Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1014365

Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 122 pages. Sara Bongo #5372521. Published by Sara Bongo (A0.1014365).

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Developed  from a study of Sergei Prokofiev’s Classical Symphony in D  Major, Opus 25, the Transformation Symphony was written as a  tribute to Prokofiev’s style much as Prokofiev paid homage to the  works of Joseph Haydn.

The Transformation Symphony consists  of four contrasting movements which include Dream (Allegro),  Sacrifice (Larghetto), Perseverance (Minuet and Trio) and  Metamorphosis (Rondo.)

Each  movement can be defined as a progression from a dream to the  sacrifice that is needed to reach the dream to the perseverance  needed to maintain the sacrifice to the metamorphosis that comes from  having achieved the dream. The composer includes a linear progression  in the four movements yet manages to also intertwine these elements  in the last movement to indicate that the creative process can be  both linear and interspersed.

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Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1014368

Composed by Sara Bongo. Contemporary,Instructional,New Age,Spiritual,Standards. Score and parts. 183 pages. Sara Bongo #6237381. Published by Sara Bongo (A0.1014368).

Developed from a study of Sergei Prokofiev’s Classical Symphony in D Major, Opus 25, the Transformation Symphony was written as a tribute to Prokofiev’s style much as Prokofiev paid homage to the works of Joseph Haydn.

The Transformation Symphony consists of four contrasting movements which include Dream (Allegro), Sacrifice (Larghetto), Perseverance (Minuet and Trio) and Metamorphosis (Rondo.)

Each movement can be defined as a progression from a dream to the sacrifice that is needed to reach the dream to the perseverance needed to maintain the sacrifice to the metamorphosis that comes from having achieved the dream. The composer includes a linear progression in the four movements yet manages to also intertwine these elements in the last movement to indicate that the creative process can be both linear and interspersed.