Chamber Orchestra - Level 3 - Digital Download

SKU: A0.1178349

Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 42 pages. Elbsound.studio #744899. Published by Elbsound.studio (A0.1178349).

Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocals (or solo instrument). The melody spans one and a half octaves (C4 to G5) and is singable by baritone, tenor, (high) alto and sopran registers or most solo instruments.

The key moves from C to D major.
Playback (without solo): https://www.youtube.com/watch?v=YQQhgYMrcEA
Can be played both by professional orchestras and school orchestras.
Also available for full orchestra.

Instrumentation: 2 Flutes, 1 Oboe, 1 Bassoon, 1 Horn, Harp (or Piano), String Orchestra, Glockenspiel, Tubular Bells (optional), Vocal or Solo Instrument

Duration: 4m00s
Includes score and parts.
The score is also available separately.

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.764316

Composed by John Bacchus Dykes. Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 31 pages. Andrew Duncan #3222163. Published by Andrew Duncan (A0.764316).

The traditional hymn NICAEA - Holy Holy Holy is arranged for congregation, orchestra, and worship band (piano and/or guitar). Intended for use in worship services, this arrangement can also be presented by choir and orchestra as an anthem. Stanza 1 is in B-flat major, stanzas 2-3 are in C, and stanza 4 is in D major. 

Orchestra instrumentation: 2 flutes, 1 oboe, 2 B-flat clarinets, 2 french horns, 2 trumpets, 2 trombones, 1 tuba, violin 1 and 2, viola, cello, bass, timpani and percussion (lead sheet for band: piano, guitars, bass, drums, organ, vocalists/choir/congregation).

PDF file includes the full score, individual parts for all instruments, and a lead sheet.

Written for worship services at Cedar Springs Presbyterian Church in Knoxville, Tennessee.

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.505708

Composed by Cesar Auguste Franck. Arranged by Dico. Easter,Romantic Period,Wedding. Score and parts. 34 pages. Dico Ferreira #117367. Published by Dico Ferreira (A0.505708).

WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.

PANIS ANGELICUS - for voices and orchestra.
Score | Voices | Flute | Oboe | Horn | Trumpet | Trombone 1, 2 | Piano | Strings (-Viola)

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.843026

Composed by Cesar Auguste Franck. Arranged by Dico. Easter,Romantic Period,Wedding. Score and parts. 34 pages. Dico #6499589. Published by Dico (A0.843026).

WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.

PANIS ANGELICUS - for voices and orchestra.
Score | Voices | Flute | Oboe | Horn | Trumpet | Trombone 1, 2 | Piano | Strings (-Viola)

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.866119

Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119).

Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta� for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.866121

Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121).

Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta� for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.

Chamber Orchestra - Digital Download

SKU: A0.944032

Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032).

CONCERTINO, for Clarinet, Mandolin, and Orchestra

CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses:

Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1)

Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7)

Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13)

The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.)

The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns.

The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique.

Total duration: ca. 23 min.

Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.843028

Composed by Edvard Grieg. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and Parts. 46 pages. Dico #6502567. Published by Dico (A0.843028).

WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.

MORNING MOOD (from Peer Gynt Suite No. 1) - this arrangement was made for a wedding ceremony group and the instrumentation was very reduced (1 player for each part), but I suggest a minimal of 2 players in each string part, except the double bass.
INSTRUMENTATION:
Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Piano | Strings

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.513327

By Various. By Edvard Grieg. Arranged by Dico. Romantic Period,Wedding. Score and Parts. 46 pages. Dico Ferreira #124094. Published by Dico Ferreira (A0.513327).

WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.

MORNING MOOD (from Peer Gynt Suite No. 1) - this arrangement was made for a wedding ceremony group and the instrumentation was very reduced (1 player for each part), but I suggest a minimal of 2 players in each string part, except the double bass.
INSTRUMENTATION:
Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Piano | Strings

Chamber Orchestra - Level 2 - Digital Download

SKU: A0.843117

Composed by Edward Elgar. Arranged by Dico. 20th Century,Wedding. Score and parts. 25 pages. Dico #6639087. Published by Dico (A0.843117).

WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are sextets. Some instruments can be replaced and some arrangements have reductions. These options are provided.

POMP AND CIRCUMSTANCE MARCH No. 1 (Trio) - this arrangement was made for a wedding ceremony with a small set. That's why the string section is a quartet without a viola part.
INSTRUMENTATION:
Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 (bass) | Timpani | Piano | Strings (-viola)

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1029901

Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901).

On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches.

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Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1453028

Composed by Orlando P. Silva. Arranged by Orlando P. Silva. 21st Century,Chamber,Christmas,Classical,Romantic Period. 30 pages. Orlando P. Silva #1032275. Published by Orlando P. Silva (A0.1453028).

This is a little waltz (valse) of my own. This piece is in C minor and was written for a small orchestra. This small orchestration was written for a formation similar to Classical, with the addition of a some instruments.

This formation includes:
2 Flutes, English horn, 2 Clarinets, 1 Bassoon, 2 Horns, 2 Trumpets, 2 Trombones, Cymbals, Bass drum, Snare drum, Timpanos, Violin 1, Violin 2, Violas, Cellos and D. Basses.

It is not a piece for beginners as the Violins 1 reach up to the note G six.

Chamber Orchestra - Digital Download

SKU: A0.800344

Composed by Sarah Wallin Huff. Contemporary. Score and parts. 156 pages. Novel Soundtrax #493373. Published by Novel Soundtrax (A0.800344).

Score for the 2008 three-movement concerto for solo 6-string electric violin, chamber orchestra, EWI (Electric Wind Instrument), and synthesizer. Approx. 25 minutes long. Taking its cue from the Hebrew description of this Creature of antiquity and imagination, this Concerto features the virtuosic properties of the six-string electric violin with its immense range, while the various and creative sounds available to the synthesizer and electric wind instrument (EWI) enhance the beauty of the acoustic orchestra. Instrument List: Orchestra: 2 Flutes / 1 Piccolo (doubled by Flute II) 2 Oboes / 1 English Horn in F (doubled by Oboe II) 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones (1 Tenor, 1 Bass) 4 Timpani 3 Percussionists: Low Floor Tom, Bongos, 2 Concert Toms, Suspended Cymbal, Tambourine, and Claves Strings (vln 1, vln 2, vla, cello, bass) MIDI/Electric Instruments: EWI, Synthesizer, Six-string Electric Violin: Strings are tuned (from lowest to highest): F, C, G, D, A, E.

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1080705

Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705).

Instrumentation


2 flûtes/2 flutes
cor anglais (doublant hautbois/doubling oboe)
clarinette en La/clarinet in A
basson/bassoon

cor en Fa/horn in F

percission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/
percussion (1 performer - timpani (3)/suspended cymbal, tambourine)

harpe/harp

9 cordes/9 strings
(2.2.2.2.1)


durée/duration: 5 minutes 30 secconds (environ/approx.)

 
Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.

______________________

Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011

Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada,
2 March 2012




Preface:

In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song.

So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA).

 Robert Orledge
Brighton, 19 June 2019



Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.