Cello Solo - Level 4 - Digital Download SKU: A0.901162 Composed by Antonn Leopold Dvorak. Arranged by Fillipe Mendel. Romantic Period. Individual part. 32 pages. Mendel Music Work #3422491. Published by Mendel Music Work (A0.901162). New arrangement for sextet of cellos. The Symphony No. 9 in E minor, From the New World, Op. 95, B. 17, popularly known as the New World Symphony, was composed by Antonin Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It is by far his most popular symphony, and one of the most popular of all symphonies. Neil Armstrong took a recording of the New World Symphony to the Moon during the Apollo 11 mission, the first Moon landing, in 1969. The symphony was completed in the building that now houses the Bily Clocks Museum.

Cello Solo - Level 5 - Digital Download SKU: HX.1246418 Composed by B. G. Marcello. This edition: scorch. Classical. Individual part. 5 pages. ABRSM (Associated Board of the Royal Schools of Music) #CEPs_G5_A2. Published by ABRSM (Associated Board of the Royal Schools of Music) (HX.1246418).

Cello Solo - Level 3 - Digital Download SKU: HX.1246416 Composed by Stephen Paxton. This edition: scorch. Classical. Individual part. 4 pages. ABRSM (Associated Board of the Royal Schools of Music) #CEPs_G3_A2. Published by ABRSM (Associated Board of the Royal Schools of Music) (HX.1246416).

Cello Solo - Level 4 - Digital Download SKU: HX.1246398 Composed by Antonio Vivaldi. This edition: scorch. Classical. Individual part. 7 pages. ABRSM (Associated Board of the Royal Schools of Music) #CEPs_G4_A3. Published by ABRSM (Associated Board of the Royal Schools of Music) (HX.1246398).

Cello Solo - Level 4 - Digital Download SKU: A0.1026428 Composed by Robert Kuehn. Baroque,Classical,Romantic Period. Individual part. 8 pages. Robert Kuehn #6100277. Published by Robert Kuehn (A0.1026428). A suite for the intermediate player, that contains elements of classical, romantic and baroque genres. Tempos are recommended guidance only- they work at any number of tempos (except for the allegro in movement 2). Otherwise, play them as you feel them. Movement 1 is really a set of variations on the main theme in D minor. It explores a moderate range of keys and rhythms. Movement 2 starts with an adagio that can be played quite freely, ascending from Cmaj up thru various keys, leading to an allegro/presto dance-like piano theme in Dmaj. Much room for tempo/dynamics interpretation then ending with a brief restatement of the adagio theme in a new key, followed by a mad rush up the cello to a high, quiet E, with small sighs to end the piece. Movements 3, 4 and 5 would be good performance pieces for students (melodically solid with multiple harmonic shifts, moderate bowing and fingering challenges and engaging rhythms).

Cello Solo - Level 3 - Digital Download SKU: A0.1351135 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 19 pages. Clara Obsidian #935974. Published by Clara Obsidian (A0.1351135). Featuring a compilation of 10 unique and popular works from 10 different composers arranged for Cello Solo. It is the perfect collection for lessons, gigs and performances!ContentsFranz Schubert : Ständchen Serenade, D.957, No. 4Georges Bizet: Farandole from L'Arlesienne Suite No.2, IVGabriel Fauré: Après un rêve from Trois mélodies Op. 7 n°1Marin Marais: La Folia Selections from Les Folies d'EspagneCharles Gounod: Meditation on the 1st prelude of J. S. Bach Ave MariaJ. S. Bach: Menuett (Minuet) Suite no.1 in G MajorBernhard Romberg: Allegro Sonata no. 1 in Bb MajorJohann Strauss I: Radetzky March P. I. Tchaikovsky: Theme from Swan Lake Camille Saint-Saëns: Danse Macabre Other Collections also available!---------------------------

Cello Solo - Level 4 - Digital Download SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 #3479669. Published by jmsgu3 (A0.549259). I. Moderato, II. Lento misterioso, III. Rondo Spirito The Moderato unfolds in the standard sonata-allegro form. It explores some divergent elements: a lyrical Dorian principal theme, a terse Phrygian subordinate theme subjected to extreme compression in an asymmetrical meter, and a brief closing theme - again in Dorian. The development section presents fragmented variations of the themes and a new theme essentially extracted from the transition. The recapitulation proceeds as usual, with the secondary theme appearing in tonic - in this case, G Dorian. The principal theme's final statements appear in the closing theme's rhythm. A coda based on a fragment of the closing theme ends the movement. The Lento misterioso is an elegiac ternary construction that introduces quartal/quintal harmony and modal exploration. The contrasting B section involves an agitato passage that investigates Phrygian relations. The Rondo Spirito is a simple Rondo: ABACABA. The impetus of the movement derives from elements of the previous two movements: quartal/quintal harmony from the Lento and asymmetrical meter from the Moderato. Other elements appearing in this piece are cycles of thirds, modal explorations, and extended range.  

Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. Published by jmsgu3 (A0.549261). The Fantasia follows the general scheme of the classical sonata-allegro form. A repeated fragmented motive characterizes the primary theme. The transition introduces pentatonic and synthetic materials that dissipate into a Lydian chord. The Lydian mode provides materials for the lyrical secondary theme section. A closing section revisits elements of the synthetic scale from the transition. After a repeat of the exposition, the development section begins agitato, fragmenting and transposing various diminutions of the primary motive. This is interrupted by a double augmentation and then a bariolage passage leading to declamatory statements of the primary theme transposed eventually to the subdominant. After modulating the transition materials, the secondary theme is developed in the subdominant. This time, the music is adjusted to explore a quotation of the first measure of Bach’s Cello Suite I. This treatment dissolves into a two-part transition (quasi-spiccato), leading to a final development of the Lydian motive, this time in double stops. A final transition section provides the thematic impetus for the third movement. The recapitulation ensues with the re-transition somewhat truncated and the secondary theme transposed to the tonic. A coda section dissipates excess energy while developing Lydian ideas in preparation for a quiet closing that repeats the now-broken Lydian chord.