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Chamber Orchestra - Level 2 - Digital Download

SKU: A0.850805

Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #25163. Published by Peter Tambroni (A0.850805).

This is a simple arrangement for string orchestra of Jolly Old St. Nicholas, Good King Wenceslas and Adeste Fideles (O Come All Ye Faithful).

Only the key of G is used and there are no accidentals. There is an optional advanced first violin part with some third position work to provide a challenge for more advanced players. The standard first violin is the same but an octave lower. The second violin part is almost identical but with some harmony notes. Dotted rhythms and hooked bowings have been using sparingly.

The harmony is generally two part between upper and lower strings. The cello varies slightly from the bass to thicken the harmonies.

Markings have been kept to a minimum to allow for flexibility, interpretation and to get students in the habit of notating their part.

Holiday Medley Orchestre de chambre

$25.00 23.47 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.817949

Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949).

I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it!

The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups.

The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody.  

The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above.

The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.

For additional notes, see p. 2 of the PDF.

The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. 

It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.

adriandeeflute@gmail.com

adriandee.com


Fantasy for Flute and Strings Orchestre de chambre

$39.95 37.51 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.755102

Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102).

Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections.

The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition.

The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together.

The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.

The score prints on legal size paper and the parts on letter.

Arizona Centennial Overture - Chamber Orchestra Version Orchestre de chambre

$39.99 37.55 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.628795

Composed by Stephen DeCesare. 20th Century,Contemporary,Film/TV,Opera. Score and parts. 43 pages. Exultet Music #6230563. Published by Exultet Music (A0.628795).

A ten-minute musical presentation about the pandemic that has swept the world over. First movement: Covid 19: starts off on New Year's Eve of 2019 and progresses into a more dramatic turn when the Covid 19 pandemic hit the world.   Second movement:  Mask/Anti-Mask: One of the hottest topics in today's headlines: To Mask or Not to Mask.  This piece comes out as a canon on four viewpoints on the subject. Third Movement: The Lord Is My Shepherd: for all those lives that were lost due to the pandemic. Can be performed live or virtually. Scored for a Vocal Quartet (SATB), Timpani, Violin, Cymbals and Piano accompaniment.  .

Requiem-CV19 (10-minute musical presentation) (Vocal Quartet - (SATB) Orchestre de chambre

$25.00 23.47 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861936

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936).

The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-G

String Parts in Three Movements (score and flute solo part available)

Music by Mark O’Connor

50 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163C-G

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

The Fallen – Flute Concerto (string parts – flute and string orchestra) Orchestre de chambre
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world

 

Original music printed from the composer’s manuscripts
$30.00 28.17 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861935

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935).

The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163B

Flute Part - Three Movements (score and parts available)

Music by Mark O’Connor

14 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163B

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

The Fallen – Flute Concerto (flute part – flute and string orchestra) Orchestre de chambre
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world

 

Original music printed from the composer’s manuscripts
$15.00 14.08 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.768506

Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506).

The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition.

In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so Charpen­tier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated.

Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. 

While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.


Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full Orchestre de chambre

$20.00 18.78 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861934

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934).

The Fallen – Flute Concerto (score – flute and string orchestra) MO163A

Score in Three Movements (parts available)

Music by Mark O’Connor

44 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163A

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

The Fallen – Flute Concerto (score – flute and string orchestra) Orchestre de chambre
transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world

 

Original music printed from the composer’s manuscripts
$30.00 28.17 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.869267

Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267).

Program note.

First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune.

Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.

YouTube link: https://youtu.be/GJowUC7pDfw

Hancock Shaker Village (2001) for mezzo-soprano and string quartet Orchestre de chambre

$9.99 9.38 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.976713

Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713).

When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.

This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.

The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.

The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)

The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.

This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.


When I Survey the Wondrous Cross - Orchestration Orchestre de chambre

$60.00 56.33 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.876665

Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665).

Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).

Three Laments of Heloise for Chamber Orchestra Orchestre de chambre

$100.00 93.89 € Orchestre de chambre PDF SheetMusicPlus






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