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Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1232907

By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 21 pages. CG Publications #828536. Published by CG Publications (A0.1232907).

The glorious opening chorus from, from Handel’s “MESSIAH,†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Performance requires a moderately accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. 

A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus. 

And The Glory Of The Lord (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
Orchestre de chambre
George Frideric Handel
$14.99 14.29 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1118209

By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #719721. Published by CG Publications (A0.1118209).

Handel’s majestic chorus from “MESSIAH,†slightly abridged to ease performance, is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard & Drum). Requires an accomplished violinist, but only players of modest ability in the other instruments. Also, appropriate substitutions, such as clarinet, bassoon, or cello, etc., are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments.

A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.

Hallelujah (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
Orchestre de chambre
G F
$14.99 14.29 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1226069

By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #821953. Published by CG Publications (A0.1226069).

Handel’s inspiring chorus from “MESSIAH†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Difficult melismatic passages have been simplified, without diminishing their musical integrity, to allow for an effective and impressive, but easier, performance for groups of even modest resources. Performance requires an accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. 

A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.

For Unto Us A Child Is Born (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
Orchestre de chambre
George Frideric Handel
$14.99 14.29 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1227059

By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 11 pages. CG Publications #823057. Published by CG Publications (A0.1227059).

“Surely He Hath Borne Our Griefs,†from Handel’s “MESSIAH,†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Performance requires a moderately accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. 

A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.

Surely He Hath Borne Our Griefs (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
Orchestre de chambre
George Frideric Handel
$9.99 9.52 € Orchestre de chambre PDF SheetMusicPlus

1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · 2 hg. Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) - Hfe. · Cel. - Str. viola and chamber orchestra - intermediate to advanced - Digital Download

SKU: S9.Q47336

For viola and chamber orchestra. Composed by Bertold Hummel. This edition: piano reduction with solo part. Viola Library. Downloadable, Piano reduction with solo part. Op. 13f. Duration 6 minutes. Schott Music - Digital #Q47336. Published by Schott Music - Digital (S9.Q47336).

The Fantasia bucolica for viola and chamber orchestra Op. 13f (original title: Fantasy in D) was composed in 1956 in response to a commission from the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden and was featured in a recording produced for SWF in Freiburg in the same year, performed by this orchestra and the soloist Hans Hasselmann and conducted by Willi Stech. The brief concert piece begins with a dreamy introduction by the solo viola which leads into a virtuoso central section before concluding with intimations of the initial section. A striking feature of this early work is the diverse employment of the percussion section in the orchestral instrumentation. Martin Hummel.

Fantasia bucolica
Orchestre de chambre

$12.99 12.38 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.922640

Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640).

Original by Johann Strauss II
Reduction to String Orchestra by Aaron Meier

Part: *Optional Percussion (snare drum, triangle, cymbals)

True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament).

Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles)
---

Performance Notes:

• Approximate length: 3:30 minutes
• 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™® 
• 2nd Violins:
 - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B
 - At m. 72-75, emphasize the E♭ in the div.
• Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓)

History:

The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody.

Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms.
[excerpted from NAXOS Records]
Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre

$3.99 3.8 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1288408

By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408).

Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.

Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.

Advanced Intermediate 
Format: Concert, 9 x 12 inches
44 pages
Full Score and Orchestral Parts 
Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reduction
Duration: 4 min.

Program Notes

About the Composer

The 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.

Musical Characteristics

The 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. 

The Composition Itself

The 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. 

Programmatic Interpretation

The 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.

About the album 'Magic Trumpet'

Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.

Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Orchestre de chambre
Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
$39.99 38.11 € Orchestre de chambre PDF SheetMusicPlus


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