Flute Trio,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1308913 By Thomas Quigley. By German Carol. Arranged by Thomas Quigley. Christian,Christmas. 10 pages. Thomas Quigley #898169. Published by Thomas Quigley (A0.1308913). This sensitively crafted arrangement provides an opportunity to demonstrate the wonderful expressive qualities of your ensemble. With well-devised parts combining in rich harmonies it is enjoyable to perform and a perfect piece for a Christmas concert or religious service.

Flute Trio,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1214659 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Thomas Graf. Pop. 12 pages. Thomas Graf - the-hit-factory.com #811646. Published by Thomas Graf - the-hit-factory.com (A0.1214659). World Hit by Cold Play - great fun for your ensemble!About this arrangement: Composed by: By Guy Berryman, Jon Buckland, Chris Martin, Will ChampionArranged by: Thomas H. Graf Instrumentation:  Full Score Flute 1 Flute 2 Flute 3 Any individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

Woodwind Ensemble,Woodwind Trio Flute - Level 1 - Digital Download SKU: A0.1015624 Composed by David Healy-Richards. Celtic,Classical,Contemporary,Traditional. 11 pages. David Healy-Richards #4805467. Published by David Healy-Richards (A0.1015624). This short composition is an exercise based on counterpoint and contrapuntal harmony. It is scored for three flutes and It has been written in C# Minor. Counterpoint builds texure by taking a number of melody lines and overlapping them. You will see I have composed three lines and moved the top and bottom lines in contrary motion as heard in such polyphony as Thomas Talice's Spem in Alium A mixture between the key signature, the orchestration and the various time signature jumps gives this piece it's folky feel. I started my composition in the triad of C# minor and us the melodies developed I ended up crossing between the chords of F# minor, D# and E minor these various chords help to keep the piece interesting.