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Cello Solo - Level 1 - Digital Download SKU: A0.1395502 By George Ezra. By George Barnett and Joel Pott. Arranged by Jps Arrangements. Folk,Pop,Rock. Individual part. 2 pages. Jps Arrangements #978971. Published by Jps Arrangements (A0.1395502). Budapest for beginners Cello sheet musicBudapest” is a catchy song by British singer-songwriter George Ezra.Released in 2013, it became a hit and is known for its upbeat melody and nostalgic lyrics.The song is an ode to the city of Budapest, capital of Hungary. Ezra sings about a romantic trip to the city, where he feels free and in love. The melody is infectious, with a folk-pop beat that invites listeners to dance. The “Budapest” sheet music could be a great choice. It has melody andThe music is perfect for those who are just starting to play.*the arrangement is with the figures.
Budapest
Violoncelle
George Ezra
$4.99 4.27 € Violoncelle PDF SheetMusicPlus

Cello - Digital Download SKU: A0.1103849 By Ölveti Mátyás and Mády-Szabó Eszter. By Davied Warin Solomons. Chamber,Contemporary. Full Performance. Duration 119. David Warin Solomons #707131. Published by David Warin Solomons (A0.1103849). This is based on my vocal duo on the poem by Jacques Prévert. It relates how the soldier took leave, left his army cap in the cage and went out with the bird (of freedom) on his head. J'ai mis le képi dans la cage Et je suis sorti avec l'oiseau sur la tête Alors, on ne salue plus? a demandé le commandant Non, non ne salue plus a répondu l'oiseau Ah bon, excusez moi Je croyais qu'on saluait A dit le commandant Vous êtes tout excusé, car tout le monde peut se tromper a dit l'oiseau. [literal translation] I put my army cap in the cage and went out with the bird on my head Now then, don't we salute any more? asked the commander. No we don't salute any more replied the bird. Oh, OK, pardon me, I thought we saluted. said the commander. You are quite forgiven, because anyone can make a mistake. said the bird. Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
Quartier Libre (Leave from Barracks) for 2 cellos (mp3)
Violoncelle
Ölveti Mátyás and Mády-Szabó Eszter
$5.50 4.7 € Violoncelle PDF SheetMusicPlus

Cello - Digital Download SKU: A0.1103564 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 194. David Warin Solomons #706833. Published by David Warin Solomons (A0.1103564). Instrumental Duo based on my setting of Marie Keyser's Poem La Tour de Hölderlin Elle est près du fleuve dormeur debout mais le saule incliné toucherait de sa cîme l'eau L'église vieille dit les heures de l'île où la nuit descend Je la vois encore son toit de gris dans le gris de l'eau. pressens dans la tour de bois ma demeure la folie la folie le silence clos clos vigilance Oh Ne pas altérer ce qui reste qui reste, et le doit. Was bleibt aber stiften die Dichter. (It stands by the sleepy river But the bending willow would touch the water with its very top The church - an old church - tells the hours from the island where the night descends I can still see it, its grey roof in the grey of the water I have a presentiment in the tower of wood, of my dwelling place, of madness, of silence Closed in, closed in but keeping watch Oh never change what remains and should remain Was bleibt aber stiften die Dichter.....) [What remains, however, is the stuff of poetry This quote from Hölderlin himself is reflected in the second cello at bars 43 to 45] Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
Hölderlin’s Tower for 2 cellos (mp3)
Violoncelle
Ölveti Mátyás and Mády-Szabó Eszter
$5.50 4.7 € Violoncelle PDF SheetMusicPlus

Cello - Digital Download SKU: A0.1103919 By Mády-Szabó Eszter. By David Warin Solomons. Baroque,Chamber,Classical,Jewish. Full Performance. Duration 258. David Warin Solomons #707203. Published by David Warin Solomons (A0.1103919). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind Performed by Mády-Szabó Eszter of Budapest Scoring Cellos.
Telemensch (The isolated one) for Cello Solo (mp3)
Violoncelle
Mády-Szabó Eszter
$5.50 4.7 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 5 - Digital Download SKU: A0.1255610 By Antonio Meneses. By Carlo Alfredo Piatti. Arranged by Antonio Meneses & Michele Galvagno. 19th Century,Classical,Instructional,Opera,Romantic Period. Individual part. 34 pages. Artistic Score Engraving di Galvagno Michele #849122. Published by Artistic Score Engraving di Galvagno Michele (A0.1255610). Carlo Alfredo Piatti composed only one more piece for cello solo, besides the Twelve Caprices, Op. 25, the Capriccio sopra un tema della Niobe di Pacini, Op. 22, published in 1864, but apparently performed for the first time in 1843 in Budapest. This edition thoroughly researches the surviving sources and the history behind the opera theme (an investigation on its own) and provides a modern, clean, and easy-to-play-from format for this 10-minutes-long virtuoso piece. The extra cello part is edited by Maestro Antonio Meneses after his outstanding recording in the CD “Capriccioso”, marking the start of a new great collaboration for our editions.
Capriccio sopra un tema della Niobe di Pacini - Op. 22 - for cello solo
Violoncelle
Antonio Meneses
$18.95 16.21 € Violoncelle PDF SheetMusicPlus

Cello - Digital Download SKU: A0.1103915 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 195. David Warin Solomons #707199. Published by David Warin Solomons (A0.1103915). Composed originally as a vocal duo as I walked one day from Denning Point in the East End of London to sing at a service at St Michael's Cornhill around 1986, this version can be played on various instruments but preferably duos of the same instrument or at least instruments of the same range. The words of the original vocal duo are: I heard a happy song on a lonely city street; but it was a song of the past. It was a song from the days when the street was a meadow path; it was a song when the flowers on the window boxes had grass for company. It was a song when the Cathedral could be seen above the rooftops. I heard a happy song on a lonely city street; but it was a song from the future: song from the days when the street will dance with children It was a song when the flowers in the window boxes will learn to sing. It was a song when the rooftops won't be seen above the clouds. I heard a happy song on a lonely city street; and it is a song of now But it is a song I will sing from the rooftops to entrance the clouds. Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
Rooftops for 2 cellos (mp3)
Violoncelle
Ölveti Mátyás and Mády-Szabó Eszter
$5.00 4.28 € Violoncelle PDF SheetMusicPlus






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