Chamber Orchestra - Level 4 - Digital Download SKU: A0.742476 Composed by Benedetto Marcello. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 43 pages. Arte Nova Music Lab #4602679. Published by Arte Nova Music Lab (A0.742476). Benedetto Giacomo Marcello (Italian: [beneˈdetto marˈtʃɛllo]; (31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher. Born in Venice, Benedetto Marcello was a member of a noble family and his compositions are frequently referred to as Patrizio Veneto. Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music. In 1711 he was appointed a member of the Council of Forty (in Venice's central government), and in 1730 he went to Pola as Provveditore (district governor). Due to his health having been impaired by the climate of Istria, Marcello retired after eight years in the capacity of Camerlengo to Brescia where he died of tuberculosis in 1739. Benedetto Marcello was the brother of Alessandro Marcello, also a notable composer. On 20 May 1728 Benedetto Marcello married his singing student Rosanna Scalfi in a secret ceremony. However, as a nobleman his marriage to a commoner was unlawful and after Marcello's death the marriage was declared null by the state. Rosanna was unable to inherit his estate, and filed suit in 1742 against Benedetto's brother Alessandro Marcello, seeking financial support. Taken from https://en.wikipedia.org/wiki/Benedetto_Marcello Cover Image by https://commons.wikimedia.org/w/index.php?curid=11552469

Chamber Orchestra - Level 4 - Digital Download SKU: A0.517030 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 58 pages. Santino Cara #3234389. Published by Santino Cara (A0.517030). Complete score and parts of the Violin Concerto No.12 in C major RV 178 for Violi, Cello, Strings and Harpsichord. Reconstructed and elaborated by Santino Cara, from Il Cimento dell'Armonia e dell'Invenzione Op.8 by Antonio Vivaldi.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1356094 Composed by Charles Francois Gounod. Arranged by Marcos Barilari. Chamber,Christian,Christmas,Religious,Wedding. 16 pages. Marcos Barilari #940793. Published by Marcos Barilari (A0.1356094). This unique arrangement of the famous Ave Maria by Charles Gounod features a different structure and a much more modern aesthetic, with minor seventh chord harmonizations and colorful playing techniques for strings.While the arrangement is truly beautiful with the addition of the SATB choir and percussion, both parts can be omitted if necessary without the arrangement losing its balance.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1356096 Composed by Charles Francois Gounod. Arranged by Marcos Barilari. Chamber,Christian,Christmas,Religious,Wedding. 43 pages. Marcos Barilari #940795. Published by Marcos Barilari (A0.1356096). This unique arrangement of the famous Ave Maria by Charles Gounod features a different structure and a much more modern aesthetic, with minor seventh chord harmonizations and colorful playing techniques for strings.While the arrangement is truly beautiful with the addition of the SATB choir and percussion, both parts can be omitted if necessary without the arrangement losing its balance.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.976320 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 102 pages. Viola Editions #3435331. Published by Viola Editions (A0.976320). These are the parts for that exquisite concerto for Harmonica & Orchestra - in three movements and with a cadenza in the end.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.976319 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 188 pages. Viola Editions #3435325. Published by Viola Editions (A0.976319). A brilliant concerto for the so popular Harmonica in three movements and with a cadenza in the end.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.977962 Composed by Johann Sebastian Bach. Arranged by Brett L Allen. Baroque,Concert,Standards. Score and parts. 39 pages. Brettallenmusic.com #6216947. Published by brettallenmusic.com (A0.977962). An arrangement for Viola of J S Bach's Concerto for Violin in E Major, BWV 1042. Scored for the strings commonly used to perform Bach's Brandenburg Concerto No. 6. (Viola 1, Viola 2, Cello, Bass, Cembalo). Includes Full Score only.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.887511 Composed by JS Bach-Gounod. Arranged by Boni de Souza. Baroque,Concert,Praise & Worship,Standards,Wedding. Score and parts. 11 pages. De Souza et Music LLP #3681153. Published by De Souza et Music LLP (A0.887511). This arrangement of JS Bach-Gounod's Prelude in C also known as Ave Maria was customised to bring out the best tonal colour of an Octet It is written for a String Quartet (1st Violin, 2nd Violin, Viola, Cello) as well as a Piano Quintet but can be used in a combination comprising Violin 1, Violin 2, Viola, Cello, Flute, Double Bass, Piano and Drums. The level of difficulty is Intermediate. Useful as music for Weddings, Worship, Ceremonies as well as lunchtime or School,College Concerts. The piece would also be very useful as a teaching tool for a small ensemble in schools and colleges. It is appropriate for Public Events or Concerts requiring some easy listening Classical music as it is arranged to appeal to a wide audience.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.921861 Composed by Frederic Chopin. Arranged by Joshua Feltman. Romantic Period. Score and parts. 15 pages. Ryan Blauvelt #3519235. Published by Ryan Blauvelt (A0.921861). Frederic Chopin composed the Waterfall etude as part of the 1st set of piano exercises meant to challenge pianists. Chopin’s etudes created an entirely new set of technical challenges. But they were among the first etudes to become a regular part of concert repertoire.This arrangement uses the original piano part alongside the orchestra. We drew out melodies from the piano texture and feature some of them in the orchestra.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.921436 Composed by Mat Kim. Contemporary. Score and parts. 12 pages. Mat Kim #3538161. Published by Mat Kim (A0.921436). This piece started as a string quartet in the key of C, and retained that name after it no longer applied. Experiments in quartal, blues and Japanese harmonies make this single-movement work a wholly unique experience.

