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Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水龍. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #2341883. Published by SpringAutumnmusic (A0.961997). 《水墨畫之冥想》(九支大提琴室內樂曲) 1994年  作曲者自幼喜愛繪畫與音樂。爾後,雖然選擇了音樂為終身志業,但對繪畫的興趣與狂熱,始終有增無減。在已完成的音樂作品中,幾首均與繪畫有密切的關係。作曲者認為,所有的藝術創作,雖然因其使用的素材不同或表現的技法相異,但最後所要呈現的藝術本質,應是殊途同歸,音樂與繪畫更是不例外。   本曲創作的動機,來自於傳統水墨畫中的「虛實相生」觀念。古人笪重光「畫筌」云:實處之妙,皆因虛處而生,也就是無虛不易顯實,無空不能存虛。無疏不能成密,無密不能見疏,是以虛實相生,疏密相用。作曲者試圖以此繪畫手法,呈現在此首樂曲結構中,如時間與空間的對比,織度與密度的互換,實體與空靈的轉變等,以求音畫之意境。 ※本曲由文建會委託創作,首演於1995年11月25日於國家演奏廳,由財團法人邱再興文教基金會主辦之「春秋樂集95秋 · 室內樂之夜」。由涂惠民擔任指揮,大提琴演奏家為孫琬玲、黃智瑛、鄭佩玲、曾史妃、洪婉容、黃韻宇、劉姝嫥、蘇千芳、王佩瑜。   《Meditation on Ink Painting》for Nine Cellos (1994)     Music and painting are two beloved arts for Professor Ma since he was a kid. Even he finally decided devoted to music composing for his life, he always had the passion for painting. Several Professor Ma’s compositions were highly inspired from the concepts and techniques of painting. Professor Ma believed that all the arts, although they present differently on the usages of materials or techniques, the essence and highest acheivement of all arts must be the same, including both music and painting.     Meditation on Paintings in Ink was directly inspired by the techniques of Chinese traditional ink painting and the concept of the mutuality in virtuality and reality. The composer attempted to transform the philosophy that derive from the virtuality-reality relationship into the composition, presented it as the contrast between time and space, the alternation of texture and density, or, the changing of emptiness and fullness, etc., in order to establish an artistic atmosphere of musical painting.     Meditation on Paintings in Ink was commissioned by the Council for Cultural Affairs, premiered in the National Concert Hall, on 25th of November 1995. It was programed in the Euterpe: Spring and Autumn concert series Autumn 1995: A Night of Chamber Music, held by the Chew’s Culture Foundation. The world premiere was conducted by Hwei-Ming Twu and the nine cellists were Wan-Ling Sun, Jyh-Ing Huang, Pei-Ling Cheng (Yi-Chin Cheng) , Shih-Fei Tseng, Wan-Rong Hung, Yun-Yu Huang, Chu-Chuan Liu, Monica C.F. Su and Pei-Yu Wang.
Meditation on Ink Painting《水墨畫之冥想》
Violoncelle

$13.99 11.94 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1451431 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Benzaiten Editions. 21st Century,Contemporary,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #1030809. Published by Benzaiten Editions (A0.1451431). Hey there, music enthusiast! Ready to dive into the thrilling melodies of Klaus Badelt's iconic He's a Pirate from the Pirates of the Caribbean soundtrack? Let the adventure unfold with our sheet music edition! ?Klaus Badelt / Hans Zimmer / Geoffrey Zanelli He's a Pirate | Pirates of the Caribbean | cello sheet music About 'He's a Pirate' Pirates of the Caribbean He's a Pirate by Klaus Badelt is an exhilarating masterpiece from the Pirates of the Caribbean soundtrack. Its dynamic energy and adventurous spirit have made it a beloved favorite, capturing the essence of swashbuckling excitement and epic high seas adventure.Perfect for recitals, performances, and anyone looking to add a touch of cinematic excitement to their repertoire, this arrangement brings the thrilling world of pirates to your fingertips. Whether you're a fan of the movies or simply love a good adventure, this piece is sure to inspire and entertain.
He's A Pirate
Violoncelle

