Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1038395

Composed by Adrian Gagiu. Classical. 451 pages. Adrian Gagiu #643336. Published by Adrian Gagiu (A0.1038395).

Throughout his career, Beethoven made dozens of concept sketches for many movements of symphonies, besides those for the completed nine compositions of that genre. In the period 1812-1816, mainly during the composition of the Seventh and Eighth Symphonies, there were three recurring such projected works in his sketchbooks, namely in D minor, E minor and E flat major respectively, and remarkably with sketches for more than one of their movements. The present symphony in late Classical style is based on those projects, making use of all their themes in a „combined� symphony in D minor and thus with peculiar tonal relationships. The incentive for this new work in the Classical idiom was in the quality and potential of some of the sketches, especially the one included now in the main theme of the slow movement. Some of the sketched material was subject to transpositions and adaptations to fit the formal outlook, and to editorial choices for the unclear pitches and durations. This publication includes the score and parts. The sketchbook sources for each passage are mentioned at the bottom of the score. Total duration: 36 min. Performing Rights Organization: SOCAN. The mp3 recording is the third, slow movement.

Chamber Orchestra - Level 2 - Digital Download

SKU: A0.1278126

Composed by Claude Debussy. Arranged by Ahsan Fathoni. 20th Century,Classical. Score and Parts. 22 pages. A Suburb Violinist #869823. Published by A Suburb Violinist (A0.1278126).

An arrangement of selected themes from Prelude to the Afternoon of A Faun (Prélude à l'après-midi d'un faune L. 86) for flute, piano, harp (can be played with a keyboard), and string ensemble. It made easy by changing key signature so it is suited for junior or student ensemble. Score and All Parts are included.

Chamber Orchestra - Digital Download

SKU: A0.1035224

Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224).

Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.846893

Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Music #2898911. Published by Song of Songs Music (A0.846893).

An extremely sweet and romantic melody is developing to make wonderful harmonies with a Theme by William Croft and creates an impressive fantasy! Suitable for Sunday service or New Year's worship service. Full score and all parts. Duration: 6 Minute.

Please visit and subscribe to my Youtube channel to be updated with new pieces by Sharon Kim. You can also request free updates of your score if you have purchased this score before the revise at my channel. 
https://www.youtube.com/channel/UCj7qYJSAac9aRmFAEB3tnEA?view_as=subscriber

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.1441785

Composed by Hans Zimmer. Arranged by Charles Effiong Otok (C violin). Chamber,Classical,Film/TV,Multicultural,Spiritual,World. 61 pages. Charles Effiong Otok (C violin). #1021770. Published by Charles Effiong Otok (C violin). (A0.1441785).

A beautiful Solo Voice, Choir and Orchestral Sheet Music Score for Now we are free, Gladiator Movie Theme Song by Hans Zimmer .

This Sheet Music Score features the Solo vocalist with Choir S A T B Backups with the individual parts lyrics to the song, Plus the Strings Orchestral instruments Music Parts all separately embeded.

Mastered for the singing and playing pleasure of Professional/ Beginner Musicians or Music Students. 

See Youtube Video below or above here in this Site page or click the Watch Button for the Sheet Music Content Preview.

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1415801

Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801).

Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style.
In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1.

For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet.

Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'.
Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861935

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935).

The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163B

Flute Part - Three Movements (score and parts available)

Music by Mark O’Connor

14 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163B

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861936

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936).

The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-G

String Parts in Three Movements (score and flute solo part available)

Music by Mark O’Connor

50 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163C-G

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

Chamber Orchestra - Level 5 - Digital Download

SKU: A0.861934

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934).

The Fallen – Flute Concerto (score – flute and string orchestra) MO163A

Score in Three Movements (parts available)

Music by Mark O’Connor

44 pages - 18:00 minutes in length

 

The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2003

 

Composed by Mark O’Connor

Commissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San Diego

Can be heard on Beauty In America MSR Classics

Carla Auld – flute, Eric Jacobsen - conductor

 

 

Catalogue Number MO163A

Copyright © 2003 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

Chamber Orchestra - Digital Download

SKU: A0.944028

Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028).

COMPOSER’S NOTE:

Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects.

The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid  Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990.  

Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com 

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1080705

Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705).

Instrumentation


2 flûtes/2 flutes
cor anglais (doublant hautbois/doubling oboe)
clarinette en La/clarinet in A
basson/bassoon

cor en Fa/horn in F

percission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/
percussion (1 performer - timpani (3)/suspended cymbal, tambourine)

harpe/harp

9 cordes/9 strings
(2.2.2.2.1)


durée/duration: 5 minutes 30 secconds (environ/approx.)

 
Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.

______________________

Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011

Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada,
2 March 2012




Preface:

In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song.

So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA).

 Robert Orledge
Brighton, 19 June 2019



Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1493527

By Andrea Bocelli And Ariana Grande. By Elio Cesari, Ennio Morricone, and Giulio Rapetti Mogol. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional,Wedding. 23 pages. Flavio Regis Cunha #1070189. Published by Flavio Regis Cunha (A0.1493527).

E Più Ti Penso (The More I Think of You in English), also known as E Più Ti Penso (from Once Upon a Time in America), is an Italian song originally composed by Ennio Morricone, Mogol, and Tony Renis for the movie Once Upon a Time in America. It was first recorded by the Italian operatic-pop trio Il Volo for their debut album Il Volo in 2010. The song later gained further popularity when recorded by Italian singer Andrea Bocelli and American singer Ariana Grande. Released on October 1, 2015, it served as the lead single from Bocelli's album Cinema (2015).

This arrangement of Deborah's Theme - E Più Ti Penso is scored for Choir SATB and Orchestra, suitable for advanced intermediate performers.

Advanced Intermediate Level
Format: Concert, 9 x 12 inches  
Length: 58 pages.

Chamber Orchestra - Level 3 - Digital Download

SKU: A0.567344

Composed by Elio Cesari, Ennio Morricone, and Giulio Rapetti Mogol. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Pop,Wedding. Score and parts. 24 pages. FRC Music #176753. Published by FRC Music (A0.567344).

TITLE E Più Ti Penso (Deborah's Theme) - Andrea Bocelli, Ariana Grande Version DESCRIPTION E Più Ti Penso (The more I think of you in English), alternatively titled E Più Ti Penso (from Once Upon a Time in America) is an Italian song originally written by Ennio Morricone, Mogol, and Tony Renis for the movie Once Upon a Time in America. This is a song recorded by the Italian operatic-pop trio Il Volo in 2010 in their first CD Il Volo in 2010. Later this song was recorded by Italian singer Andrea Bocelli and American singer Ariana Grande. The song was released on 1 October 2015, and served as the lead single from Bocelli's album, Cinema (2015). INSTRUMENTS Piano Accompaniment, Oboe, Horn in F, Violin, Viola, Cello, Double Bass, Timpani, Percussion Ensemble, 1Ob.4Hn.Timp.Perc:Cyms.M.T.Hp.Pft.Str. FORMAT Score ONLY.

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1490966

Composed by Musashi Project. Arranged by Kassym Aitbayev. 20th Century,21st Century,Film/TV,Folk. 28 pages. Kassym Aitbayev #1067751. Published by Kassym Aitbayev (A0.1490966).

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.1103957

Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Baroque,Contemporary,Contest,Festival,Jazz. Score and parts. 32 pages. Uwe Roessler #707241. Published by Uwe Roessler (A0.1103957).

This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String� (BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bach�- version, and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition (hence the video link). There are several options of playing this arrangement: “Air� has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!