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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.845453 Composed by Olafur Arnalds. Arranged by Musikeo. Contemporary. Score and parts. 21 pages. Musikeo #6363077. Published by Musikeo (A0.845453). Born 3 November 1986, Olafur Arnalds is an Icelandic multi-instrumentalist and producer from Mosfellsbær, Iceland. He mixes strings and piano with loops and beats, a sound ranging from ambient/electronic to atmospheric pop. He is also the former drummer for hardcore / metal bands Fighting Shit, Celestine, and others.This song is based on a Db Chopin Piano Prelude. The arrangement here follows in all detail the original song, with the piano as the main leading instrument in the firts part and the strings added later on. Then, violins viola and cellos appear and take an accompaniment role for the piano througought the song.Easy to play song with interesting moments for all instruments. Score and Individual Parts are provided. Enjoy!
Letters Of A Traveller
Piano Quatuor: piano, violon, alto, violoncelle

$12.99 11.04 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1104206 Composed by John Henry Hopkins, Jr. and Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #707422. Published by John A. Dempsey (A0.1104206). This piano quartet for violin, viola, cello and piano of the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  18 pages of music (that includes separate two-page parts for violin, viola and cello).  Concert Key: A minor     We three kings of Orient are: bearing gifts we traverse afar     Field and fountain, moor and mountain - following yonder star.     O star of wonder, star of night; star with royal beauty bright,     Westward leading, still proceeding, guide us to Thy perfect light.
We Three Kings (Piano Quartet): Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle

$14.00 11.9 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works.   Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
Mozart: Romanze from K. 525 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$19.95 16.96 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle

$19.99 16.99 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.523284 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 23 pages. John A. Dempsey #3421675. Published by John A. Dempsey (A0.523284). Ours the cross, the grave, the skies, Alleluia.  Arranged as a lively piano quartet for violin, viola, cello and piano, this joyful hymn celebrating our Savior's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude and special music for traditional Easter church services and other worship events, including Good Friday services and Easter sunrise worship.  19 pages of music (that includes separate two-page parts for violin, viola and cello).  Key: C major.  Violin/Viola/Cello Level: Intermediate.  Piano Level: Late Intermediate  Christ the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia  
Christ the Lord is Risen Today (Piano Quartet): Violin, Viola, Cello and Piano
Piano Quatuor: piano, violon, alto, violoncelle

$14.00 11.9 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.992783 Composed by David Carovillano (SOCAN). 20th Century,Contemporary. Score and parts. 63 pages. Acclarion Records #3626895. Published by Acclarion Records (A0.992783). This piece for piano, violin, viola and cello features epic, sweeping melodies and bold rhythmic gestures for musicians to perform with passionate, dramatic flair. The Promised Land flows with milk and honey. There is a yearning to reach it but this gift comes at a cost. It is an epic journey filled with trial and tribulation but the weary travellers carry with them a jubilant spirit full of optimism and hope.
The Promised Land
Piano Quatuor: piano, violon, alto, violoncelle

$35.00 29.75 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$46.95 39.9 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus






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