$4.99 4.26 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1451432 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Benzaiten Editions. 21st Century,Contemporary,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #1030810. Published by Benzaiten Editions (A0.1451432). Hey there, music enthusiast! Ready to dive into the thrilling melodies of Klaus Badelt's iconic He's a Pirate from the Pirates of the Caribbean soundtrack? Let the adventure unfold with our sheet music edition! ?Klaus Badelt / Hans Zimmer / Geoffrey Zanelli He's a Pirate | Pirates of the Caribbean | cello sheet music [chords] About 'He's a Pirate' Pirates of the Caribbean He's a Pirate by Klaus Badelt is an exhilarating masterpiece from the Pirates of the Caribbean soundtrack. Its dynamic energy and adventurous spirit have made it a beloved favorite, capturing the essence of swashbuckling excitement and epic high seas adventure.Perfect for recitals, performances, and anyone looking to add a touch of cinematic excitement to their repertoire, this arrangement brings the thrilling world of pirates to your fingertips. Whether you're a fan of the movies or simply love a good adventure, this piece is sure to inspire and entertain.
He's A Pirate
Violoncelle

$4.99 4.26 € Violoncelle PDF SheetMusicPlus

Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Violoncelle

$47.95 40.92 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1420950 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1002357. Published by MP Sheet Music (A0.1420950). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
The Winner Takes It All
Violoncelle
ABBA
$4.99 4.26 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1420907 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1002329. Published by MP Sheet Music (A0.1420907). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
The Winner Takes It All
Violoncelle
ABBA
$4.99 4.26 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1420923 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 3 pages. MP Sheet Music #1002346. Published by MP Sheet Music (A0.1420923). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
The Winner Takes It All
Violoncelle
ABBA
$4.99 4.26 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1420882 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. Individual part. 3 pages. MP Sheet Music #1002304. Published by MP Sheet Music (A0.1420882). The Winner Takes It All is a song recorded by the group ABBA.It was released as the first single from the album Super Trouper in 1980.HistoryThe Winner Takes it All tells of a painful winner takes all separation.The vocals are with Agnetha Fältskog. In one of his interviews, Björn Ulvaeus openly revealed that the lyrics were inspired by his separation with Agnetha that had occurred at Christmas in 1978. He also revealed that the song was written in an hour with a bottle of whiskey on the table.Because of the music, there was great anticipation for the release of the album, becoming one of the band's most anticipated releases of the year.Around two million copies were sold in pre-sales.It reached the Top 10 in Australia, Canada, Italy, Spain and the United States (where it became the group's fourth and final hit to reach the Top 10 of the music charts, reaching 8th place; the song spent 26 weeks on the Billboard Hot 100 , more than any other ABBA single).
The Winner Takes It All
Violoncelle
ABBA
$4.99 4.26 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 5 - Digital Download SKU: A0.1018897 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6056131. Published by Benjamin Sajo (A0.1018897). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violoncello
Violoncelle

$3.50 2.99 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.   The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Violoncelle

$3.50 2.99 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan María Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 pages. Juan Maria Solare #3088085. Published by Juan Maria Solare (A0.596489). Paregamutiún (Friendship): Four melodies of Armenian connotations for cello solo.I am not Armenian, but these melodies could be: it is an invented folklore. Nevertheless, I never wanted to compose an imitation of real Armenian music; for that I should live in Armenia a few years, learn the language, soak in a couple of millennia of culture and impregnate myself with the current problems. And yet it would be doubtful that the result would sound authentic. Neither I was interested in composing some sounding touristic postcards. These melodies reflect, yes, how a thankful being sees the Armenian from outside. And this is what grants them legitimacy.About the titles:The general title of the piece, Paregamutiún, is translatable as friendship. Sometimes it is transliterated Baregamutyun (as a certain station of the subway in Yerevan). The single titles of each piece refers to a lake, a mountain, a mythical patriarch and a tree of Armenia:1) Sevanavank: Monastery of the Black Lake, founded in 874. The name Sevan means literally Black Van, referring to a lake called Van. It is said that long ago the Armenians came from areas next to the lake Van towards the lake Sevan, they noticed that its waters were dark, almost black, but they reminded them of the lake Van, and therefore called it black Van: Sevan.2) Hayk is the patriarch of the foundational myth of the Armenian nation, and the original name of the country (Hayastán: land of the Armenians); some sources affirm that he was great great grandson or great-great-great grandson of Noah.3) Dziraní Dzar: apricot tree, the Armenian national fruit. Dzar is tree and dzirán is apricot, the obvious phonetic similitude seems to underline a strong semantic proximity between both concepts. The letter Dz is a complex phoneme similar to a smooth th.4) Masis is the Armenian name of mount Ararat, where -according to the Bible- ended up Noah's Arch after the Flood (Genesis 8:4).www.JuanMariaSolare.com
Paregamutiun [cello solo] (suite of 4 pieces)
Violoncelle

$10.00 8.53 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?” The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
A Gift From The Bower (Revised)
Violoncelle

$6.99 5.97 € Violoncelle PDF SheetMusicPlus






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