Cello Solo - Level 4 - Digital Download SKU: A0.1371173 Composed by Emiliano Brunetti. Chamber,Contemporary. Individual part. 5 pages. Emiliano Brunetti #955424. Published by Emiliano Brunetti (A0.1371173). Demencia reflects my experience when going through my grandmother’s dementia. As a degenerative illness, you deal with a progressive loss of the person you care about, while maintaining your strength to be there for them despite your feelings. This erratic and unpredictable path is represented both melodically and rhythmically. Harmonically, I explored the harmonic minor sonority, maintaining the augmented seventh through the whole piece, not to reinforce the resolution in the first chord but to exaggerate the tension.

Cello Solo - Level 2 - Digital Download SKU: A0.1237589 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, Juan Luis Londono Arias, Justin Stein, Lars Pedersen, Mauricio Reglero Rodriguez, Nermin Harambasic, Ricardo Andres Reglero, and Ronny Svendsen. Arranged by Musikeo. Contemporary,Disco,Latin,Multicultural,Pop,World. Individual part. 1 pages. Musikeo #833105. Published by Musikeo (A0.1237589). Vente Pa' Ca (transl. Come Over Here) is a song recorded by Puerto Rican singer Ricky Martin, featuring a guest appearance from Colombian singer Maluma. It was written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen, while the production was handled by Alexander Castillo. The song was released for digital download and streaming as a single by Sony Music Latin on September 23, 2016. A Spanish language reggaeton and pop song, it contains various sexual innuendos. The song received widely positive reviews from music critics, who complimented its danceable rhythm and fusion of genres. It was ranked as one of the best Latin songs of the year by multiple publications, including The Guardian.The song was nominated for the awards of Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. Vente Pa' Ca was one of the most commercially successful Spanish-language songs of 2016, reaching number one in seven countries, including Argentina and Mexico, as well as the top five in Spain and on the Billboard Hot Latin Songs chart in the United States. It also reached the summit of the Billboard Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. Additionally, it was ranked among the top 10 best performing songs of 2017 in six Latin American countries. The song has received several certifications, including quadruple platinum in Spain.An accompanying music video, released simultaneously with the song, was directed by Jessy Terrero and filmed at the SLS South Beach Hotel in Miami Beach, Florida. It depicts several parties in different locations in the hotel and has received over 1.8 billion views on YouTube. To promote Vente Pa' Ca, Martin and Maluma performed it on several television programs and award shows, including both the Premio Lo Nuestro and the Premios Juventud in 2017. Multiple contestants on various music talent shows have covered the song, including Patricia Manterola and Màxim Huerta. Several remixes and other versions have accompanied the song, such as English versions featuring Delta Goodrem, and Wendy of Red Velvet. The latter reached number one on Melon's international music chart.Musically, Vente Pa' Ca is a Spanish language upbeat reggaeton and pop song, written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen. Its production was handled by Alexander Castillo, and the song features elements of vallenato and Latin music. The track runs for a total of 4 minutes and 19 seconds, and Billboard described it as a party track set over a sultry reggaetón beat.Lyrically, Vente Pa' Ca which translates to Come Here in English, contains various sexual innuendos, with lyrics including, Si tú quieres nos bañamos / Si tú quieres nos soplamos / Pa secarnos lo mojao / Si tu boca quiere beso / Y tu cuerpo quiere de eso / Arreglamos (If you want we can swim / If you want we can dry ourselves / If your mouth wants a kiss / And your body wants that / Then we can manage).Vente Pa' Ca was one of the biggest Spanish-language songs of 2016. The song debuted at number four on the US Billboard Hot Latin Songs chart on October 15, 2016, with a first-week tally of 5,000 downloads sold, 1.1 million streams, and 14 million radio impressions.

Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Cello - Level 3 - Digital Download SKU: A0.1153108 Composed by Shane Woodborne. Chamber,Classical,Romantic Period. 15 pages. Shane Woodborne #753350. Published by Shane Woodborne (A0.1153108). Sarabande for 5 Celli (duration:6´30´´) was written in memory of a cellist colleague who passed away in 2022. This work is a lyrical tribute to a friendship and an exploration of the sonorities that only a cello ensemble can realise. Intermediate level - the first and second cello voices lead melodically.

Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?� The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.

Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: Canções e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, Andrés Díaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the Díaz Trio. Canções e Sambinhas is in four movements. I. Canção de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vêz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chôros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vêz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA

Cello Solo - Level 1 - Digital Download SKU: A0.1193046 Composed by Carlos Eduardo Lyra Barbosa and Ronaldo F.e. Boscoli. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Individual part. 2 pages. Fabio Eduardo #792500. Published by Fabio Eduardo (A0.1193046). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.

Cello Solo - Level 2 - Digital Download SKU: A0.1191760 Composed by Carlos Eduardo Lyra Barbosa. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Individual part. 2 pages. Fabio Eduardo #791265. Published by Fabio Eduardo (A0.1191760). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.

Cello Solo - Level 1 - Digital Download SKU: A0.1193030 Composed by Carlos Eduardo Lyra Barbosa and Ronaldo F.e. Boscoli. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Individual part. 2 pages. Fabio Eduardo #792485. Published by Fabio Eduardo (A0.1193030). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCarlos Eduardo Lyra Barbosa (born 11 May 1933) is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.

Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Cello Solo - Level 4 - Digital Download SKU: A0.1305415 By Pablo Tejedor-Gutierrez. By Dominic McGonigal. 21st Century,Classical,Contemporary. Individual part. 2 pages. C8 Music #894859. Published by C8 Music (A0.1305415). Inspired by Bach, specifically the Prelude of the first Cello Suite, After Bach exploits the sonorities of the cello with the melody intertwined in chordal figuration. It is mostly in the bright Lydian mode, moving through different modalities and moods. Before the final cadence, there is a more contemplative reprise of the main theme, leaving the listener with a good feeling. It was written for Pablo Tejedor-Gutierrez, who has a beautiful tone on his baroque cello and of course loves Bach. 3'40. More at www.dominicmcgonigal.com.