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Lin-Manuel Miranda : Hamilton - Dear Theodosia (niveau intermédiaire)
Violoncelle
Téléchargez la partition Violoncelle Hamilton - Dear Theodosia (niveau inter…
5.99 € Violoncelle PDF Tomplay

Lin-Manuel Miranda : Hamilton - Dear Theodosia (niveau facile)
Violoncelle
Téléchargez la partition Violoncelle Hamilton - Dear Theodosia (niveau facil…
5.99 € Violoncelle PDF Tomplay

Cello Solo - Level 5 - Digital Download SKU: A0.886674 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Individual part. 9 pages. Panagiotis Theodossiou #3079339. Published by Panagiotis Theodossiou (A0.886674). Eros, for cello solo, Love shattered my mind, like a storm in an oak forest on the mountainside.«ΈÏος δ’ ετίναξέ μοι φÏένας, ως άνεμος κατ’ ÏŒÏος δÏυσίν εμπέτων.» Sappho (V, 47 Lobel – Page) (2005), The work was a commission by the Thomas Tamvakos Greek Composers Archive. The power of love as Sappho poetically saw it and the composer musically hear it thousand years later. In a mystic and romantic-expressionistic as well mood Eros is based in a dialectical juxtaposition between the ancient Greek spirit and the contemporary musical thinking. The short citations of the famous Orestes stasimo from the Euripidian trilogy which recurs periodically works as a sacred voice from the past that leads the composer through the centuries and motivates his creativity.  The work has been performed twice in 2006: by Dimitris Magriotis at Philippos Nakas Concert Hall, Athens and by Olga Articopoulou at EXPO ATHENS Concert Hall, in the Anthousa String Festival receiving a honoured distinction.In its version for viola solo (2010), it has been performed by Andrea Hemmenway in Composer's Portrait, organized by the Greek Composers Union at Hellenic Conservatory in Marousi in 2010 and in her personal recital at Vryssaki Hall, Athens Plaka, the same year. https://www.youtube.com/watch?v=0MyLyIpbcwg
Eros for cello solo
Violoncelle

$10.00 8.66 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly – and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: • When you use the 4th finger – especially in the beginning – you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! • 4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
The CelloWay 1
Violoncelle

$12.00 10.39 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 3 - Digital Download SKU: A0.1295513 Composed by Katsumi WF. Arranged by Katsumi WF. Instructional,Jazz. Individual part. 2 pages. Katsumi WF #885804. Published by Katsumi WF (A0.1295513). This is an exercise / workout material for Cello players who play Jazz improvisation with any keys of 6th chords to Barry Harris Theory of 6th diminished. The chords are added on this but you may change by any of your ideas. Let's practice by medium tempo & slurred bowing by 5 to 20 notes to figure out which patterns are not familiar with your fingers, then focus practicing the parts of those. To make your own licks, you may add or skip some notes between those quintuplets. It is interested in playing those quintuplets in 2, in 3, in 4. Thank you for reaching out to this material! Katsumi WF.
Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
Violoncelle

$2.99 2.59 € Violoncelle PDF SheetMusicPlus






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