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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre

$3.99 3.42 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan María Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it   Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
Orchestre de chambre

$4.00 3.43 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why don’t I write a cello concerto by myself? That’s why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
Concerto for solo cello and sinfonietta op.3
Orchestre de chambre
Angus Ludfranz
$11.90 10.21 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre

$20.00 17.17 € Orchestre de chambre PDF SheetMusicPlus






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