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Cello Solo - Level 1 - Digital Download SKU: A0.1097040 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Individual part. 1 pages. Melo Music #701007. Published by Melo Music (A0.1097040). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play violoncello version. Easy level. Key: G Major.
Adeste Fideles (O Come, All Ye Faithful) - cello
Violoncelle

$1.99 1.9 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: Canções e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, Andrés Díaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the Díaz Trio. Canções e Sambinhas is in four movements. I. Canção de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vêz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chôros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vêz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA
Canções e sambinhas (1996) for cello and piano
Violoncelle

$9.99 9.53 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 3 - Digital Download SKU: A0.549262 Composed by James M. Guthrie. Contemporary,Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3479705. Published by jmsgu3 (A0.549262). Veni, Veni, Emmanuel, also known as O Come, O Come, Emmanuel, is a Christian hymn for Advent. Here are some interesting facts about it:Ancient Origins: The hymn synthesizes the great, ancient O Antiphons sung for Vespers during Advent.Tune and Translation: The familiar tune, Veni Emmanuel, was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation.Variations: While the Veni Emmanuel tune predominates in the English-speaking world, several others have been closely associated with the hymn.Significance: The hymn is significant for its ancient origins, association with the Advent season and musical adaptations.
Guthrie: Fantasia on Veni, Veni, Emmanuel for Solo Cello
Violoncelle

$32.95 31.42 € Violoncelle PDF SheetMusicPlus






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