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Full Orchestra - Digital Download SKU: AX.00-PC-0001735_T2 2nd B-flat Trumpet. Composed by The Surfaris. Arranged by Sandra Dackow. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001735_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001735_T2). UPC: 038081350684.Still hip after all these years! Made popular by The Surfaris in the 1960s, this fun surfing tune will charge up your orchestra! The term wipe out refers to getting knocked off one's surfboard by a wave instead of having a successful ride, so be ready for energy. Playable by strings alone or with the addition of any combination of winds. Correlated with Orchestra Expressions Book Two.
Wipe Out: 2nd B-flat Trumpet
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$3.00 2.57 € Trompette (partie séparée) PDF SheetMusicPlus

Trumpet Solo - Level 3 - Digital Download SKU: A0.593611 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Individual part. 3 pages. David McKeown #6496761. Published by David McKeown (A0.593611). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a solo for Trumpet with chord symbols for piano or guitar accompaniment in concert pitch. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress AuliÊ»i Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full performance of How Far I'll Go played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
How Far I'll Go
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Takida
$4.99 4.27 € Trompette (partie séparée) PDF SheetMusicPlus

Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
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$3.50 3 € Trompette (partie séparée) PDF SheetMusicPlus

Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette (partie séparée)

$3.50 3 € Trompette (partie séparée) PDF SheetMusicPlus






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