SKU: A0.1281935

Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)

Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.

🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵

Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.

🎶 Experience the Elegance:
Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.

🌟 Elevate Your Performance:
Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.

🎻 Immerse in Musical History:
Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.

📚 Our Sheet Music:
With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.

🔥 Stand Out with Excellence:
Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.

🎉 Join the Musical Journey:
Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.

👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.

Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠

Get Your Sheet Music Now
#MajesticHarmony #MusicalElegance #HändelMagic

🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵

Advanced Intermediate Level
Format: Concert, 9 x 12 inches
43 pages.

SKU: A0.533698

Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicated
to Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.
The work was premiered by James Sommerville, horn with Sarah Kapustin and Francesca
Anderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.
The basic musical material for the work is a set of intervals which is gradually “expanded
outward� – moving from close dissonance to luminous consonance. This could be seen to
represent a sense of freedom, growth, and a bright future.
The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higher
strings. The cello presents the work’s basic pitch material in dramatic gestures. The horn
then enters: first abortively and then affirmatively – changing the texture to focus on itself.
The horn continues lyrical melodic development while the strings react, dissipating their
initial energy. Nervous tremolos in the strings start to build back energy again, leading to a
wild climax. The music then relaxes into the next section marked “Slow, suspended.� The
horn and strings interact melodically, supported by luminous harmonies. The nervous
tremolos return, regaining energy towards the coda. The work ends with the ecstatic ringing
of the opening – but,this time, the harmonic material is open and bright.
The second movement, I Am the Vine, is serene and expressive – consisting of a series of
canons which develop, break-off, and start again. The canons are almost always in two
voices – representing two lives intertwining.
The third movement, Chasing Windflower, returns to the energy of the opening movement.
However, the harmonic language begins this time with the open sonorities. Darker colors
(from the first movement) continue to interject, but are always overwhelmed by a sense of
free-wheeling excitement. The work presses on to an ecstatic coda – with a sense of
unfettered joy.

SKU: A0.533574

Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Project
and is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recording
industry and his enthusiastic support for the composers of our time.
The original conception for the work was devised during an extremely foggy week on
Nantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to the
ocean landscape. Throughout the work, the strings often present a fog-like backdrop,
through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.
The work opens with a series of interlocking, nebulous figurations in the strings that
gradually build in intensity. The bassoon unfolds the work’s basic melodic material in a free
solo that also increases in intensity. At the point of climax, the tempo suddenly slows
dramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy and
energetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoon
has played the leader throughout, this is the first time it is heard unaccompanied. A brief,
but vigorous afterglow recalls the opening of the work. The final section emerges out of it: a
series of high, distant harmonics (perhaps harbor buoys) in the strings through which the
bassoon sings a final song.

SKU: A0.953627

Celebrate women scientists!

Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.
Duration 5:30 minutes.

Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.

This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc

SKU: A0.1132365

An arrangement for Double Bass (Solo Strings) and Chamber Orchestra. Solo strings project above an orchestra much better than orchestral. The solo part is in the original key to allow for the strings.

SKU: A0.533630

Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume and
Symphonic Underground. The work was written in celebration of the Mozart Year 2006.
Unlike most recent piano concerti, this work is a concerto designed for small performing
forces. It sits between typical chamber music and the typical piano concerto.
The work was inspired by the various Mozart concerti (such as K. 449) which are often
performed with very small string sections. Thus, this concerto may be performed with as few
as single strings on each part, or a larger full string orchestra
The work is cast in one movement, containing two large sections (sub-movements).
Structurally, the piece is a highly condensed version of Classical period symphonic form.
The first section of the work is an exposition-development/sonata allegro combined with a
slow movement. The second section is a combination of a triple-meter scherzo and a rondo
finale.
The musical material throughout derives tonally from the three notes of a D-major triad (D,
F#, and A). Those three pitches serve as transformation centers for the work's material and
also plot the tonal areas of each section. The musical material of the work thus ranges from
highly Classical melodies (although all original) and textures to more Romantic and
modernist elements that transform out of the initial material.