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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle

$36.00 30.86 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1086071 Composed by W. Brent Sawyer. Classical,Contemporary. Score and parts. 68 pages. Diamond S Music #690266. Published by Diamond S Music (A0.1086071). Remnants of the Past - for Piano Quartet by W. Brent Sawyer. scored for Violin, Viola, Cello, and Piano. FULL SCORE and PARTS. Written in a Neo-Classical style, yet has elements of Romanticism and even jazz, a very energetic and entertaining piece. It is in one movements yet has very distinct sections. This piece is written in what I call … a nouveau classique style - meaning It sounds kinda classical and kinda modern - with a dash of jazz thrown in as well. Hence the Title… Remnants of the Past. In fact there are several different styles used within the piece. Most of the piece is written in an energetic 6/8 time with a reoccurring melancholy 3/4 section and there is a short nostalgic interlude in 4/4. The piece uses a 5 note turn around swirl as it's melodic germ. The end section uses exciting uprising arpeggios and upward scales in modulating keys.
Remnants of the Past - for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$12.00 10.29 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s.  Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.  Register for free lifetime updates and revisions at www.jamesguthrie.com  
The First Noel for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$24.95 21.39 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.874432 Composed by Gavin Koh. Concert,Contemporary,Latin,Standards. Score and parts. 19 pages. Gavin Koh #4300377. Published by Gavin Koh (A0.874432). Enjoy a cooling early morning breeze at dawn. What a great way to spend at the beach. This version is for Piano Quartet (piano, violin, viola, cello). The idea for this composition just came out of the blue. I needed something exotic - so I grabbed some Latin rhythms and came up with a melody that invoked the feeling of lazing in the early dawn morning on the beach with a gentle breeze blowing in from the sea. I sincerely hope you will like performing this. Please provide feedback at the Facebook link below.Listen to the composer's works at https://soundcloud.com/gavinkohFollow the composer at https://www.facebook.com/gavinkoh1970
Cooling Dawn Breeze, Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$6.00 5.14 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus






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