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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$45.95 39.35 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.992783 Composed by David Carovillano (SOCAN). 20th Century,Contemporary. Score and parts. 63 pages. Acclarion Records #3626895. Published by Acclarion Records (A0.992783). This piece for piano, violin, viola and cello features epic, sweeping melodies and bold rhythmic gestures for musicians to perform with passionate, dramatic flair. The Promised Land flows with milk and honey. There is a yearning to reach it but this gift comes at a cost. It is an epic journey filled with trial and tribulation but the weary travellers carry with them a jubilant spirit full of optimism and hope.
The Promised Land
Piano Quatuor: piano, violon, alto, violoncelle

$35.00 29.98 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1086071 Composed by W. Brent Sawyer. Classical,Contemporary. Score and parts. 68 pages. Diamond S Music #690266. Published by Diamond S Music (A0.1086071). Remnants of the Past - for Piano Quartet by W. Brent Sawyer. scored for Violin, Viola, Cello, and Piano. FULL SCORE and PARTS. Written in a Neo-Classical style, yet has elements of Romanticism and even jazz, a very energetic and entertaining piece. It is in one movements yet has very distinct sections. This piece is written in what I call … a nouveau classique style - meaning It sounds kinda classical and kinda modern - with a dash of jazz thrown in as well. Hence the Title… Remnants of the Past. In fact there are several different styles used within the piece. Most of the piece is written in an energetic 6/8 time with a reoccurring melancholy 3/4 section and there is a short nostalgic interlude in 4/4. The piece uses a 5 note turn around swirl as it's melodic germ. The end section uses exciting uprising arpeggios and upward scales in modulating keys.
Remnants of the Past - for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$12.00 10.28 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet Cello,Piano,Viola,Violin - Level 1 - Digital Download SKU: A0.1388124 Composed by Ralph E. Hudson. Arranged by André Nusa. Easter,Religious,Sacred. 5 pages. Andre_Nusa #971722. Published by Andre_Nusa (A0.1388124). Embark on a musical journey with this beginner-friendly arrangement of 'At the Cross' for violin, viola, bassoon and piano. Dive into the rich harmonies as each instrument weaves together to bring this timeless hymn to life. Perfect for novice players, the arrangement offers simplified parts while maintaining the essence of the original composition. Delve into the beauty of sacred music with accessible melodies and harmonies, making it an ideal choice for aspiring musicians looking to explore ensemble playing.
At the Cross
Piano Quatuor: piano, violon, alto, violoncelle

$2.99 2.56 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle

$36.00 30.83 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.886751 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 28 pages. Panagiotis Theodossiou #6353361. Published by Panagiotis Theodossiou (A0.886751). Toccata for piano solo (2010, op.45.b) is an excerpt by the composer's three-part piano solo suite Scenes from Ancient Greece (2010). The work is also transcribed for violin solo (op.45c) in 2019 and dedicated to soloist Tania Sikelianou. Other transcriptions, for flute, violin, cello, and piano op.45d (2021) and piano quintet op.45e (2021).www.youtube.com/watch?v=5t_kWkL8dOU
Toccata, for piano quintet
Piano Quatuor: piano, violon, alto, violoncelle

$10.00 8.56 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus






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