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Chamber Orchestra - Level 4 - Digital Download SKU: A0.787304 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 149 pages. Burke & Bagley #10645. Published by Burke & Bagley (A0.787304). Summer Suite was composed for trumpeters Brian Chin (Seattle, Washington), Nathaniel Mayfield (Austin, Texas), Bryan Appleby-Wineberg (Glassboro, New Jersey), Adrian Kelly (Perth, Australia), Marco Esperti (Italy), and Matt Burke (Manchester, U.K.). James Ackley and the Palmetto Camerata recorded an arrangement of Summer Suite for trumpet with both piano and string quartet for their 2012 CD, New American Works for Trumpet, released on the Beauport Classical label. The accompaniment is available in arrangements for piano, string quartet, combined piano & string quartet, saxophone quartet, string orchestra, chamber orchestra, wind ensemble and organ. Instrumentation: Solo Trumpet, Flute, Oboe, Clarinet, Bassoon, Horn in F and Strings, with optional percussion. Part 1, POPSICLE ROCKET SUNRISE, is duration approximately 4 minutes. Percussion: triangle, snare & suspended cymbal. Part 2, STILL LIFE WITH MELON & SAND, is duration approximately 5-1/2 minutes. Percussion: timpani. Part 3, RED CHERRY LARK, is duration approximately 4 minutes. Percussion: marimba.
Summer Suite for trumpet & chamber orchestra
Orchestre de chambre

$69.99 60.72 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A0.750316). Hopewell Farmscapes Third Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. While Hopewell Farm was not the first farm Eddie ever visited, it is more common for him to see the farms from outside the fences. As a guest at Hopewell, Eddie had many opportunities to explore the land, accompanying his brother-in-law as he took care of the cattle. Some of this was on foot and sometimes they drove (off road) across the property in a bakkie. The scenes, the smells, the sounds, all of it calls out gladly to welcome you. If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link)
Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
Orchestre de chambre

$17.79 15.43 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1200993 By Lucienne Renaudin Vary. By Jacques Offenbach. Arranged by Marcus Martin. 19th Century,Opera. Score and Parts. 34 pages. Cornelius Edition (uk) #799642. Published by Cornelius Edition (uk) (A0.1200993). This famous melody, from the Venetian scene in its composer's last opera, has a captivating charm that no amount of familiarity could ever dispel. The melody, here arranged for Solo Trumpet and Orchestra first appeared in a much earlier operetta called Die Rheinnixen but its universal fame dates from its use in The Tales of Hoffmann. A useful concert item, it requires 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Harp and Strings.
Entracte and Barcarolle from 'Tales of Hoffmann' Solo Trumpet and orchestra
Orchestre de chambre
Lucienne Renaudin Vary
$19.99 17.34 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.597276 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Holiday,Sacred,Wedding. Score and Parts. 20 pages. Flavio Regis Cunha #5002105. Published by Flavio Regis Cunha (A0.597276). Ode for the Birthday of Queen Anne (HWV 74) is a secular cantata composed by George Frideric Handel to a libretto by Ambrose Philips, of which the first line, Eternal source of light divine, provides an alternative title for the work. It was probably composed during January 1713 for a performance on 6 February 1713, although there is no record of the performance having actually taken place. It was originally written in the key of D major for a tenor or alto soloist.
ETERNAL SOURCE OF LIGHT DIVINE - HWV 74) for Soprano, trumpet, Strings and Harpsichord
Orchestre de chambre
George Frideric Handel
$18.99 16.47 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only.  The complete parts and each seperate part are also available as seperate items.
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre

$25.95 22.51 € Orchestre de chambre PDF SheetMusicPlus


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