Chamber Orchestra - Level 2 - Digital Download SKU: A0.980624 Composed by J.Rameau. Arranged by Seva Youdenitch. Children. Score and parts. 13 pages. Razamanta #6021175. Published by Razamanta (A0.980624). I arranged/orchestrated piano accompaniment to string orchestra.Attached mp3 with performance of child (approx. 13 y.o) with string orchestra.

Chamber Orchestra - Digital Download SKU: A0.901701 Composed by David Thompson. Contemporary. Score and parts. 94 pages. David M Thompson #6402383. Published by David M Thompson (A0.901701). This is a set of variations for nine instruments--four woodwinds and five stringed instruments--on the old Medieval tune L'homme armè. One of the strings--the viola--doubles on tambourine. Somewhat difficult, but can be done pretty readily with experienced musicians. (Much easier than the Piston Divertimento, which has the same instrumentation.) Conductor score and set of parts are included.(flute, oboe, clarinet, bassoon, two violins, viola [tambourine], cello and double bass).

Chamber Orchestra - Level 4 - Digital Download SKU: A0.533083 Composed by Richard Faith. 20th Century,Standards. Score and parts. 109 pages. Musik Fabrik Music Publishing #482089. Published by Musik Fabrik Music Publishing (A0.533083). A three-movement concerto for oboe and orchestra in a pastoral style. A reduction for oboe and piano by the composer is available as a seperate item. The parts are on rental from the publisher. Instrumentation: 2 flutes (2nd doubles piccolo) english horn in F clarinet in Bb 2 bassoons 2 horns in F timpani percussion: orchestra bells, bass drum, tomtom, suspended cymbal, crash cymbal, triangle gong, celesta, small tambourine harp Strings.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1148637 Composed by Traditional. Arranged by Paul Campbell. Christmas,Classical,Holiday,Sacred. Score and Parts. 202 pages. Paul Campbell #748776. Published by Paul Campbell (A0.1148637). SCHOOLS / CHURCHES Flexible Ensemble edition of this popular 6 minute Hollywood style Christmas carol medley. NOTE: Vocal scores sold separately. PARTS INCLUDED: PART I: Flute, Oboe, Violin, Clarinet in Bb / PART II: Flute, Oboe, Violin, Clarinet in Bb, Trumpet in Bb, Alto Saxophone / PART III: Flute, Easy Violin, Clarinet in Bb, Trumpet in Bb, Alto Saxophone, Tenor Horn, French Horn in F / PART IV: Viola, Clarinet in Bb, Trumpet in Bb, Alto Saxophone, Tenor Horn, Tenor Saxophone, Baritone Horn, French Horn in F / PART V: Violoncello, Trombone, Bassoon, Baritone Horn, Tenor Saxophone, Euphonium PART VI: Double Bass (Bass Guitar), Bass Clarinet in Bb, Euphonium, Violoncello, (Bass) Trombone, Bassoon, Baritone Saxophone, Tuba Timpani (optional) Percussion (2 Players): [Cymbals, Tubular Bells (opt.), Glockenspiel, Triangle, Tambourine, Suspended Cymbal (incl. brush scrape)] Ensemble Piano.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1500950 Composed by Jeremy Soule. Arranged by Nuno Figueiredo. 21st Century,Broadway,Children,Film/TV,Musical/Show. 50 pages. Nuno Figueiredo #1076943. Published by Nuno Figueiredo (A0.1500950). Instrumentation (flexible / transpositions)   Winds  Flute 1  Flute 2 (or oboe)  Oboe (or soprano saxophone)  Clarinet in Bb1  Clarinet in Bb2  Alto Saxophone 1  Alto Saxophone 2  Bassoon (tenor saxophone or euphonium, bass & treble clef)  Brass Trumpet in Bb1  Trumpet in Bb2  Horn in F1 (or euphonium, bass & treble clef)  Horn in F2 (or euphonium, bass & treble clef)  Trombone 1  Trombone 2  Tuba (bass & treble clef)  Voice (kids choir - 2 voices)  Piano                                                                                 Percussion (Triangle, Tambourine & Tom-toms)  Strings Violin 1  Violin 2  Viola  Violoncello  Contrabass.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

Chamber Orchestra - Digital Download SKU: A0.800344 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 156 pages. Novel Soundtrax #493373. Published by Novel Soundtrax (A0.800344). Score for the 2008 three-movement concerto for solo 6-string electric violin, chamber orchestra, EWI (Electric Wind Instrument), and synthesizer. Approx. 25 minutes long. Taking its cue from the Hebrew description of this Creature of antiquity and imagination, this Concerto features the virtuosic properties of the six-string electric violin with its immense range, while the various and creative sounds available to the synthesizer and electric wind instrument (EWI) enhance the beauty of the acoustic orchestra. Instrument List: Orchestra: 2 Flutes / 1 Piccolo (doubled by Flute II) 2 Oboes / 1 English Horn in F (doubled by Oboe II) 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones (1 Tenor, 1 Bass) 4 Timpani 3 Percussionists: Low Floor Tom, Bongos, 2 Concert Toms, Suspended Cymbal, Tambourine, and Claves Strings (vln 1, vln 2, vla, cello, bass) MIDI/Electric Instruments: EWI, Synthesizer, Six-string Electric Violin: Strings are tuned (from lowest to highest): F, C, G, D, A, E.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1023272 Composed by Peter Ilyich Tchaikovsky. Arranged by Timothy Maloof. Children,Christmas,Romantic Period. Score and parts. 20 pages. Timothy Maloof #5756219. Published by Timothy Maloof (A0.1023272). Arranged for: Violin I, Violin II, Cello, Accordion (Piano), Guitar (Oud), Percussion (Tambourine, Triangle, two percussionists)