Chamber Orchestra - Digital Download SKU: A0.992207 Composed by David Keith Jones. Contemporary. Score and parts. 3 pages. David Keith Jones #3422323. Published by David Keith Jones (A0.992207). David Keith Jones is an independent arranger and vocalist with digital albums in several genres including Arie Antiche and Musicals. This love song is part of an eclectic album called 'All My Own' due for release in 2018. The string parts can be played on a piano. Verse 2 lyrics are under the violin part.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by Antoni�n Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages. NiceChart #4764581. Published by NiceChart (A0.931991). This piece, also known as ‘Serenade for wind instruments, cello, and double bass’, has a strong old-world Slavonic styling. This serenade was written as a dedication to composer and music critic Louis Ehlert, whose positive reviews of Dvořák’s works, helped boost his career in Germany. This arrangement focuses on the first of the four movement work which was labeled as Moderato, quasi marcia. The orchestration alone makes this piece unique and requires many of the instruments found in an orchestra. It is a great choice for ensembles that have players that double on other instruments and as a way to showcase chamber work without excluding too many musicians.To add options to this arrangement, supplemental parts have been included for Piano, Guitar, Timpani, Marimba, Snare Drum, Drum Set, Cymbals and Triangle/Bass Drum.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.922583 Composed by Maddy Aldis-Evans. 20th Century,Children,Contemporary. Score and parts. 124 pages. Maddy Aldis-Evans #5325427. Published by Maddy Aldis-Evans (A0.922583). Three short movements for youth orchestra. With bold, dynamic rhythms and quirky melodies, these short pieces have proved popular with youth orchestras in both the UK and Germany, where the work has been performed many times. Designed as dance music, they can be choreographed and danced to as well.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.966789 Composed by Frederic Chopin. Arranged by W. Spencer Germany. Instructional,Romantic Period. Score and parts. 9 pages. W. Spencer Germany #4994323. Published by W. Spencer Germany (A0.966789). This arrangement is well suited for middle and high school ensembles. A great tool to teach arpeggiated melodic lines and Romantic-era music .

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier Martínez Maya. 20th Century,Baroque,Concert,Standards,World. Score and parts. 37 pages. Arte Nova Music Lab #14299. Published by Arte Nova Music Lab (A0.742331). Javier Martínez (Pd The Liverpool Institute for Performing Arts, MA Berklee College of Music) is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Ingeson Recording Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 6, Finale 2014, Musescore and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butterworth #1073129. Published by Ian Butterworth (A0.1496608). Rigel (1741-1799) was born in Germany but spent most of his life in France.  This symphony is in three movements and is scored for two oboes, bassoon, two horns and strings.  The wind players are tacet in the central movement.  The score (18 pages) has been edited for bowing and phrasing and string parts may be copied for sole use by the purchaser.  Duration 16 minutes approx.www.ianbutterworthmusic.co.uk

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1191818 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 54 pages. Gert Th. Walter #791325. Published by Gert Th. Walter (A0.1191818). Are you looking for modern and spirited Christmas music for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 - Hr1.2 - Trp1.2 - Timpani - Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!

Chamber Orchestra - Level 2 - Digital Download SKU: A0.684529 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 12 pages. Gert Th. Walter #6462895. Published by Gert Th. Walter (A0.684529). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de

Chamber Orchestra - Level 2 - Digital Download SKU: A0.684518 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #6461781. Published by Gert Th. Walter (A0.684518). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de

Chamber Orchestra - Level 2 - Digital Download SKU: A0.683793 Composed by Netherlands Folk Hymn. Arranged by Gert Th. Walter. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #6102515. Published by Gert Th. Walter (A0.683793). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de

Chamber Orchestra - Level 2 - Digital Download SKU: A0.684686 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 22 pages. Gert Th. Walter #6478777. Published by Gert Th. Walter (A0.684686). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1453794 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Advent,Christmas,Holiday,Patriotic. 54 pages. Gert Th. Walter #1033043. Published by Gert Th. Walter (A0.1453794). Are you looking for modern and spirited Christmas music including score & parts for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 / Hr1.2 - Trp1.2 / Timpani / Strings. © 2024 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de And now have fun making music!