By Traditional. Arranged by David Burndrett. For Flute. Folk Music. Easy/Beginner. Set of Parts, Score. Published by David Burndrett

Level 4 - Digital Download SKU: A0.1136050 By Budapest Scoring. By Robert Lowry. Arranged by David Warin Solomons. Classical,Spiritual. Full Performance. Duration 263. David Warin Solomons #736075. Published by David Warin Solomons (A0.1136050). Variations on the hymn by Robert Lowry. The variations include various melismas and Scotch Snaps and also a section in minor mode. Words of the original hymn: Shall we gather at the river, Where bright angel feet have trod, With its crystal tide forever Flowing by the throne of God? Refrain: Yes, we’ll gather at the river, The beautiful, the beautiful river; Gather with the saints at the river That flows by the throne of God. On the margin of the river, Washing up its silver spray, We will talk and worship ever, All the happy golden day. Ere we reach the shining river, Lay we every burden down; Grace our spirits will deliver, And provide a robe and crown. At the smiling of the river, Mirror of the Savior’s face, Saints, whom death will never sever, Lift their songs of saving grace. Soon we’ll reach the silver river, Soon our pilgrimage will cease; Soon our happy hearts will quiver With the melody of peace. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.

Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.587864 Composed by Various. Arranged by David McKeown. Easter,Sacred. 72 pages. David McKeown #5031043. Published by David McKeown (A0.587864). 16 Favourite Easter Hymns for Flute Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for four flutes, with an alternative part 4 for Alto Flute included. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Flute Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns Flute Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…·     All Creatures of Our God and King, (Lasst Uns Erfreuen)·     All Hail the Power of Jesus Name, (Coronation)·     Before the Throne of God Above, (Before the Throne)·     Blessed Assurance, (Blessed Assurance)·     Christ the Lord is Risen Today, (Easter Hymn)·     Crown Him with Many Crowns, (Diademata)·     The Day of Resurrection, (Ellacombe)·     Just as I Am, (Woodworth)·     I Know that My Redeemer Lives, (Bradford)·     It is Well with My Soul, (Ville du Havre)·     A Mighty Fortress is Our God, (Ein Feste Burg)·     Nothing But the Blood of Jesus, (What Can Wash Away My Sin)·     There is a Green Hill Far Away, (The Green Hill)·     Thine Be the Glory, (Judas Maccabeus)·     Were You There? (Were You There?)·     When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Flute Quartet - Grade 3 - Digital Download SKU: DX.110408 Composed by Civilla D. Martin. Arranged by Dana F. Everson. Traditional. Sheet Music. Sacred instrumental music. Score and parts. 16 pages. David E. Smith - Digital Sheet Music #110408. Published by David E. Smith - Digital Sheet Music (DX.110408). A flute quartet for four unaccompanied soprano flutes beginning with stacked triadic flourishes in an imitative fashion. The first thematic statement is made by the first flute offset by a duet counterline, given to a trio statement. The theme is now presented by the third and fourth flute in unison responded by the upper lines in a gentle obbligato. The piece now wanders off in fragmented motives leading up to a modulation and a meter of three. Here the parts move in a flowing triadic motion gravitating to a modified tune with stacked chords of support. The theme is now shuffled about amongst the voices giving a sense of motion and variety. This all leads up to further modulation and a more punctuated style. As the pieces winds down to a more relaxed nature, all of a sudden there is a flourish of active excitement passed around the parts, all to a flambouant ending.