TBB choir and piano or chamber orchestra - Medium - Digital Download SKU: MQ.9117-E Composed by Gwyneth W. Walker. 23 pages. E. C. Schirmer Music Company - Digital #9117-E. Published by E. C. Schirmer Music Company - Digital (MQ.9117-E). English.An alternative voicing of one of this composers seminal works. Text adapted from E. E. Cummings I thank You God for most this amazing day. This piece was the 1999 Raymond W. Brock Commission from the ACDA and has become wildly popular since its premiere at the 1999 national convention.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1221417 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 847 pages. Santino Cara #817739. Published by Santino Cara (A0.1221417). Complete scores and parts of 10 Concertos Book1 for Violin solo, Strings and Cembalo. Composed in Venice between 1712 and 1727 by Antonio Vivaldi. Reconstructed and elaborated over the years by Santino Cara from the publications of publishers of the Vivaldi period.Sources: National University Library of Turin, the National Library of Bologna, the Italian Antonio Vivaldi Institute – Giorgio Cini Foundation directed by Francesco Fanna, the Saxony State University Library in Dresden, and some copied manuscripts from Vivaldi's period by Johann Georg Pisendel. Concertos:01 - Violin Concerto in C major RV 17002 - Violin Concerto in C major RV 17103 - Violin Concerto in C major RV 17204 - Violin Concerto in C major RV 17705 - Violin Concerto in C minor RV 19906 - Violin Concerto in D major RV 22207 - Violin Concerto in D major RV 23108 - Violin Concerto in D minor RV 243More Vivaldi Works for Violin, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin solo, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.6 for Violin, Cello, Strings and Harpsichord - Scores and PartsVivaldi - 10 Violin Concertos Op.7 for Violin, Strings and Cembalo - Scores and PartsVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin, Strings and CembaloVivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and PartsVivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.12 for Violin, Strings and Cembalo - Full scores and Parts

Chamber Orchestra - Level 2 - Digital Download SKU: A0.722930 Composed by Cesar Auguste Franck. Arranged by Marc GARETTO. Christian,Christmas,Contemporary,Holiday,Sacred. Score and parts. 43 pages. Marc GARETTO - Harmonie Editions #4889705. Published by Marc GARETTO - Harmonie Editions (A0.722930). One of the most famous Christmas Classical Lyric Song !

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future� is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C� as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.� At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.