.researchgate.net/publication/370676001

=oOo=

The Triskel is present in many ancient cultures but it is in the Celtic culture where it has acquired a greater prominence. It represents the power of the Sun, the axis of the world, the original matrix. It is an allegory of the number 3; of the past, present and future; of the Christian Trinity. It evokes the 
differences in the unity of the great whole, the Universe.
The work was originally composed to integrate an Instrumental Group Orff (Glockenspiel Soprano and Alto, Metallophones and Xylophones Soprano, Alto and Bass), from the General Elementary School, as soloists in a Chamber Orchestra. 
The organising complex of the work is [4 (2, 2), 3 (2, 1)].
There is, also, an edition for Marimba and Chamber Orchestra.

=oOo=

O Triskel está presente em muitas culturas antigas, mas é na cultura celta onde adquiriu um maior relevo. Representa o poder do Sol, o eixo do mundo, a matriz original. É uma alegoria do número 3; do passado, presente e futuro; da Trindade cristã. Evoca as diferenças na unidade do grande todo, o Universo.
A obra foi composta originalmente para integrar um Grupo Instrumental Orff (Glockenspiel Soprano e Alto, Metalofones e Xilofones Soprano, Alto e Baixo), do Ensino Básico geral, como solistas de uma Orquestra de Câmara. 
O complexo organizador da obra Ă© [4 (2, 2), 3 (2, 1)].
Existe, ainda, uma edição para Marimba e Orquestra de Câmara.

Triskel (Orff Instruments & Chamber Orchestra) - Score Only
Orchestre de chambre

$10.00 9.49 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.1088281

Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281).

Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song” in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.

The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
Orchestre de chambre

$20.00 18.97 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.1088278

Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278).

Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song” in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.

The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
Orchestre de chambre

$8.00 7.59 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861934

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934).

The Fallen – Flute Concerto (score – flute and string orchestra) MO163A

Score in Three Movements (parts available)

Music by Mark O’Connor

44 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163A

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

The Fallen – Flute Concerto (score – flute and string orchestra)
Orchestre de chambre
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world

 

Original music printed from the composer’s manuscripts
$30.00 28.46 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861936

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936).

The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-G

String Parts in Three Movements (score and flute solo part available)

Music by Mark O’Connor

50 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163C-G

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

The Fallen – Flute Concerto (string parts – flute and string orchestra)
Orchestre de chambre
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world

 

Original music printed from the composer’s manuscripts
$30.00 28.46 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1314538

By Trevor Denyer. By Heinrich Domnich. Arranged by Trevor Denyer. 19th Century,Classical. 203 pages. Trevor Denyer #903290. Published by Trevor Denyer (A0.1314538).

Heinrich Domnich (1767 - 1844) was an accoomplished horn player, teacher, composer and author of an instruction book, his MĂ©thode de Premier et de Second Cor.

This piece demonstrates a complete understanding of the possibilities for the instruments and performers of the time. It is both lively in the two outside movements and dramatic in the middle one. The orchestral writing is delightful and varied and the piece deserves to be performed regularly in the future.

A piano reduction is available via the excellent disertation by Evan Chancellor, which is well worth reading: https://shareok.org/handle/11244/10503.

Sinfonia Concertante for 2 Horns & Chamber Orchestra
Orchestre de chambre
Trevor Denyer
$35.00 33.2 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.533698

Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698).

Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicated
to Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.
The work was premiered by James Sommerville, horn with Sarah Kapustin and Francesca
Anderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.
The basic musical material for the work is a set of intervals which is gradually “expanded
outward” – moving from close dissonance to luminous consonance. This could be seen to
represent a sense of freedom, growth, and a bright future.
The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higher
strings. The cello presents the work’s basic pitch material in dramatic gestures. The horn
then enters: first abortively and then affirmatively – changing the texture to focus on itself.
The horn continues lyrical melodic development while the strings react, dissipating their
initial energy. Nervous tremolos in the strings start to build back energy again, leading to a
wild climax. The music then relaxes into the next section marked “Slow, suspended.” The
horn and strings interact melodically, supported by luminous harmonies. The nervous
tremolos return, regaining energy towards the coda. The work ends with the ecstatic ringing
of the opening – but,this time, the harmonic material is open and bright.
The second movement, I Am the Vine, is serene and expressive – consisting of a series of
canons which develop, break-off, and start again. The canons are almost always in two
voices – representing two lives intertwining.
The third movement, Chasing Windflower, returns to the energy of the opening movement.
However, the harmonic language begins this time with the open sonorities. Darker colors
(from the first movement) continue to interject, but are always overwhelmed by a sense of
free-wheeling excitement. The work presses on to an ecstatic coda – with a sense of
unfettered joy.

Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre

$38.95 36.95 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861935

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935).

The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163B

Flute Part - Three Movements (score and parts available)

Music by Mark O’Connor

14 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163B

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

The Fallen – Flute Concerto (flute part – flute and string orchestra)
Orchestre de chambre
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world

 

Original music printed from the composer’s manuscripts
$15.00 14.23 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Digital Download

SKU: A0.1035224

Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224).

Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.

Variations on a Rossini Theme op.Posth
Orchestre de chambre

$29.99 28.45 € Orchestre de chambre PDF SheetMusicPlus






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