Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.

Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.680954 Composed by William H. Monk. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #4804189. Published by Gert Th. Walter (A0.680954). Very easy arrangement, but not only for pupil and beginners.

Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1.    Farewell Too Fair 2.    Time Stands Still 3.    Behold a Wonder Here 4.    Daphne Was Not so Chaste 5.    Me, Me, and None but Me 6.    When Phoebus First did Daphne Love 7.    Say Love if Ever Thou Didst Find 8.    Flow Not so Fast Ye Fountains 9.    What if I Never Speed? 10.  Love Stood Amaz’d 11.  Lend Your Ears to My Sorrow 12.  By a Fountain Where I Lay 13.  O What Hath Overwrought 14.  Farewell Unkind 15.  Weep You no More, Sad Fountains 16.  Fie on This Feigning 17.  I Must Complain 18.  It was a Time When Silly Bees 19.  The Lowest Trees Have Tops 20.  What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.874242 Composed by Carl August Nielsen. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. 20th Century,Concert,Contemporary,Standards. 31 pages. As do Ray meflute studio production #3507515. Published by as do Ray meflute studio production (A0.874242). https://www.youtube.com/watch?v=jfDD17w3-Qw&t=8sArranged for piccolo solo with flute choir by Ray-Michael Kauffman . This piece dedicated to the incredible Lish Lindsey, NY/NJ flutist, educator, professor, and friend. This piece would make a great addition to the flute choir repertoire , as well as featuring a piccolo solo. Every part is challenging but fun and joyful, humorous in nature. May be played with Fantasy Piece # 2 Humoresque or alone for any concert program.*****   Also as a program note, Flute # 5 is basically the alto flute in G's part, and made be used if no alto, or for larger ensembles.** Flute # 6 is Alto in G   and flute # 7 is bass flute in c and can also be used to double for contra bass flute .          https://youtu.be/jfDD17w3-Qw  

Score, Set of Parts. 22 pages. Published by Flute Gamer Studio

Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - Digital Download SKU: A0.1023048 Composed by Kyle Rowan. Contemporary. 31 pages. Penguinman Music #4595909. Published by Penguinman Music (A0.1023048). A floral sea; a cloudless night was adapted from music originally composed for my upcoming hypertext opera, Not Quite a Sunset. Through a combination of guided improvisation and fully composed sections, the four flutists create textures that evoke the dreamworld experienced by the protagonist of the opera. The wind picks up around me, rousing me from sleep, and I open my eyes, but I do not move, only breathe. I am lying on my side in a field of long grass, the brush­like ends of which nudge me softly in rhythm with the moving air, encouraging me to get up. Something ­- the floral scent in the air, the chattering of insects around me ­ seems familiar about this place, though I am not entirely sure where I am.I begin to sit up slowly, first propping myself up on my elbows, taking in my surroundings. The tall grass spreads out in an endless sea around me, shaded black and grey by the darkness, occasionally glinting silver as it sways. ­ -excerpt from Not Quite a Sunset