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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.949163 Composed by Anonymous. Arranged by Ian D. Crew. Christmas,Classical,Concert,Renaissance,Standards. 14 pages. Grumpy Mule Music #6130605. Published by Grumpy Mule Music (A0.949163). 'Dadme albricias, hijos d'Eva' is the second piece in the suite 'A Renaissance Christmas for Flutes', a collection of four villancicos from the Spanish Renaissance. The villancico is now synonymous with the Christmas carol and this selection has been arranged in a lively, idiomatic way for Flute Quartet. (The complete suite is available here, as are the other three pieces as separate items.) Parts are provided for three concert flutes + alto flute in G; in addition, a keyboard part is provided for support, making this a highly flexible resource for both performers and teachers, full of warmth, joy, and seasonal cheer. Ā”Feliz Navidad!
Dadme albricias, hijos d'Eva
Quatuor de Flūtes : 4 flūtes

$5.99 5.72 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1509398 By Francesco Leone. By Zequinha de Abreu. Arranged by Francesco Leone. 20th Century,Latin. 24 pages. Glissato Edizioni Musicali #1084637. Published by Glissato Edizioni Musicali (A0.1509398). Dive into the heart of Brazilian Chorinho with Levanta Poeira, an exuberant piece by Zequinha de Abreu, the illustrious composer behind the iconic Tico Tico. This vibrant composition has been masterfully arranged for Flute Quartet by Francesco Leone, targeting intermediate-level flutists who wish to explore the rhythmic complexities and melodic richness of Brazilian music.This ebook provides a complete package, including the score and parts for C Flutes 1-4, meticulously arranged to capture the essence of Chorinho's spirited melodies and harmonies. Each part is designed to challenge and engage the musicians, encouraging a deep dive into the nuances of Brazilian musical tradition while ensuring an enjoyable and rewarding ensemble experience.An audio demo of this engaging arrangement is available on www.glissato.it, offering a glimpse into the lively and captivating performance that awaits. This resource is invaluable for understanding the intended articulation, dynamics, and tempo, serving as an excellent learning tool for ensembles preparing to bring Levanta Poeira to the stage.Additionally, this edition is enhanced with informative resources available in multiple languages: English, French, German, Spanish, Italian, and Portuguese. These materials offer insights into the history of Chorinho, the legacy of Zequinha de Abreu, and the cultural significance of Levanta Poeira, enriching the musician's connection to the piece. Whether you are a performer, a music educator, or a fan of Brazilian music, these resources provide a comprehensive understanding of the genre, the composer, and the arrangement itself.Levanta Poeira for Flute Quartet by Francesco Leone is not just sheet music; it's an invitation to journey through the captivating world of Chorinho, bringing the lively streets of Brazil to your concert hall. Embrace this opportunity to expand your musical horizons with the enchanting rhythms and melodies of one of Brazil's most cherished musical traditions.- Querflöten-Noten, partitions pour flūte, partituras para flauta, partituras para flauta, spartiti per flauto, flüt notalar?, nuty na flet, noter for flųyte, noter för flöjt, ??? ??, ??????? -.
Flute Quartet sheet music: Levanta Poeira (score & parts)
Quatuor de Flūtes : 4 flūtes
Francesco Leone
$14.00 13.38 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Digital Download SKU: A0.949184 Composed by Anonymous, John Dunstable. Arranged by Ian D. Crew. Christmas,Classical,Concert,Sacred,Standards. 36 pages. Grumpy Mule Music #6591405. Published by Grumpy Mule Music (A0.949184). The polyphony of the Medieval period is like nothing else. By turns raw, intricate, beautiful and bracing, the motets, masses, hymns and carols of the era never cease to astound. Re-imagined for Flute Quartet, here are four vocal works from the English and French traditions associated with Christmas.
A Medieval Christmas for Flutes
Quatuor de Flūtes : 4 flūtes
turns raw, intricate, beautiful and bracing, the motets, masses, hymns and carols of the era never cease to astound Re-imagined for Flute Quartet, here are four vocal works from the English and French traditions associated with Christmas
$17.95 17.15 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.833983 Composed by J.F. BURGMULLER. Arranged by BRIAN W. COPPING. Romantic Period,Standards. 16 pages. EMK Music #13329. Published by EMK Music (A0.833983). 'La Chevaleresque' has been variously translated as 'a titled lady riding a horse', the 'spirit of chivalry', 'the cavalier' and so on. Nevertheless, the traditional link between chivalry and the gallant knight on horseback is quite evident. In the music itself, which has a consistent underlying pulse, BurgmĆ¼ller cleverly manipulates the notation to express the various gaits of a horse, starting with an 'elegant but unsteady walk' and culminating in a brilliant semiquaver gallop! Itā€™s great fun to play.
LA CHEVALERESQUE (THE CAVALIER) FLUTE QUARTET
Quatuor de Flūtes : 4 flūtes

