Composed by Traditional. Arranged by Dana H. Joras. Christian, Spiritual, Sacred, General Worship, Christmas. Score, Set of Parts. 7 pages. Published by Dana H. Joras (S0.270435). - Score,Set of Parts - Christian,Spiritual,Sacred,General Worship,Christmas - Dana H. Joras

By Leonard Cohen. Arranged by Dana H. Joras. Score, Set of Parts. 14 pages. Published by Dana H. Joras (H0.184709-34102). - Score,Set of Parts - - Dana H. Joras

By Pentatonix. Arranged by Dana H. Joras. Score, Set of Parts. 15 pages. Published by Dana H. Joras (H0.170935-266763). - Score,Set of Parts - - Dana H. Joras

Flute Quartet,Woodwind Ensemble Alto Flute,Piccolo - Level 4 - Digital Download

SKU: A0.1413877

Composed by Anonymous (Medieval Italy). Arranged by Dana H. Joras. Early Music,Medieval,Multicultural,World. 26 pages. Dana H. Joras #995657. Published by Dana H. Joras (A0.1413877).

Trotto is an Anonymous Italian tune that is thought to have been played by medieval entertainers and storytellers known as Jongleurs. This traditional, instrumental dance has been arranged simply for flute quartet and optional drums. Embellishment of the tune is encouraged and all dynamic markings and articulations are suggestions. 

Instrumentation: Piccolo, 2 C Flutes, and Alto Flute 

Optional Percussion: Field and/or snare drum or similar

Parts may be doubled as necessary.

Performance Time: 4 minutes.

Flute Quartet - Grade 3 - Digital Download

SKU: DX.110408

Composed by Civilla D. Martin. Arranged by Dana F. Everson. Traditional. Sheet Music. Sacred instrumental music. Score and parts. 16 pages. David E. Smith - Digital Sheet Music #110408. Published by David E. Smith - Digital Sheet Music (DX.110408).

A flute quartet for four unaccompanied soprano flutes beginning with stacked triadic flourishes in an imitative fashion. The first thematic statement is made by the first flute offset by a duet counterline, given to a trio statement. The theme is now presented by the third and fourth flute in unison responded by the upper lines in a gentle obbligato. The piece now wanders off in fragmented motives leading up to a modulation and a meter of three. Here the parts move in a flowing triadic motion gravitating to a modified tune with stacked chords of support. The theme is now shuffled about amongst the voices giving a sense of motion and variety. This all leads up to further modulation and a more punctuated style. As the pieces winds down to a more relaxed nature, all of a sudden there is a flourish of active excitement passed around the parts, all to a flambouant ending.