Chamber Orchestra - Level 5 - Digital Download

SKU: A0.978024

Composed by Harold Seletsky. Concert,Contemporary,Jewish. Score and parts. 86 pages. Robin Seletsky #4985407. Published by Robin Seletsky (A0.978024).

Klezmer Fantasy fuses the unbridled joyousness of traditional klezmer with the complexity and demands of true chamber music.  Composed in 1997 by Harold Seletsky, this 12-minute composition was awarded first prize by the American Society for Jewish Music with the citation reading: Seletsky has written an extraordinary work that pulls out all the stops for the klezmer player. It is fully notated but with ample room to inflect and improvise in the klezmer style if the player so chooses.

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1403422

By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert C. Olivia #986632. Published by Robert C. Olivia (A0.1403422).

This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw’s band with strings played on the record version and in the motion picture. In addition to the big band & string parts here, also available is the companion conductor score and solo clarinet part. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie� Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.

By Ed Sheeran feat. Khalid. By Fred Gibson, Khalid Robinson, Max Martin, Ed Sheeran, and Shellback. Arranged by Chris Koelma. Contemporary. Score and parts. 33 pages. Chris Koelma #5374157. Published by Chris Koelma

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.1150517

By Billie Eilish. By Billie Eilish O'Connell, Finneas O'Connell, and Khalid Robinson. Arranged by Marcos Cohen. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and Parts. 39 pages. Tritonus #750693. Published by Tritonus (A0.1150517).

Song arranged for orchestra, soloist and choir.

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1403494

By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494).

This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. 

Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. 

This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.

The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie� Brown on Trombone.

There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. 

The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1433339

By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013630. Published by Robert C. Olivia (A0.1433339).

This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. These are the parts for the big band and strings. 

Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. 

This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.

The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie” Brown on Trombone.

There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. 

The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.742401

Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401).

The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.

Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.

The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)