$14.00 13.38 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Ā Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Ā The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Ā Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for Flute Quartet
Quatuor de Flūtes : 4 flūtes

$74.95 71.62 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Ā Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Ā The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Ā Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flūtes : 4 flūtes

$49.95 47.73 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Ā Ā The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchĆ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Ā 
Solage: Le basile for Flute Quartet
Quatuor de Flūtes : 4 flūtes

$32.95 31.49 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Piccolo - Level 4 - Digital Download SKU: A0.1413877 Composed by Anonymous (Medieval Italy). Arranged by Dana H. Joras. Early Music,Medieval,Multicultural,World. 26 pages. Dana H. Joras #995657. Published by Dana H. Joras (A0.1413877). Trotto is an Anonymous Italian tune that is thought to have been played by medieval entertainers and storytellers known as Jongleurs. This traditional, instrumental dance has been arranged simply for flute quartet and optional drums. Embellishment of the tune is encouraged and all dynamic markings and articulations are suggestions.Ā Instrumentation: Piccolo, 2 C Flutes, and Alto FluteĀ Optional Percussion: Field and/or snare drum or similarParts may be doubled as necessary.Performance Time: 4 minutes.
Trotto
Quatuor de Flūtes : 4 flūtes

$12.99 12.41 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.734550 By Roy Rogers. By Dale Evans. Arranged by Dennis Ruello. Country,Film/TV. 13 pages. Chicory Music #6321455. Published by Chicory Music (A0.734550). Happy Trails to You is a song by Roy Rogers and wife Dale Evans, known as the theme song for the 1940s and 1950s radio program and the 1950s television show in which they starred. It was written by Evans and always sung by the duo over the end credits of those programs. This Flute Quartet or Choir arrangement is written at the Advanced Intermediate Level.  Useful as finale piece on a recital or performance.Performance Time approx. 3 minutes 20 seconds.
Happy Trails
Quatuor de Flūtes : 4 flūtes
Roy Rogers
$12.99 12.41 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.767259 Composed by Mike Lyons. Contemporary. 28 pages. Lyons Music Services #3124721. Published by Lyons Music Services (A0.767259). A piece for flute quartet (4 flutes, no bass/alto) written for Sue Pamp wo asked me to write this for her group. The piece has three movements:1. Spring: This movement depicts the birds and fowers in spring as the world comes to life after winter. halting at first, the new growth soon progresses to a hubub of sound. The ending is not a typical cadence, because I didn't want it to feel finished or in any way complete.2. Aurora: Named for the goddess of the dawn, strange harbinger of new beginnings. Aurora is ethereal and strange, difficult to pin down. Although the music is slow in tempo, the shifting harmonies make much use of dissonance to create a feeling of evanescence and instability.3 Life Stream: A final joyous shout as life grows at an exponential rate, filling the air with joyful sounds.
Flute Quartet - Four Flutes Flowing
Quatuor de Flūtes : 4 flūtes

$10.00 9.56 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1269004 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861537. Published by jmsgu3 (A0.1269004). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
Solage: Plusers gens voy for Flute Quartet
Quatuor de Flūtes : 4 flūtes

$24.95 23.84 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus






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