Chamber Orchestra - Level 4 - Digital Download SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary Friedman (A0.889888). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. This one is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The third is for piano reduction of the orchestra plus baritone solo at $5.00 Duration: 7 minutes Year: 2004.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B #379227. Published by PRS&B (A0.771583). On The Road To Mandalay- for Baritone and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone (A Flat- D)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B #379228. Published by PRS&B (A0.771584). On The Road To Mandalay- for Tenor and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor (C- F Sharp)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100183 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 14 pages. Exultet Music #704066. Published by Exultet Music (A0.1100183). Tender and emotional piece written in memory of the 11 Million people who died within the Nazi concentration camps during World War II. Scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola, Cello.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.498863 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. Score and Parts. 98 pages. Alexandre Guerra #112334. Published by Alexandre Guerra (A0.498863). Fantasy for Solo Piano and Strings in three movements inspired by the romance lived by the french artist Auguste Rodin and its apprentice Camille Claudel.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1309195 Composed by Camille Saint-Saens. Arranged by Doug Clyde. 19th Century,Children,Classical,Romantic Period. Score and Parts. 36 pages. ALBEDO MUSIC #898369. Published by ALBEDO MUSIC (A0.1309195). Carnival of the Animals No. 7 The Aquarium for Chamber Orchestra. Composed by Camille Saint-Saens. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Flute, Glockenspiel, Piano 1, Piano 2, Violin I, Violin II, Viola, Cello. Performance Duration 2:30. © 2023 by ALBEDO MUSIC.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1309197 Composed by Camille Saint-Saens. Arranged by Doug Clyde. 19th Century,Children,Classical,Romantic Period. Score and Parts. 35 pages. ALBEDO MUSIC #898372. Published by ALBEDO MUSIC (A0.1309197). Carnival of the Animals No. 12 Fossils for Chamber Orchestra. Composed by Camille Saint-Saens. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Clarinet in Bb, Xylophone, Piano 1, Piano 2, Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 1:30. © 2023 by ALBEDO MUSIC.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1309201 Composed by Camille Saint-Saens. Arranged by Doug Clyde. 19th Century,Children,Classical,Romantic Period. Score and Parts. 58 pages. ALBEDO MUSIC #898375. Published by ALBEDO MUSIC (A0.1309201). Carnival of the Animals No. 14 Finale for Chamber Orchestra. Composed by Camille Saint-Saens. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Piccolo, Clarinet in Bb, Glockenspiel, Xylophone, Piano 1, Piano 2, Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 2:00. © 2023 by ALBEDO MUSIC.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018258 Composed by Timothy Lee Miller. Classical,Contemporary. Score and parts. 161 pages. TLM Music Publishing #623857. Published by TLM Music Publishing (A0.1018258). Commissioned by the University of St. Andrews (Scotland) New Music Ensemble, this work moves at a quick pace and chronicles the experience of traveling.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts.  The score only is availabel as a seperate item.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.928006 Composed by Malcolm D Robertson. Contemporary. Score and parts. 108 pages. Mr Malcolm D Robertson #6638427. Published by Mr Malcolm D Robertson (A0.928006). Composed between the 8th & 23rd January 2021. The Serenade is among my most straightforward & lyrical works. The 1st movement has its origin in some music sketched for a student's film project on Windmills in 1997. The 2nd movement is a Minuet with a touch of dry humour. The 3rd movement 'Romanza' is expressive with a touch of reflective sadness. The last movement is a lightheated Jig with an obviously Irish twist. The Serenade is easily accessible and within the capacity of a good amateur orchestra.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.931997 Composed by Camille Saint-Saens. Arranged by Steven Klaus. Romantic Period. Score and parts. 28 pages. NiceChart #4764601. Published by NiceChart (A0.931997). This lively first movement of his 1863 five movement suite has a very different approach from other Saint-Saëns pieces. Some believe its droning quality stems from it originally being composed on a harmonium (or pump organ). This Prelude was labeled as Opus No. 49 and uses a non-standard orchestra instrumentation that is very heavy on woodwinds and contains very little brass.  Please note there are no trumpet, trombone, or tuba parts in this arrangement.  See in the instrumentation page in the preview for more details.