EUROPE
5798 articles
USA
31 articles
DIGITAL
278 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
278 partitions trouvées

1 16 31 ....271

Cello Solo - Level 4 - Digital Download SKU: A0.745261 Composed by Anders Hojer, James Arthur, and Jamie Graham. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #353270. Published by Sarah Cellobat Chaffee (A0.745261). Falling Like The Stars was released in 2019 as the third single from James Arthur's third album You. He described the song as perfectly representing what I do best, and his fans agree -- the video has since been viewed over 25 million times! On its way to becoming a wedding classic, this love song describes falling hard for someone at the beginning of a relationship, but also looking forward to a future together as a family with children. This version for solo cello was originally written for a wedding ceremony, but it will also be perfect for receptions, proposals, cocktail hour, pop concerts, solo & ensemble concerts, and any other occasion where you need to pull at your audience's heartstrings! Rated advanced-intermediate only for some tricky rhythms that you might want to take a look at beforehand -- otherwise this chart will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Falling Like The Stars
Violoncelle

$7.99 7.01 € Violoncelle PDF SheetMusicPlus

Cello - Level 2 - Digital Download SKU: A0.550708 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 67 pages. Jmsgu3 #4784057. Published by jmsgu3 (A0.550708). The Cello Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The Cello Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your cello choir can perform the Cello Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns.  Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. cello 1 & 2  read from the score on one stand, while cello 3 & 4 use the parts on a separate stands. The Cello Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Cello Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Cello Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of stringed instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
Guthrie: The Cello Choir Christmas Book
Violoncelle

$34.95 30.65 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Violoncelle

$3.50 3.07 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.526244 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock. Individual part. 3 pages. Sarah Cellobat Chaffee #6101121. Published by Sarah Cellobat Chaffee (A0.526244). One of the biggest and most ubiquitous hits of the early 2000's, The Middle was a breakout hit for Jimmy Eat World that placed them among the ranks of other big names of the day like Weezer, Blink-182 and Green Day. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! This arrangement for solo cello maintains the fun upbeat tempo and dynamic contrasts of the original, and it's pretty much guaranteed to get everybody singing along! This chart was originally written for a wedding reception, but it will also be perfect for pop concerts, solo & ensemble contests, parties, corporate events, or any occasion when you need some throwback rock. This chart will be sightreadable for professionals and learnable for advanced-intermediate students -- the trickiest part is the fun guitar solo in the middle!Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
The Middle
Violoncelle
Jimmy Eat World
$7.99 7.01 € Violoncelle PDF SheetMusicPlus

Cello - Digital Download SKU: A0.1273062 By Artie Shaw. By Irving Mills. Arranged by Michael Todd Kovell. 20th Century,Blues,Chamber,Classical,Jazz. 7 pages. Phinney Music #865251. Published by Phinney Music (A0.1273062). Immerse yourself in the soulful world of blues with our mesmerizing St. James Infirmary cello trio sheet music arrangement. Crafted for three cellos, this arrangement brings a fresh and captivating twist to the classic Irving Mills composition.Key Features:Soulful Interpretation: Experience the emotional depth of blues as you explore the haunting melody and rich harmonies.Perfect for Cello Trio: Tailored to three cellos, this arrangement ensures each player has an integral role in delivering a harmonious and engaging performance.Artful Expression: Embrace the power of music to convey a compelling story through your performance.Benefits:Enchant Your Audience: Leave a lasting impression on listeners with this evocative and unique rendition of St. James Infirmary.Improve Ensemble Skills: Strengthen your cello trio's musical synergy and communication through this captivating arrangement.Target Audience:Cello Trios seeking an engaging and expressive addition to their repertoire.Music Educators looking to teach their students about blues and emotional interpretation.Music Enthusiasts eager to explore the beauty of St. James Infirmary through the mesmerizing sounds of cellos.Dive into the soulful world of blues and captivate your audience with this exceptional St. James Infirmary cello trio sheet music arrangement. Unleash the emotional power of music with your enchanting performance.
St. James Infirmary
Violoncelle
Artie Shaw
$12.99 11.39 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.1375969 By Metallica. By James Hetfield, Kirk Hammett, and Lars Ulrich. Arranged by Aaron Sinnett. 20th Century,Rock. Individual part. 4 pages. Aaron Sinnett #960521. Published by Aaron Sinnett (A0.1375969). The key signature is the same as the original.The melody has been simplified to reduce the amount of syncopation. This makes it immediately more accessible to earlier-level players. The melody also features twice. First, it is presented quite low in register, entirely in the first position; Second, it is raised up one octave to where it is found in the fourth position and lower.The cue notes were written with the intent to be played. So, have at them if you so choose. If you are intermediate level all of the notes on the page are manageable.This is a cello only version.If you are still working out some technique, leave out the cue notes (and higher melody—the second verse. The melody could be played twice in either the low or high register depending on your level.) Later, come back for those notes and passages that are more difficult after achieving the requisite skills.In general, I think that Metallica’s songs lend well to the cello’s register. I hope this will be a good experience for all.
The Unforgiven
Violoncelle
Metallica
$5.99 5.25 € Violoncelle PDF SheetMusicPlus

Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Violoncelle

$47.95 42.05 € Violoncelle PDF SheetMusicPlus


1 16 31 ....271




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale